UC Santa Barbara (Audio)

Pragmatism is a “philosophy” in two senses of the term. It is a general outlook on life and an academic theory of the universe and our place in it. In this program, Aaron Zimmerman, professor and chair of the Philosophy Department at UC, Santa Barbara, discusses the nature of America's pragmatism. The axiom of pragmatism is Alexander Bain’s (1865) theory of belief, which was subsequently developed by Charles Sanders Peirce and William James. Despite its Scottish origins, pragmatism is distinctively American, as philosophers, like Dewey and Rawls (in his later work), adapted American’s founding creed to the changes wrought by the Darwinian revolution in biology, offering a pragmatic rationale for natural rights originally grounded in creationist biology. Series: "GRIT Talks" [Humanities] [Show ID: 40130]

Director Don Hertzfeldt joins moderator Miguel Penabella (Film and Media Studies, UCSB) for a discussion of his films ME and It’s Such a Beautiful Day. They discuss his time as a UCSB student and his early interest in animation, as well as the development of his new film. Hertzfeldt also shares insights into his influences from silent cinema, and his thematic interests in deep time and memory across his work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40070]

Our respiratory system provides oxygen to and removes carbon dioxide from the body. To function properly, the lungs need to fill up with fresh air upon inhalation. Unfortunately, for a variety of medical reasons, the amount of air that reaches the lungs can be insufficient, causing respiratory distress. Healthcare providers often administer liquid drugs in the trachea to ensure prompt relief. In this program, Emilie Dressaire, professor of mechanical engineering at UC Santa Barbara, discusses how the liquid drugs make their way down to the lungs. To answer open questions on drug delivery, her team has built an experimental system that is currently in Space. She presents the journey from UCSB to the International Space Station and shares the first results. Series: "GRIT Talks" [Science] [Show ID: 40087]

Director Lynn Hershman Leeson joins moderator Letícia Cobra Lima (History of Art & Architecture, UCSB and curator of A Box of One’s Own) for a discussion of her film !Women Art Revolution. They discuss her history as an artist, and the difficult process of piecing together a narrative from hundreds of hours of footage, interviews, and extensive archival research. They also examine the institutional issues faced by women in the art world and make connections between past and present artists. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39975]

Composer Christopher Willis joins moderator Tyler Morgenstern (Assistant Director, Carsey-Wolf Center) for a discussion of his work on Schmigadoon! They discuss how theatrical and movie musical history, as well as Willis’ musicology background, informs the music of the show. They explore the challenge of composing an underscore, and incorporating the stylistic variation of decades of musicals, from the Golden Age musical tradition to the darker themes of 1960s and 1970s productions. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39993]

How secure are computers and how does artificial intelligence impact security? In this program, Christopher Kruegel, professor of computer science at UC Santa Barbara, explores two key questions related to security and artificial intelligence. First, how AI can help to improve security. For decades, security solutions have leveraged traditional machine learning models. Not surprisingly, recent advances in AI have opened up exciting new opportunities. Second, the security of AI systems themselves. Like any other software application, they can be exploited. Given their often-critical role, it is imperative to secure AI against attacks such as training data poisoning and adversarial inputs. Series: "GRIT Talks" [Science] [Show ID: 40086]

Writer/director Sam Kadi and actors William Atherton and Rizwan Manji join moderator Juan Campo (Religious Studies, UCSB) for a discussion of their film The Citizen. They share their experiences making the film and drawing inspiration from real Arab-American stories. They also discuss the continued relevance of the film’s themes, including issues of citizenship, the immigrant experience, racial prejudice, and the right to protest, as well as the representation of Arab-Americans on-screen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39978]

Proteins are large biomolecules that play critical roles in a host of cellular processes, from cell signaling to regulating the immune system. However, these life-giving proteins can form toxic aggregate species that have been linked to several neurodegenerative diseases, including Alzheimer’s Disease and Parkinson’s Disease. In this program, UC Santa Barbara professor Joan-Emma Shea discusses the tau protein as a model system to study neurodegeneration. Shea says this protein plays a functional role in stabilizing microtubules in brain cells, but it can also self-assemble to form amyloid fibrils (large “clumps” of Tau proteins). There are several neurodegenerative diseases linked to tau assembly, including Alzheimer’s Disease, Pick’s Disease, and chronic traumatic encephalopathy, and they are collectively known as tauopathies. Shea discusses new insights into tauopathies and targets for therapeutics. Series: "GRIT Talks" [Science] [Show ID: 40083]

