Nach Genre filtern
Blake’s 7. The quintessential British Science Fiction Show, depending who you ask. And now, two regular guys who’ve driven themselves a bit mad watching Doctor Who are here to dedicate themselves to podcasting their way through it. Filled with “laughter”, the barest of surface level analyses, and a total inability to take anything seriously, Zenith is the premiere Blake’s 7 podcast.
- 56 - Inevitable: Episode 0
This week we have something new for you.
This is Episode 0 of our new podcast, Inevitable. Because, as we all know, we’re basically suckers for attention and so as soon as someone mentioned we should watch even more sci-fi everyone has to have known that this would be inevitable. Inevitable will be available on your favourite podcasting platform on October 18, 2019!
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And now… the time is near…
Everything we’ve ever done, everything we’ve ever recorded, it all leads up to this. To this singular podcast episode, this 2 hour epic. We’ve compiled over a dozen of our fan submissions for our fantasy Blake’s 7 episode, and have now presented them all here, for the first time. We hope you enjoy this roaring, exciting, nail biting finale to Zenith, and we’d like to extend a very happy thank you to everybody who ever listened in!
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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It’s like Trial of a Time Lord but better.
It’s really hard to believe that we’re so cloes to the end. This is the latest thing I think we’ve ever listened to for Trust Your Doctor or Zenith, but not the latest thing we’ve covered (thanks Triple Play, check it out). Can you believe that we’ve done this podcast for nearly a year? That’s actually amazing. It’s The Way Ahead, written by Mark Wright and released on January 2, 2018.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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He just wants to be loved. I think.
Merry Christmas, we hope you’ll enjoy this rendition of “jingle bells, decomposing Blake smells, Avon took a bullet.” They’re all dead is what I’m saying, and frankly we had no idea when we started this podcast that Blake would fall on Christmas, which is really a rather fun coincidence. Fun might not have been the word I’m looking for actually, in retrospect. It’s Blake, written by Chris Boucher and aired on December 21, 1981.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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As you can tell I forgot to find a good title this week.
The end is nigh. And by nigh I mean, it’s nearly here. Next week, Blake, then two more episodes, then…? It’s over. On the bright side we’ve been forming a coalition of people to take over the job for us. That way you can still get Blake’s 7 content but without us, so we can actually sleep for a while, without having to panic because it’s Monday and I haven’t edited the Zenith episode. That last part is true, by the way. It’s Warlord, written by Simon Masters and aired on December 14, 1981.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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Coming soon to a merchandise store near you!
It’s a good thing we were joined by Sgt. Draino this week, so that we can decide which one of us to throw out of the airlock to make sure that this podcast makes it out of orbit. That’s right, we’re recording the final episode in space which means we have to drop one of three people. Who’s it gonna be? It’s Orbit, written by Robert Holmes and aired on December 7, 1981.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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What happens on Zerok stays on Zerok.
This week we’re joined by someone totally and completely eclipsing us in knowledge of literally everything ever. Which is actually par for the course for this podcast, all of guests are more knowledgable than us anyway, why do you even listen to this podcast? For the guests I guess. It’s Gold, written by Colin Davis, and aired on November 30, 1981.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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We may have discovered a new Blake’s 7 related website name.
Thankfully, when we record, we record as far as possible from any sand that could kill us. Just in case we keep the recording area completely air tight, which basically means we have to record the entire episode before we run out of oxygen and die. You could argue that that’s a massive mistake, but we don’t think so. Gotta keep that sand out. It’s Sand, written by Tanith Lee and aired on November 23, 1981.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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In the end it’s still just a quarry though.
This podcast isn’t just a game, you know. I think everybody thinks it’s just a game, because we have so much fun, but this is serious business. This podcast has a serious following and serious work that goes into it. So don’t be deceived. It’s Games, written by Bill Lyons and aired on November 16, 1981.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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ROFLCOPTERLMAOBLAKES7
A lot of people want Zenith dead. We’re pretty popular, you know, so it would make sense for people to want us dead. Take out the competition so to speak. I’m not saying another podcast hired an assassin to kill us, I’m just saying another podcast hired an assassin to kill us. It’s Assassin, written by Rod Beacham, and aired on November 9, 1981.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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You ever notice that all metal is flexible? No? Just me?
