Nach Genre filtern
Joe Chesterman-March chats and laughs with the composers, players and organisers doing exciting things in the world of classical music today. Expect insights into the creative process, career paths, cross-disciplinary chat, and an honest look at the the classical music industry for the people in it. The No Dice Collective podcast ran March 2020 – June 2021. Thank you for listening.
- 15 - E15 Jo Cheung: Fixing Music Education’s Access Problem
Jo Cheung is director and founder of Olympias Music Foundation, a Manchester charity championing diversity in music – from violin lessons for children on free-school meals, to community choirs for vulnerable BAME women and school children. Since 2015, they have delivered over 2000 free music lessons to 250 children in Manchester, and engaged with many more through workshops and performances. We chat how Olympias got here, where it’s going and stop off along the way at:
The completely unregulated nature of teaching music Taking music education from school to the community and what that really means in practise Olympias’s huge Making Manchester project and their plans for the next yearhttps://www.joyeecheung.com/
https://www.olympiasmusicfoundation.com/
Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions.
This episode is sponsored by Dorico: the next-generation music notation software from Steinberg.
Slung Low Theatre Company Making Manchester Community Integration Awards Emma Doherty Hayley Suviste Cookbook!
Links and Show Notes—
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Tue, 01 Jun 2021 - 54min - 14 - E14 Raymond Yiu: Forming a Creative Identity
Raymond Yiu is a Hong-Kong born, London-based composer, jazz pianist, conductor and writer on music. Originally trained as an engineer, Yiu was self-taught as a composer until he undertook his DMus under the auspice of Julian Anderson at Guildhall in 2009. His debut album The World Was Once All Miracle showcases his talent with three identity-exploring works informed by his time at Guildhall.
How to get your foot on the ladder as a self-trained composer Why he won’t be getting a publisher any time soon Why Raymond never wrote the Cantonese pop songs that inspired him so much
Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions.
This episode is sponsored by Dorico: the next-generation music notation software from Steinberg.
Links and Show NotesRaymond Yiu: The World Was Once All Miracle out now on CD (with great liner notes)
Lontano ensemble directed by Odaline de la Martinez
North West Wind recording Raymond with Odaline de la Martinez’ Raymond with Lukas Foss No Dice’s latest spoken word gig Joe Hisaishi of Studio Ghibli scoring fame (I said his name wrong) Benetton’s ad with an image of David _Kirkby_—
Enjoying the podcast? Leave a kind word on iTunes to help others find us Join our mailing list to get everything No Dice firstSat, 01 May 2021 - 57min - 13 - E13 How to Write Music for Dance w/ Lara Agar
Lara Agar is a composer, violinist, and collaborator who recently caught my eye with a credit on Shades of Blue, a dance piece performed at Sadler’s Wells and broadcast on the BBC. We talk about how the piece came about, curating nights, and the different relationship musicians, dancers, and actors have with their art. Also in the episode:
The benefits of long-term creative partnerships Lara’s accidental rock opera Lara’s love of chaos Music’s uniquely non-visual role in today’s world
Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions.
This episode is sponsored by Dorico: the next-generation music notation software from Steinberg.
Links and Show Notes
Joe and Lara’s pretty faces
Rosalie Warner
Kantos – In The Field
EXAUDI vocal ensemble
SET
Music played in this episode
Shades of Blue (intro bed and breakbeat example)
Anima Rose
JABBERWOCKY - performed by EXAUDI (excerpt and in full at the end)
Accidental Rock Opera
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Join our mailing list to get everything No Dice firstThu, 01 Apr 2021 - 39min - 12 - E12 A Classical Marketing Masterclass w/ Aubrey Bergauer
Aubrey and I geek out about marketing in the classical realm.
Why classical’s core product will always be live music Why we shouldn’t be streaming whole concerts for free Plus Aubrey gives her advice on how new groups should approach finding and keeping new listeners, and how to get around the fear of the unknown with newly written music.If you’re a musician or arts administrator of any kind, this is an essential listen. If you fall outside of that, enjoy looking behind the curtain at what an orchestra exec spends her time thinking about.
Some Aubrey bio fun facts: she grew Seattle Opera’s BRAVO! Club to the largest group for young patrons in the US, led the Bumbershoot Festival to achieve an unprecedented 43% increase in revenue, and propelled the California Symphony to double the size of its audience and nearly quadruple the donor base.
https://www.aubreybergauer.com/
Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions.
This episode is sponsored by Dorico: the next-generation music notation software from Steinberg.
Links and Show Notes
💿 Get our CD Stillness with 25% off when you order before Christmas 💿It’s a CELLO-BRATION! - California Symphony (Available till Dec 11 2020. Emphasis mine.)