How much do we really know about the quantum nature of space and time, the origins of the universe itself, and its most mysterious phenomena - black holes? In this program, Clifford Johnson, professor of physics at UC Santa Barbara, explains why understanding the laws of physics helps explain how the world around us works, and can fuel our imaginations to dream, invent, and create. Johnson works to engage the general public with scientific ideas, through many media outlets, including the entertainment industry. He has been a science advisor for many movies and TV shows. Series: "GRIT Talks" [Science] [Show ID: 40084]

Filmmaker Sreemoyee Singh joins moderator Shiva Balaghi (Area Global Initiative, UCSB) for a discussion of her film And, Towards Happy Alleys. They discuss the impetus for the film and Singh’s research into the cinema of Iran, as well as her travels to the country. Singh reflects on her experiences documenting Iranian filmmakers like Jafar Panahi and meeting those close to and following in the footsteps of the late Forugh Farrokhzad. She also discusses lessons learned as a documentary filmmaker. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39779]

Producer Angela Laprete and actor Lindsay Watson join moderator Tyler Morgenstern (Assistant Director of the Carsey-Wolf Center) for a discussion of their film The Wind and the Reckoning. They discuss the film’s origins and telling the story in the ʻŌlelo Hawaiʻi language. They also speak on the development of the script, its approach to genres like the Western and historical drama, working with cultural consultants, and the importance of authentic and thoughtful cultural representation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39977]

Director Sam Pollard joins moderator Wendy Eley Jackson (Film and Media Studies, UCSB) for a discussion of his film Max Roach: The Drum Also Waltzes. They discuss his long and remarkable career as a documentary filmmaker and the life of jazz musician Max Roach. They also reflect on Pollard’s varied documentary subject matter throughout the decades, from dressage to graffiti to the civil rights movement, and working closely with director Spike Lee. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39974]

Happiness is often described as being U-shaped over adulthood—starting high, declining to a midlife slump, then improving thereafter despite social losses and declines in health. Though some claim that this U-shape is a fundamental feature of human lives, happiness has mostly been studied in high-income countries. To provide a broader perspective, Michael Gurven, Professor of Anthropology at UC Santa Barbara, discusses age-profiles of subjective well-being among non-industrialized societies where people lack formal institutions that promote social welfare. Gurven says the average trajectory of happiness over adulthood differs among populations. Series: "GRIT Talks" [Humanities] [Show ID: 40085]

Director and co-writer Erica Tremblay joins moderator Lisa Parks (Film and Media Studies, UCSB) for a discussion of her film, Fancy Dance. They discuss the development of the film and Tremblay’s three-year-long journey to study the Cayuga language in preparation. They also discuss Lily Gladstone’s central performance, the role of dance as a central motif, and the foregrounding of queer identity and culture in the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39971]

Director Kemp Powers joins moderator Mireille Miller-Young (Feminist Studies, UCSB) for a discussion of his film Spider-Man: Across the Spider-Verse. They discuss the development of the film, the origins of characters like Spider-Punk, and various artistic influences. Powers also shares his experiences working with a large, diverse animation team and thoughtfully addressing issues of representation and authenticity. They also discuss the storytelling and expressive possibilities of animation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39976]

How did Ronald Reagan’s vision of the American Dream lead to Donald Trump’s success? Looking back to 1983, Diane Winston, professor of journalism and communication at the University of Southern California, discusses how evangelical religion, the news media, and social turmoil culminated in MAGA’s Second Coming. Winston shows that many journalists uncritically adopted Reagan’s religious rhetoric and broadcast his otherwise unpopular evangelical ideas about limited government and individual responsibility. Winston’s lecture is based on her recent book, Righting the American Dream: How the Media Mainstreamed Reagan’s Evangelical Vision. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Show ID: 40173]

The modern world is not disenchanted. On the contrary, it is full of gods and heroes and myths and magic. In this talk, Philip Gorski sketches out a new narrative of Western modernity that can account for this state of affairs: the fragmentation of the sacred. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 39810]