This week we get a much much better episode of Blake’s 7 than last week. Which is honestly a huge relief. Was really expecting us to be in the dumps for the next five weeks. But good old Roger Parkes is here to save us. It’s Headhunter, written by Roger Parkes and aired on November 2, 1981.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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But do it anyway.
Hold on to your butts, this is about to get weird. Everyone else seems to hate Animals. Then again, everyone else seems to love Orac. That’s not to say we loved Animals. No far from it. Just. Well just listen for yourself. It’s Animals, written by Allan Prior and aired on October 26, 1981.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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It’s called a headband. Oops.
This week we move away from a podcast over to our new venture! We’re proud to announce that we’re going to be starting our very own biker gang. The Decorative Vegetable Biker Gang will be staring operation in the next week in the downtown Antarctica. It’s Stardrive, written by Jim Follett and aired on October 19, 1981.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Tue, 23 Oct 2018 - 1h 11min - 43 - Episode 42: Bleak’s 7 (Traitor)
It’s even bleak visually, it’s all brown.
One of the two of us is a dirty, dirty traitor who sold out the podcast. Can you guess which one of us two it is? It’s probably pretty obvious but you know, why not try and guess anyway? It’s Traitor, written by Robert Holmes and aired on October 12, 1981.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Blake’s 7 is an integral part of a healthy diet!
This week we run through another Ben Steed story. Which means that we’re gonna deal with a lot of sexism and misogyny. And since he actually wrote two good stories before this that means someone somewhere said “maybe we should just let him do whatever the hell he wants” and so we got this. Power. Written by Ben Steed and aired on October 5, 1981.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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They’re not good people apparently but I’m a bit concerned actually.
The final season of Blake’s 7 beings, and so too begins the final 13 episodes of Zenith. Bit of a sad thought that, but on the bright side we get joined yet again by Jon, of Making Blakes 7. What better way to start off our farewell tour so to speak? It’s Rescue, written by Chris Boucher and aired on September 28, 1981.
Oh yeah, by the way, Jon sings at about 1:45:00 ish. Just wanted you to make sure you hang on until then. 🙂
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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Well, at least Kiyan doesn’t really care about spoilers anyway.
We made it! Almost. We reached the original end of this show. But then, well, it was such a big success so they decided to do another season because I guess why not? Also, if the show is good, why not make more? Although there is an argument to be made to end it when it’s still good. It’s Terminal, written by Terry Nation and aired on March 31, 1980.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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Rule 1. We only allow clones of Steven Pacey in our army.
This week we time travel back to Ancient Rome, or we would, if this was Doctor Who. Instead we bring Ancient Rome into the future, because this is Blake’s 7 where everything is in the FUTUREEE. It’s Death-Watch, written by Chris Boucher and aired on March 24, 1980.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Drax the Destroyer obviously, the Marvel one.
Wow kind of weird how many computers we’re starting to get on this show isn’t it? Orac, Ultra, Moloch, Zen. That’s four already right there, two of which were introduced in the last two weeks. Weird. It’s Moloch, written by Ben Steed and aired on March 17, 1980.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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Well it’s like, sort of gold looking right?
This week we dive into a massive… brain? Well that’s just completely disgusting honestly. I mean good god, have you actually seen a brain? It’s horrifying. Legitimately horrifying. It’s Ultraworld, written by Trevor Hoyle and aired on March 10, 1980.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Scientific fact that green eyes are cool.
Argy is legitimately the first female guest we’ve had on every single podcast we’ve ever done. That is… quite an achievement, perhaps, but at the same time… I don’t know where this is going honestly. It’s Sarcophagus, written by Tanith Lee and aired on March 3, 1980.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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The only thing that could possibly improve my mood is watching Blake’s 7.