The referenced LSO video. Click ‘show chat replay’ to see Maxine Kwok in action.
Aubrey’s excellent blog. This post is California Symphony’s ‘Public Commitment to Diversity’, which I love.
Geffen Playhouse’s Zoom play: The Present
San Francisco Symphony: Throughline (free!)
Live with Carnegie Hall: Remembering Ruth Bader Ginsburg (also free!)
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Tue, 01 Dec 2020 - 53min - 11 - E11 Ellie Slorach: A Conducting Check-in for 2020
Ellie and I have a really open chat about our experiences with choral conducting and running a music group. Plenty of golden advice from Ellie, plus she explains why conductors shouldn’t silo into orchestral or choral, the weirdness of masterclasses, and creative administration.
Ellie is a conductor, and founder of Kantos Chamber Choir (who I sing with). She recently debuted with the Hallé and toured with Matthew Bourne’s Romeo and Juliet production as the Young Associate Conductor. She is musical director with the Hallé Youth Orchestra, Radius Opera, Stafford Choral Society; and associate conductor with Manchester Chamber Choir and Huddersfield Choral Society.
Ellie Slorach https://www.ellieslorach.co.uk/
This episode is sponsored by Dorico: the next-generation music notation software from Steinberg.
Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions.
Links and Show Notes
In The Field - Kantos Chamber ChoirRoyal Opera House - Opportunities for Women Conductors
Ellie’s Britten-Pears Young Artist Programme masterclass with Marin Alsop
Ellie conducting the Hallé Youth Orchestra
National Theatre Live (online screenings have now finished)
Piece of the Month blog series - No Dice Collective
Music played in this episode
Robert Nathaniel Dett – O Holy Lord
Rory Wainwright Johnston – Ave MariaAvailable to hear as part of Kantos’s In The Field project
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Sun, 01 Nov 2020 - 51min - 10 - E10 Shruthi Rajasekar’s Fascinating Position
Shruthi Rajasekar is a composer from Minnesota USA who straddles the worlds of Western contemporary music and south Indian Carnatic music from a truly unique position. Having grown up in the US with prominent Carnatic musician Nirmala Rajasekar as a mother, Shruthi is a joy to talk with as we cover:
Choral culture and education in the US vs UK How the pandemic is actually improving conversations around pieces in the rehearsal process Shruthi’s experience at SOAS and RNCM We also get super into the weeds discussing how despite its insane cross-rhythms, Carnatic music never changes time signature – plus how Shruthi breaks those rules in her piece, Numbers.Shruthi Rajasekar https://www.shruthirajasekar.com/
Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions.
This episode is sponsored by Dorico: the next-generation music notation software from Steinberg.
Links and Show Notes
Many thanks to NMC for allowing Shruthi’s piece Numbers to be played in this podcast. Find out more about their great Young Composers Scheme album on their website or stream the piece.Shruthi’s ‘German and Sanskrit’ piece, Devotee (played throughout)
Shruthi’s mum, Nirmala Rajasekar
B C Manjunath's Instagram:
“My mood for few days has simply been in Triplets, Sextuplets and Duodeciplets” 😅 Transcribed madness. 42:28s anyone?
Music played in this episode
Devotee
Numbers—
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Thu, 01 Oct 2020 - 44min - 9 - E9 Good Habits: Captivating an Audience
or Picking Weird Enough Instruments That People Can’t Look Away
Cello/singer–accordion duo Good Habits perform live for us all the way from New Zealand. We chat musical storytelling, capturing attention, and moulding a bar gig into a full blown concert by playing the room right. We also hear about their experience writing pop songs for a Chinese media company!
Good Habits https://www.facebook.com/goodhabitsband/
Links and Show Notes
Classical evolutionThe Fitzgeralds - amazing!
A great series on mixing basics by Dan Worrall for Fabfilter
Bonus link: https://www.facebook.com/goodhabitsband/videos/841706926030804/
(for context https://www.youtube.com/watch?v=Klhfo6sB4N4)
Music played in this episode
Under My Nose (PODCAST EXCCCLLUSIVE)
Forget It (also EXCCLUSSSIVE)
Hitch—
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Tue, 01 Sep 2020 - 43min - 8 - E8 The Vijay Iyer Interview: Deconstructing Classical Music
⭐ Revolutionary alternatives to tokenistic diversity programmes
⭐ Deconstructing boundaries between jazz and classical and freeing yourself to make the music you want to make
⭐ Methods for sneaking improvisation in front of classical musicians without them freaking outVijay Iyer is an ECM-signed artist. He has worked with Yo-Yo Ma’s Silk Road Ensemble, written violin concertos for Jennifer Koh, and music for the LA Phil New Music Group. He has been ‘Jazz Artist of the Year’ more times in more magazines than it is polite to count and it is my immense honour to welcome him to Classical Music Now.