Director Nicole Newnham joins moderator Kyna McClenaghan (Film and Media Studies, UCSB) for a discussion of her film The Disappearance of Shere Hite. They discuss the origin of the film and her interest in Shere Hite, as well as the archival research undertaken in making the documentary. Together, they also detail the work of Shere Hite in the context of the feminist movement of the time, the sexist backlash she received, and the enduring impact of The Hite Report and other studies. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39973]

Filmmaker Jess X. Snow joins UCSB's Heidi Amin-Hong to discuss a selection of Snow’s films and their broader artistic journey. As a multidisciplinary artist, Snow's work encompasses poetry, visual art, and film, often addressing themes like the model minority myth, community care, mutual aid, and the Asian-American immigrant experience. They also explore how their films depict queer intimacy and the romantic and erotic agency of Asian-Americans. The conversation provides a deep dive into Snow’s creative process and how their diverse body of work challenges stereotypes and offers empowering narratives for marginalized communities. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39972]

This program discusses humanist and scholar Walter Capps’ political career and the ongoing value of public service. The panel discussion features four people who have all worked as public servants: former U.S. Senator and Nebraska Governor Bob Kerrey; Lois Capps, former Congresswoman who served as a U.S. Representative from 1998-2017 representing Santa Barbara and the Central Coast, Laura Capps, the Second District Supervisor for Santa Barbara County; and Todd Capps, founding Executive Director of the Common Table Foundation. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39721]

In this program, Russell M. Jeung, professor of Asian American Studies at San Francisco State University, explores COVID-19 racism against Asian Americans, which led to what he terms a period of “collective racial trauma.” Twenty-five peer-reviewed articles have since documented the deleterious impacts of direct and indirect racism on the mental health of Asian Americans. Yet Asian Americans have been resilient in the face of this trauma, and utilized their ethnic and cultural wealth as buffers against anti-Asian hate. Jeung identifies three key ways that Asian Americans responded to this trauma and even grew from this painful time. Asian Americans’ posttraumatic growth, the positive psychological change after trauma incidents, is also be detailed. Jeung is the author of many books and articles on race and religion. In 2020, he co-founded Stop AAPI Hate to track instances of bias, harassment, and violence against AAPI people during Covid-19 and to fight racism. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39867]

Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]

This program discusses humanist and scholar Walter Capps’ teaching of ethics and civic values in the classroom and beyond. The panel consists of Katya Armistead, Assistant Vice Chancellor and Dean of Student Life at UCSB and co-directs the Civic Engagement Scholars Program, Tim Kring, a screenwriter whose work focuses on themes of interconnectivity and global consciousness, and Shawn Landres, a civic strategist and a Senior Fellow at UCLA Luskin. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39719]

This program discusses humanist and scholar Walter Capps’ famous course on the Vietnam War and its impacts. The panel consists of former U.S. Senator and Governor Bob Kerrey, who is a veteran of the Vietnam War and co-instructor in Walter Capps' Vietnam War class. Shad Meshad is Founder and President of the National Veterans Foundation who served as a psych officer in Vietnam. Meshad met Walter Capps in 1977 and their conversation about the war led to the Vietnam War class, which Shad continued to help teach for the next 20 years. And Richard Hecht, Professor Emeritus in the Department of Religious Studies at UCSB, who taught the Vietnam War course for nearly 25 years. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 39718]

Alessandro Duranti, Distinguished Research Professor of Anthropology at UCLA, presents archival footage he filmed of Walter Capps' 1996 campaign for U.S. Congress to analyze how the political candidate framed his choice to run for office. Using semantic and narrative analyses, Duranti shows how Capps refined his campaign announcement to better generate voter enthusiasm and how Capps' public and private comments about the campaign reflected his ethical and political values. Capps was elected to Congress in 1996, and died in October 1997 after serving 10 months in office. Duranti became a close friend of the Capps family during his year-long ethnographic research, and he reflects on the role of family in Capps' life and campaign. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39720]

As part of a special series celebrating the legacy of humanist and professor Walter H. Capps, this program examines Capps’ scholarly contributions and the study of religion today, featuring renowned scholars of religion who were Walter’s graduate students: Tomoko Masuzawa, Professor Emerita of History and Comparative Literature, University of Michigan, Julie Ingersoll, Professor of Religious Studies, University of North Florida, and Sarah McFarland Taylor, Associate Professor of Religious Studies, Northwestern University. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39707]