We are quickly moving towards the end of this podcast. Can you believe it? Zenith will end at some point, it will actually be the first of our podcasts to end. Brilliant! Wait, no. Also, did you know, the title of this story and the quote in it are from Mark Twain? “The reports of my death was an exaggeration.” Which often gets misquoted as “The reports of my death are greatly exaggerated.” It’s Rumors of Death, written by Chris Boucher and aired on February 25, 1980.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Basically every episode after aftermath is the after aftermath.
I cut out a 40 second argument about the introduction this week, can you believe we actually argued about how to introduce the show this week? Ok it wasn’t really an argument, more of a humorous discussion. But anyway, it’s Children of Auron, written by Roger Parkes and aired on February 19, 1980.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Pretty much right about now I think.
Have any of our listeners watched City at the Edge of Forever? I’m actually curious to know, I’m sure we have at least a few Star Trek fans in the audience, there has to be at least one. I’m sure of it. Come on. Just send us an email. It’s City at the Edge of the World, written by Chris Boucher, and aired on February 11, 1980.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Yes, here is, the man, the myth, the legend. Making Blake’s 7.
Here’s a fun fact for you all, Jon is the first person who has actually asked US to be on the podcast. Weird right? Usually we’re the one’s begging everyone else to come on the podcast, because really who wants to listen to Dylan and Kiyan for 52 episodes straight without some sort of other voice in there? So that’s exciting. It’s The Harvest of Kairos, written by Ben Steed and aired on February 4, 1980.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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Next comic-con I’ll cosplay as Roj Blake, I think.
This week we commit sacrilege! I mean, turns out gods are real, we totally just like, ragged all over them, and then they just came on down and struck us down so we regret to inform you that the podcast will no longer be continuing. We’re dead. It’s Dawn of the Gods, written by James Follet and aired on January 28, 1980.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Probably a dangerous combination. I think.
This week we approach a dangerous natural object that honestly we have no business being anywhere even on the same planet with. It’s a massive, world ending volcano. Although to be fair I guess Yellowstone exists. It’s Volcano, written by Alan Prior and aired on January 19, 1980.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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I stab your back, you stab mine. You know the drill.
I’m going to be making some powerplays this coming week. If you know what I mean. I’m going to be baking a cake. That’s what I mean. What did you think I meant? It’s Powerplay, written by Terry Nation and aired on January 14, 1980.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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In the name of Avon, Zen and Orac, amen.
The halfway mark has been passed and quickly discarded. We’re now, so to speak, on the downslope that forms the slow gradual decline and death for most television programs. Hopefully that’s not so for Blake’s 7 but we’re here to find out. It’s Aftermath, written by Terry Nation and aired on January 7, 1980.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Distant cousin of trickster god Low Key.
Chris Boucher is here to clean up Terry Nation’s mess. No really, Terry tried to write this two part finale, it was gonna be this big event and then he had to shamefully admit that “hey I can’t really do this.” And so Chris Boucher, the real people’s hero, is here to fix it write up. It’s Star One, written by Chris Boucher and aired on March 27, 1979.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Are there any Rods who even listen to this podcast?
This week we argue about what Science Fiction is. I mean, you’d expect us to do that when the podcast started, when we first started watching Blake’s 7, an allegedly seminal Science Fiction Television Show. But we didn’t until now, so that’s kind of fun. It’s The Keeper, written by Alan Prior and aired on March 27, 1979.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Why are you hitting yourself?
In what is a common occurrence on Trust Your Doctor but what appears to be rather rare on Zenith, we completely disregard fan wisdom and go way against the grain and basically just form an opinion so far removed from common knowledge that people were dreading this episode before it even went out. It’s Gambit, written by Robert Holmes and aired on March 20, 1979.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Kind of like unlimited Gan but way more dangerous and unhinged.