If you want to access the work for yourself and check go to https://en.schott-music.com/shop/autoren/vijay-iyer
Links and Show Notes
MixTape by Vijay’s studentsShepard tone demonstration Probably the most famous use of it in music
Time, Place, Action – Vijay Iyer (extracts)
Still Life With Commentator – Mike Ladd, Vijay Iyer
Vijay Iyer presents Ritual Ensemble at Wigmore Ensemble
Vijay’s conversation with Georgina Born
We didn’t really dig into Vijay’s views on genre and community, but they're really good so if you're interested you can hear him talking about it in an interview for the Ojai Music Festival, where he was musical director in 2017 – https://www.youtube.com/watch?v=FUtV9E5AB_I
Music played in this episode
Emergence – Vijay IyerRead Hugh’s article on Emergence that sparked this episode!
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Acknowledgements
Vijay Iyer EMERGENCE Published by Schott Music Corporation, New York NYEmergence was commissioned by the National Forum of Music in Wroclaw, Poland which organizes Jazztopad Festival. It was premiered by the NFM Leopoldinum Chamber Orchestra in April 2016.
Sat, 01 Aug 2020 - 47min - 7 - E7 Can you Save Cheetahs with Electroacoustic Music?
Ah what a lovely chat. We begin with a love letter to new music and Manchester, work through why everyone should be improvising and the parallels between graphic scores and electroacoustic soundscapes, before ending with the role of music in activism, and electro finding a mainstream home in horror music and Amazon’s Alex Rider adaptation.
Sarah Keirle - http://sarahekeirle.wixsite.com/
Links and Show Notes The Illy Quane Episode
International Anthony Burgess Foundation
The Vonnegut Collective episode
I found it! Turns out we liked the piece enough to commission him… Theme & Transformations by Mark Bowler reflecting deforestation (not temperature change)
Sonification & The Problem with Making Music from Data - Tantacrul
https://harryovingtonmusic.com/sonic-rewild
Harrison Birtwistle: Silbury Air (with score) – See also this excellent primer by London Sinfonietta which includes an explanation of what metric modulation is if you’re wondering.
Can you hear Sarah Keirle’s burp in Okypete and Aello? I can’t. Send me a timestamp!
Music played in this episode (in order) Gethsemane intro bed
Okypete and Aello extracts throughout
Blue Lungs outro bed
Okypete and Aello final piece played in full
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Wed, 01 Jul 2020 - 1h 13min - 6 - E6 Trumpet Player Roasts Musical Establishment for 60 Minutes Straight w/ Illy Quane
Illy Quane: trumpet player extraordinaire, composer, and very funny guy. If you’re looking for some light lockdown distraction, this is it.
We chat about our disappointment with existing brass repertoire (apart from one piece for brass ensemble), Illy explains his developing thoughts on creating gran-friendly contemporary music programmes, and Joe recounts the moment he realised The Sixteen had more than sixteen members.
All in-betweeny music composed or arranged by Illy, and can be heard in full at the links below.
Links and Show Notes
Penderecki - Threnody (Animated Score) starts 0:32
Illy playing with the University of Manchester Brass Band (I’m at the back right)
AGBEKO - ‘22-legged Afro-Party Monster’
A Fela Kuti tune - Water no get enemy
Quartet Menine playing an arrangement of Debussy’s Dr Gradus ad Parnassum
The New New Manchester Manchester School School presents: And And And And I’ll [Live] (discussed later)
Other members of The New New Manchester Manchester School School, Izzy Williams and Aaron Breeze.
The Lion King (but the songs are different and the plot is terrible)
Jacob Collier’s beautiful performance of Hallelujah live for BBC
‘Like those videos of people playing along with a Nigel Farage Speech’ example
~ ~ ~ ~ ~ ~ ~
Mon, 01 Jun 2020 - 55min - 5 - E5 So why are you doing the Adès? w/ Vonnegut Collective
Today we’re chatting improv and Adès with the Vonnegut Collective. An enjoyably Coronavirus-free interview recorded back in March with a healthy dose of silliness and fun to complement the deep thoughts on what makes a good piece, and the place of improvisation in music education.
Vonnegut Collective - https://vonnegutcollective.co.uk/
Links and Show Notes Omer Meir Wellber
Frank Zappa - The Yellow Shark - Intro
As Gemma won’t give us her favourite Dire Straits song, here’s Spotify’s
Cornelius Cardew Scratch Orchestra
John Stevens - Search & Reflect
https://vonnegutcollective.co.uk/projects/thomas-ades-tullis-rennie/
Adès Piano Quintet score (check out the sorta uncoupled piano in the first movement)
Tullis Rennie - Muscle Memory (it’s really cool)
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Fri, 01 May 2020 - 59min - 4 - E4 A Writer and a Reviewer Walk into a Music Podcast...