As part of a special series celebrating the legacy of humanist and professor Walter H. Capps, this program examines Capps’ scholarly contributions and the study of religion today, featuring renowned scholars of religion who were Walter’s graduate students: Edward Linenthal, Professor Emeritus of History, Indiana University Bloomington and Wendy M. Wright, Professor Emerita of Theology, Creighton University. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39706]

Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes’ continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]

In this program, Lerone Martin, Associate Professor of Religious Studies and Director of the Martin Luther King, Jr., Research and Education Institute at Stanford University, discusses his recent book, The Gospel of J. Edgar Hoover, which reveals how Hoover and his FBI teamed up with leading white evangelicals and Catholics to bring about a white Christian America by any means necessary. His research draws on thousands of newly declassified FBI documents, including a civil lawsuit against the U.S. Department of Justice for FBI files on Billy Graham. Martin takes readers from the pulpits and pews of small-town America to the Oval Office, and from the grassroots to denominational boardrooms. In this talk, Martin transforms how we understand the FBI, white evangelicalism, and our nation’s entangled history of religion and politics. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39809]

Actor Meg Ryan joins moderator Brad Silberling for a discussion of the romantic comedy classic When Harry Met Sally. They share behind-the-scenes stories of the film’s late screenwriter Nora Ephron and the enduring legacy of the film. They also reflect on the development of the film’s script and iconic characters, the process of shooting scenes and bringing Harry and Sally to life onscreen, and Meg Ryan’s work both in front of and behind the camera over the course of her career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39638]

What role do the humanities - history, art, philosophy, language, religion - play in the modern world? Prominent leaders of humanities organizations discuss the contributions of noted humanist and professor Walter H. Capps and the value of the humanities today. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 39705]

Associate producer Steve Starkey and screenwriter Peter S. Seaman join moderator Tyler Morgenstern (Assistant Director of the Carsey-Wolf Center) for a discussion of the film Who Framed Roger Rabbit. They discuss the early development and complex visual effects of the film. They also discuss the state of Walt Disney Studios in the 1980s and the industrial contexts surrounding the film, as well as allegories of segregation and urban sprawl in Los Angeles worked into the narrative. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39737]

Director Deborah Stratman joins moderator Alex Lilburn (Film and Media Studies, UCSB) for a discussion of her film, Last Things. Stratman discusses the varied ecological, geological, literary, and cinematic inspirations of the film and thinking beyond anthropic time scales. Together, they also discuss the structure of the documentary, the use of voiceover and outside excerpts, the scientific concepts explored throughout, and the research undertaken in the development process for the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39639]

Kashif Shaikh, co-founder and president of Pillars Fund, joins moderator Mona Damluji (Film and Media Studies, UCSB) for a discussion of the film Polite Society. Shaikh discusses working closely with director Nida Manzoor and themes of sisterhood, class hierarchy, and patriarchal power in the film. Together, they also discuss ways of subverting cliches and stereotypes in South Asian and Muslim representation onscreen and share perspectives on authenticity and a new generation of filmmakers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39736]

Filmmakers Valerio Ciriaci and Isaak Liptzin join UC Santa Barbara moderator Stephanie Malia Hom to discuss their film, Stonebreakers. They detail the origins of the project and their interest in monuments as a trigger for political action and historical discourse. They also discuss their experiences filming protests and broader political action against police brutality and systemic racism, and share perspectives on documentary film’s delicate tension between history and memory. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39636]

Filmmaker James N. Kienitz Wilkins joins moderator Tyler Morgenstern, Assistant Director of the Carsey-Wolf Center, for a discussion of Still Film. They discuss its narrative and formal structure, as well as its thematic interests in the problems plaguing contemporary Hollywood. They also reflect on the film’s use of language and larger questions of cinema, memory, and nostalgia. Moreover, Wilkins discusses his use of 35mm press kit photos in the film and multiple meanings behind the term “stillness.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39637]

Lucas Hilderbrand of UC Irvine joins UC Santa Barbara moderator Graham Feyl to discuss the film Paris is Burning. They review the history of its exhibition and the film’s enduring legacy as a powerful portrait of queer life, resistance, beauty, and art. They also discuss the unique structure of the documentary, the cultural contexts of drag balls for trans communities of color, and Paris is Burning’s significance in the history of trans representation onscreen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39635]