This week somebody other than Christ Boucher or Terry Nation titled the script, because it’s got like 4 words. Thats 3 words more than the average on this show, so let’s give Blake’s 7 a big round of applause. It’s Voice from the Past, written by Roger Parkes, and aired on March 13, 1979.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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How long has it been since I last lost The Game?
Guess who’s back? Back again. Terry’s back. Back again. It’s Terry Nation returning to write for the show once again, with a script he probably actually turned in on time for once. It’s Countdown, written by Terry Nation and aired on March 6, 1979.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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Don’t you get any ideas, Hollywood.
This week’s episode is a doozy. It’s a weird one, it’s kind of uncomfortable, and we were really weird and woozy because it was midnight when we started recording this. Which means it’s one of the funniest episodes we’ve recorded. Maybe. It’s Hostage, written by Allan Prior and aired on February 27, 1979.
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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If Travis doesn’t wear a tuxedo in this show I’m rioting.
One of these two people is a killer. A silent killer, which if you think about it is really the only kind of killer they could be if they’re on an audio based podcast. Because they have to talk all the time, you know? Anyway, it’s Killer, written by Robert Holmes and aired on February 20, 1979.
Blake’s 7 © The BBC
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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You see Roj Blake standing in front of you, what do you do?
Chris Boucher is back. Well he never actually left, but he’s back, or something like that. Travis is back too, but he’s gone rogue now, much like Chris when you think about it. First he was doing Terry’s (Servalan’s) bidding, and now he’s going off and doing his own thing without that pesky overbearing boss. It’s Trial, written by Chris Boucher and aired on February 13, 1978.
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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This week on BDSM America… no I’m not finishing this thought.
This week is our first episode of Zenith that features three hosts rather than the usual two. Because we’ve somehow convinced some random fan to actually pull out a microphone and record with us. Yes, this week we are joined by the illustrious(?) Sgt. Draino for Pressure Point, written by Terry Nation and aired on February 6, 1979.
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The Blake’s 7 title music was originally composed by Dudley Simpson.
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No one ever claimed we weren’t ambiguous on this podcast, you know.
This show is getting increasingly stressful to edit because I continue to actually forget to do so. I always remember way late at night Monday evening. This is more behind the scenes in formation than you could have ever possibly wanted or desired, but there it is. This week it’s Horizon, written by Alan Prior and aired on January 20, 1979.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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We all know Chris is the end all be all on this argument.
Chris Boucher is still in control this week. Thankfully. It’s good to have a respite from Terry Nation right? I mean, the one episode alone was good but to be able to get two in a row (more!) is a fantastic little gift. It’s Weapon, written by Chris Boucher and aired on January 23, 1979.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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Everyone in my family has the force or something I don’t remember the quote anymore.
Finally Terry gave up on writing stories for Blake’s 7. Only took him 14 damn episodes to finally hand the reigns over to someone else. Although arguably the reigns didn’t go very far, just like, one seat to the right. To Christ Boucher. It’s Shadow, written by Chris Boucher and aired on January 16, 1979.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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I’m tired of this monday to… wait I’ve used this before.
This week we move from Series A into Series B, which means we’re past a quarter way now. This are going to get pretty different around here, we’ve finally gotta Terry Nation out of the writer’s chair, just not yet. No, first we have to wipe out all possibility of backstory for the Liberator. It’s Redemption, written by Terry Nation and aired on January 9, 1979.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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That’s what you came here for, and we delivered.
This week we’re finishing up the first series of Blake’s 7. Can you believe that that means we’re a quarter of the way through the entire show already? That’s really concerning, where did the time go? It’s Orac, written by Terry Nation and aired on March 27, 1978.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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And that was how we discovered that Blake was actually Willy Wonka.
Look, I really really need to deliver this item to that planet over there to save my race. Wait you mean you’ve done this before? 5 weeks ago? With Destiny? It’s Deliverance, written by Terry Nation and aired on March 20, 1978.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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Would we be considered 21st Century Earthaphiles?