Today we are blessed with a great window into the world of arts reviewing and writing thanks to Hugh Morris, and the similarities and differences to creative writing thanks to Georgia Affonso.
The pair collaborated on a piece for No Dice Collective in 2019 based on a photo of Anthony Burgess (the Clockwork Orange guy) walking his dog, and we share the stories behind the piece in this episode and play the piece in full.
Hugh Morris - https://www.facebook.com/hughmorrismusic
Georgia Affonso - https://twitter.com/georgia_writesLinks and Show Notes
Harrison Birtwistle Mask of Orpheus - ENO
For those as fashion unconscious as me... Chorus of rage as ENO gives critics’ coveted extra tickets to young bloggers - The Guardian Georgia and Hugh’s object: Anthony Burgess walking his dog Georgia Affonso x Sophie Sully - Dilly the Slug Hugh makes it on Buzzfeed Good King Agatha | Hugh Morris & Edmund Phillips | Manchester Contemporary Youth Opera (check out more of Hugh’s work!)As ever, thank you for spreading the word about the podcast!
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Wed, 01 Apr 2020 - 53min - 3 - E3 The Ensemble of the Future w/ Manchester Collective
Today I’m thrilled to share an interview with Adam and Rakhi of Manchester Collective. Emerging in 2017, they're already an established part of the Manchester scene thanks to their impressive work ethic and immersive concert experiences.
We discover their origin story: how the group was founded, its roots in changing the makeup of classical audiences, and how they came into the world seemingly full-formed with three seasons planned ahead (hint: a whole year of planning).
We also find out what their secret sauce is, their ‘warts and all’ approach to live performance, and Adam’s #logisticslife revealing the glamorous world of lighting rig updates and taping down crystal glasses that makes a concert really shine.
Manchester Collective - https://manchestercollective.co.uk/
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Links and Show NotesBlack Angels score Google search
Quote from Black Angels: “The crystal glasses should be goblet-shaped. A fine grade of crystal will produce a truly beautiful effect. The glasses should be mounted on a board (by taping).”
Heinrich Biber - Battalia à 10 (1673) Check out the col legno (back of the bow) in movement one, the nuts dissonance in movement two, and the musket fire in movement seven!
Rakhi performs Spiegel im Spiegel
One of those incredible live Nina Simone performances
Intro/outro music: Goodbye by Luke Mather
What did you think of the first three episodes? Send us a tweet!Thu, 05 Mar 2020 - 45min - 2 - E2 Wish Bone Wish Granted Perhaps w/ David McFarlane and Gregory Kearns
I chat with composer David McFarlane and writer Gregory Kearns on their 2018 collaboration about the Christmas apocalypse, which all stemmed from a set of small bells David received in a Christmas cracker set.
As well as hearing excerpts of their piece, Carol For Our Children, performed by No Dice Collective, we branch out into chats about leading community workshops, space to make mistakes, struggling to take our own creative advice, hang-ups about writing overtly emotional work, and the role of intuition and emotion vs formalised thinking in the creative process.
A really interesting, cross-disciplinary chat that touches on broad themes of individual creative processes. Should be interesting to anyone with a creative urge!
David McFarlane - https://d-mcf.com/
Gregory Kearns - https://twitter.com/gregorykearns
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Links and Show NotesDavid McFarlane’s eye-tracking head theramin
33 ⅓ Series: 93. J Dilla’s Donuts
Alicia Keys, John Mayer & Questlove- If I ain't got you / Gravity
Jonathan Harvey famous bell piece
Meet The Composer Podcast - New Music Fight Club (great name)
Christmas In L.A. - The Killers
The Handsome Family - So Much Wine
The Road OST - Nick Cave & Warren Ellis
What did you think of episode two? Send us a tweet!Sun, 01 Mar 2020 - 1h 07min - 1 - E1 Remote Work: A Musician's Guide w/ Jiří Kadeřábek and Jasmin Allpress
Hello there! Come on in…
Today I’m speaking to Czech composer Jiří Kadeřábek and No Dice pianist Jasmin Allpress about their shared journey bringing the piece Hindyish together.
We’ll hear how they worked across Europe via Skype and phone calls to bring the piece together, how Jiří makes this very stylistically post-modern piece sound cohesive, as well as walk through the piece itself before ending with a recording of Jasmin playing it at our Soloist concert of June 2018.
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Links and show notes:http://www.jirikaderabek.com/en/
What did you think of our first episode? Send us a tweet!Thu, 13 Feb 2020 - 37min
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