Director Miguel Coyula and actor Lynn Cruz join UC Santa Barbara's Kiley Guyton Acosta and Cristina Venegas to discuss their film, Corazón Azul. They discuss the allegorical significance of its imagery, which draws from Cuban political and historical contexts for its alternate reality narrative. They also share insights into the long, complicated development of the film over the years and reflect on what independent cinema means in Cuba. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39634]

The dramatic housing shortage in California affects millions of residents and leads thousands to homelessness. The 2024 Arthur N. Rupe Great Debate addresses this issue by asking, “Is Housing a Human Right?” If so, our state faces a massive undertaking. Experts with diverse specialties and experiences wrestle with some of our biggest challenges. How, for example, can we build low and moderate income housing when construction costs are high and community opposition is often present? How can people experiencing homelessness be moved to shelter and housing? [Public Affairs] [Business] [Show ID: 39667]

Filmmaker Juel Taylor joins UC Santa Barbara moderator Mireille Miller-Young for a discussion of his film They Cloned Tyrone as part of our Black Hollywood series. Taylor details the development of the film and its narrative and thematic inspirations and ideas. Together, they discuss each of the three main characters and the film’s playful subversion of racial stereotypes and Blaxploitation tropes. They also reflect on the film’s exploration of conspiracy theories in Black communities. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39633]

Filmmaker Alejandro M. Flores Aguilar and moderator Giovanni Batz discuss the film Ixiles: Voices from the Shadows of Time. Aguilar details the origin of the project, as well as the historical contexts of Indigenous resistance in the Ixil region of Guatemala. They also discuss issues surrounding ethnographic research, the responsibilities of academics, and the future of anti-colonial resistance. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39575]

Filmmaker Anthony Banua-Simon joins moderator Patrice Petro to discuss his documentary film Cane Fire. They explore the historical and colonial relationships between the plantation economy, the film industry, and tourism in Hawai’i, and larger questions posed by the film. Banua-Simon also discusses his approach to interrogating Hollywood history and how archival materials, oral records, and conspicuous historical absences drive his central critique. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39574]

Writer/producer Gabe Liedman and moderator Tyler Morgenstern discuss the film Barb and Star Go to Vista Del Mar, a screening programmed alongside a workshop on comedy writing. Liedman discusses the collaborative work of comedy and the unique comedic style of the film. He also shares his favorite jokes and moments in the movie, and how the film has been impactful for their own work as a comedian and screenwriter. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39565]

Director Arthur Jones and producer Giorgio Angelini join moderator Chelsea Kai Roesch from UC Santa Barbara to discuss their film "Feels Good Man." They talk about working with artist Matt Furie and unpack the social and political contexts behind Pepe the Frog and its cooptation by the alt-right. They also reflect on the cinematic challenges in telling a story about the internet and discuss the larger implications of internet culture and political polarization in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39567]

Timothy Corrigan of the University of Pennsylvania joins moderator Patrice Petro to discuss Rainer Werner Fassbinder’s classic film Ali: Fear Eats the Soul. Together, they examine the larger body of work and influences of the German filmmaker, which include Brechtian aesthetics and classical Hollywood melodramas like that of Douglas Sirk. They also offer close readings of scenes from the film, analyzing themes of class, race, and gender and the social relations of melodrama. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39573]

What is bionic vision? Michael Beyeler, director of the Bionic Vision Lab and assistant professor of computer science at UC Santa Barbara, talks about how technology is being used to help people see again using bionic vision. Series: "GRIT Talks" [Science] [Show ID: 39443]

What role do oil companies have in tackling climate change? In this program, Paasha Mahdavi, Assistant Professor of Political Science at UC Santa Barbara, talks about the challenge of getting big oil to take climate change seriously. Mahdavi's research broadly explores comparative environmental politics and the political consequences of natural resource wealth. He is the author of Power Grab: Political Survival Through Extractive Resource Nationalization (Cambridge University Press, 2020), which shows how dictators maintain their grip on power by seizing control of oil, metals, and minerals production. Additional recent work includes the effects of oil-to-cash transfers on civic engagement; the political economy of fossil fuel subsidy reform; and the efficacy of policies to eliminate natural gas flaring. Series: "GRIT Talks" [Public Affairs] [Show ID: 39442]