This is a pretty controversial episode, so let me brace you our controversial opinion now: leopard skin is the new leather. Wait. Hang on. Let me think about that one for a second, I’m not entirely certain that actually makes sense. It’s Bounty, written by Terry Nation and aired on March 13, 1978.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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As opposed to a limited cosmic Gan?
Gan is the focus of this week’s episode. Get ready, because that basically means for the next 13 he probably won’t even get a speaking line. That’s how it goes, there’s 13 episodes in a season, one focusing on each crew member (that makes 7 if you include Zen) plus then like 5 more for Avon (for obvious reasons) plus an extra for Blake. It’s Breakdown, written by Terry Nation and aired on March 6th, 1978.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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And that’s how we got the newest hit superhero movie.
Why would anyone in their right mind name their secret government project after the person who is absolutely key to the project working? It’s supposed to be a secret project. Maybe I’m reading too deep into this. It’s Project Avalon, written by Terry Nation, and aired on February 27, 2018.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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The best Jane Austen rewrite is the one that features Kerr Avon.
This episode is pretty beloved. Not this episode of Blake’s 7, this episode of Zenith. It’s basically all down hill from here is what I’m saying. It’s Duel, written by Terry Nation and aired on February 20, 1978.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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I think I might have used this as a title before…
I think Terry Nation is out of ideas. Just flat out, like, I’m sure he just kind of read the back of his orange juice in the morning and tore the label off to give to Chris Boucher. It’s Mission to Destiny, written by Terry Nation, and aired on February 13, 1978.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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Here rests medieval fashion, taken from us too soon.
We’ve caught up to Kiyan’s prescreening of Blake’s 7. Basically he watched up to this point before we even started the show, because… well… actually I don’t really know. Why not? It’s Seek, Locate, Destroy, written by Terry Nation and aired on February 6, 1978.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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That’s the truth really, just take all my knowledge away thanks.
We’ve returned to Blake’s 7 again because I think this is actually a thing we’re doing. Basically no going back now, Episode 5 is the point of no return. Before then you can just bail but now we can’t go back. No choice. It’s The Web, written by Terry Nation and aired on January 30, 1978.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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I think we need to reevaluate our jokes.
Terry Nation has, predictably, already run out of ideas. It’s only episode 4! It gets even worse next week, episode 5 he somehow rips off all sorts of nonsense. Man this show went downhill fast. It’s Time Squad, written by Terry Nation and aired on January 23, 1978.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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Now we see the true danger of technobabble.
We’re continuing along our journey, although perhaps The Doctor has buggered with the show a bit, both our show and Blake’s 7 itself. It appears we have a bit of a timeline discontinuity that somebody didn’t notice in the production room. It’s Cygnus Alpha, written by Terry Nation and aired on January 16, 1978.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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Every wire has a story.
This week we’re here to prove that this podcast wasn’t a joke or anything, we’re actually going to watch Blake’s 7. Surprise, if you didn’t actually believe us. I don’t blame you, it was totally out of left field. It’s Space Fall, written by Terry Nation, and aired on January 9, 1978.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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Every rebellion needs a plan that will immediately fall apart.
It’s the start of a brand new era in podcasting, and a brand new era in television. It all started with “hey we should do Blake’s 7” and look here we are. Episode 1. Unsurprisingly it seems impossible to talk about Blake’s 7 without mentioning Doctor Who. Well, at least we started. It’s The Way Back, written by Terry Nation, and aired on January 2, 1978.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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Tue, 02 Jan 2018 - 38min - 1 - Episode 0: A Dissertation on Blake’s 7
Zenith is here for you. Zenith will rule.
Zenith is our new podcast, because apparently if 4 people say you should make a podcast, you should probably make a podcast. Spoiler for episode 1, we spend a lot of time talking about 70’s Doctor Who, because honestly, they’re like almost the same show. Here’s to a good journey through Blake’s 7, and here’s to a good 2018.
Blake’s 7 © The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Blake’s 7 title music was originally composed by Dudley Simpson.
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