Filmmaker Sam Kadi joins moderator Juan Campo, professor of religious studies at UC Santa Barbara, for a discussion of the film Lamya’s Poem. Together, they consider how the film employs magical realism to interweave scenes from the lives of contemporary Syrian refugees with the experiences of 13th century poet Rumi. Kadi discusses the uses of animation in crafting a fantastical world, and shares perspectives on the important role of music, a conversation that continued with input from composer Christopher Willis, who was in attendance for the screening. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39479]

Māori novelist Witi Ihimaera, author of the 1987 novel The Whale Rider, joins moderator Nicola Daly (University of Waikato) for a post-screening discussion of Niki Caro’s 2002 film Whale Rider. Ihimaera discusses the novel’s relationship to Māori stories and cultural practices, his writing process, and the film’s enduring legacy. This event was presented in conjunction with the 26th biennial Congress of the International Research Society for Children’s Literature (IRSCL). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39338]

In this UC Santa Barbara GRIT talk, Dr. Meghan Morrissey discusses her work to get immune cells to eat cancer. Her goal is to uncover fundamental principles of macrophage signaling and tune macrophage function in the tumor microenvironment. Series: "GRIT Talks" [Health and Medicine] [Show ID: 39441]

How can we use raw materials to improve the environment? In this program, Susannah L. Scott, professor of chemistry at UC Santa Barbara, discusses how to efficiently use catalytic conversion of unconventional materials, such as biomass and synthetic polymers to create sustainable routes to renewable energy, fuels and chemicals. Series: "GRIT Talks" [Science] [Show ID: 39440]

In the coming decades, individuals around the world must adapt to changing environmental conditions, often driven by climate change. Adaptation requires significant resources, prompting the question of whether existing economic and social inequities may be exacerbated when adaptation become accessible to some, but not others. Kyle Meng, associate professor of economics at UC Santa Barbara, explores what happens when one of the world’s most unequal cities experiences an unprecedented, nearly catastrophic environmental disaster. In 2017, following years of prolonged drought, the city of Cape Town announced an impending "Day Zero", at which point pipes would run dry. Using a variety of data sources, we show how households of different wealth levels adapted to Day Zero and discuss the long term implications of Day Zero for Cape Town's water use and public finances. Series: "GRIT Talks" [Science] [Agriculture] [Show ID: 39334]

How can we improve the human connection for people with autism? In this program, Ty Verno, director of the UC Santa Barbara's Koegel Autism Center discusses novel methods for measuring, understanding, and altering the social developmental trajectories of individuals with autism and related conditions. Series: "GRIT Talks" [Health and Medicine] [Show ID: 39439]

In Rome in 1644, four butchers were accused of killing seven of their fellow Roman citizens, stripping the meat from their bones, and grinding it together with pork to make sausage, which was then sold from their shop behind the Pantheon. Although the butchers were quickly executed, their tale was not so easily forgotten. In pamphlets issued around the event, the story of the butchers turned into a morality tale about what to and not to eat. Using these pamphlets, along with trial documents, edicts, and other contemporary diaries, historian Bradford Bouley explores the context of this unusual story of cannibalism, the veracity of the sources, and the meaning of meat and the ways it was produced in early modern Rome. Series: "GRIT Talks" [Humanities] [Show ID: 39336]

What are the shapes of stories? This is a longstanding question in narrative arts, from the plot arcs of novels and rhyme schemes of poems to the shot sequences of films. This program discusses two narrative media forms: interactive branching stories (as in games, gamebooks, and hypertext fiction) represented as networks, and graphic narratives (as in comics, manga and webtoons) with individual pages represented as grid compositions. Through description, encoding, and data visualization, we will explore the shapes of stories in comics and games. Series: "GRIT Talks" [Humanities] [Show ID: 39335]

Based on co-authored research, this talk shows how historical framing--drawing parallels between past and present events or actors--can mobilize protesters and keep them politically engaged in the face of unpopular policies and violent repression. Nicaraguan and Chilean activists and citizens saw their presidents and security forces as repeating reviled dictatorships’ behavior, making clear the importance of protesting against them. Using a survey experiment, we also demonstrate that historical framing can remain useful after protests have subsided, increasing Chilean respondents’ support for police reform a year later, though frames must be carefully targeted to be most effective. Series: "GRIT Talks" [Public Affairs] [Show ID: 39333]

As sailors use constellations, wind direction, and current to determine their heading, so, too, do animals process diverse sensory information to set their course. Via this sensory processing, the animal’s brain develops a sense of direction, a prerequisite for navigating between points. To understand how the sense of direction is generated in the brain, we interrogate neurons in the brain of the fruit fly, Drosophila melanogaster. With numerous tools that allow observing the neural network structures and activities and perturbing them, we begin to understand how the brain transforms sensory information into a sense of direction. Series: "GRIT Talks" [Science] [Show ID: 39332]

Effective management of thermal-fluids transport has become a critical challenge in many energy, water, and electronic applications due to the increasing power density and shrinking length scales. In this talk, I will first describe our effort to manipulate multi-phase fluid motion using light-responsive surfactants. Upon illuminating droplets and bubbles with light, the surfactants at the fluid-fluid interfaces go through photo-isomerization, which changes the local interfacial tension and introduces a Marangoni flow. The resulting interfacial shear stress generates a net force on the bubble or the droplets, causing them to depart or slide along the surface. We demonstrate real-time manipulation of multi-phase fluidic systems using low intensity light which can potentially enhance phase change heat transfer. I will also describe our effort to achieve passive salt-rejecting solar thermal desalination by thin-film condensation in microporous membrane which utilizes ample three-phase contact area, salt diffusion and a low vapor transport resistance. With our design, we demonstrate continuous desalination of seawater for 7-days in one Sun with no salt precipitation. These examples demonstrate the potential of combining fundamental thermo-fluid science and advanced micro/nano engineering approaches to address many of the pressing thermal challenges in energy and water systems. Series: "GRIT Talks" [Science] [Show ID: 39330]

Artificial intelligence and machine learning (AI/ML) have been extremely successful in predicting, optimizing, and controlling the behavior of complex interacting systems. Robustness and explainability of existing AI/ML methods, however, remain big challenges, and clearly new approaches are needed. In this program, Ambuj K. Singh, Distinguished Professor of Computer Science at the UC, Santa Barbara, explains that the human brain motivated the early development of the field of deep learning, and neuroscientific concepts have contributed to the profound success of deep learning algorithms across many areas. The next leap in AI/ML may again come from a deeper understanding of modularity, robustness, and adaptability of brain architectures. Series: "GRIT Talks" [Science] [Show ID: 39331]

Dr. Stuart Finder, a renowned clinical ethicist, will discuss the meaning of ethics as it is encountered and understood in actual healthcare contexts. This lecture will explore what matters to patients, families, and healthcare professionals in real-world clinical settings. Using concrete examples, ranging from end-of-life choices to reproductive decisions, to simply coming up with appropriate care plans, Dr. Finder will show how clinical ethics is grounded in the real dynamics and complexities that drive contemporary healthcare practices. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Health and Medicine] [Humanities] [Show ID: 39150]

Groundwater is often referred to as an invisible resource, hidden beneath our feet. Groundwater wells—the infrastructure used to access groundwater—are small, distributed, and lost among landscapes. By contrast, our surface water infrastructure is large and visible—reservoirs that support water supply and recreation, dams, and . In this talk, Debra Perrone reveals the results of a five-year research project to record the location and construction details of millions of groundwater wells. The research provides vital insights into the haves and have nots of water and identifies strategies to minimize the impacts of groundwater depletion. Series: "GRIT Talks" [Science] [Show ID: 39278]

As new climate disasters remind us every day, our world is not stable—and it is changing in ways that expose the deep dysfunction of our relationship with water. Increasingly severe and frequent floods and droughts inevitably spur calls for higher levees, bigger drains, and longer aqueducts. But as we grapple with extreme weather, a hard truth is emerging: our development, including concrete infrastructure designed to control water, is actually exacerbating our problems. Because sooner or later, water always wins. Science journalist Erica Gies introduces us to innovators in what she calls the Slow Water movement who start by asking a revolutionary question: What does water want? Experts in ecology, engineering, and other fields are already transforming our relationship with water. Figuring out what water wants—and accommodating its desires within our human landscapes—is now a crucial survival strategy. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 39149]

Professors France Winddance Twine (Sociology, UCSB) and Lisa Parks (Film and Media Studies, UCSB) join Marc Francis (Assistant Editor of Film Quarterly) in a conversation about power dynamics and inequality in the tech world of Silicon Valley, showing and discussing clips of the shows Super-Pumped and WeCrash. The topics they discuss expand upon their published article in Film Quarterly, addressing the exploitative working conditions for women and people of color inside this industry. Their conversation highlights the wastefulness and corruption of massive Silicon Valley corporations and unpacks larger cultural assumptions about corporate self-regulation and the celebrity personas of CEOs. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39055]

Writer/director Todd Field joins moderator Tyler Morgenstern (Assistant Director of the Carsey-Wolf Center) in a post-screening discussion of TÁR. Field details the origins and development of the film, including the creation of protagonist Lydia Tár. He elaborates on the public persona she curates in the film and larger thematic questions of exploitation, cultural authority, and the geopolitics of abuse. They also discuss the involvement of non-profit organization Xapiri Ground and their work with the Indigenous people of the Amazon rainforest, as well as photographer David Díaz Gonzales, who created a key image with actress Cate Blanchett for the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39057]

Director/executive producer David Mandel joins Patrice Petro (Dick Wolf Director of the Carsey-Wolf Center) for a post-screening discussion about the HBO miniseries White House Plumbers. In their discussion, Mandel details the origins of the show and distinguishes it from other noteworthy historical adaptations of the Watergate scandal, emphasizing its focus on overlooked figures and its balancing of political drama and tragedy. He also shares his experiences working with lead actors Justin Theroux and Woody Harrelson, as well as the efforts he and his crew made to faithfully recreate the show’s period aesthetic in the midst of a pandemic. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39056]

Sparked by the COVID-19 pandemic, Asian American and Pacific Islander (AAPI) communities across the country have been subjected to increased hate incidents, including verbal harassment, civil rights violations, and physical assaults. Since its founding in March 2020, thousands of incidents have been reported to the Stop AAPI Hate coalition. Manjusha Kulkarni will discuss how Stop AAPI Hate is addressing anti-Asian hate through civil rights enforcement, education equity, community-based safety, and building a movement against systemic racism. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Show ID: 39081]

Shelley Stamp (Film & Digital Media, UC Santa Cruz) joins moderator Kelsey Moore (Film and Media Studies, UCSB) in a post-screening discussion on George Cukor’s classic 1944 film Gaslight, sharing thoughts on genre, the origin of gaslighting as a term, and the film’s historical legacy. Their conversation also dives into the complexities of gender and the historical contexts of the Second World War and Hollywood’s Golden Age. They discuss the relationships between Gothic melodrama and film noir, as well as these films’ appeal to female audiences. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39053]

Asian/Pacific Islander American communities have a long history of activism in the United States, particularly in response to anti-Asian racism and exclusion. In their struggle for equality and liberation from oppression, AAPI activists have developed social and political movements for immigrant rights, labor rights, educational equity, affordable housing, religious freedom, environmental justice, and more. This panel features several AAPI activists who will discuss how they became activists, their work on the leading edges of activism, and how more people can get involved. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Show ID: 39080]

Director Yoruba Richen joins moderator Mireille Miller-Young (Feminist Studies, UCSB) for a post-screening discussion of her film The Rebellious Life of Mrs. Rosa Parks. Richen elaborates on the overlooked but significant breadth and impact of Rosa Parks’ lifelong contributions to the Civil Rights movement in and beyond the Montgomery bus boycott, and positions her radical politics alongside Dr. King and Malcolm X. She also details the archival work and collaborative process that brought this film to life during the challenges of the pandemic, and the importance of incorporating Parks’ actual words from her journal entries. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39052]

Del Zamora (writer, director, and producer) joins moderator Ben Olguín (English, UCSB) in a post-screening discussion of The Last Brown Beret, an adaptation of a play by Alfredo Ramos that explores Chicanx activism and history in Los Angeles. Together, they discuss the impact of the civil rights movement that arose in the 1960s and the connections between the Brown Berets, the Black Panther Party, and the American Indian Movement, and its influence on the film. Zamora also details the development of the film, the challenges that Latinx filmmakers face, and storytelling choices in the film’s structure and characterization. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39051]

Writer Eliza Jiménez Cossio joined moderator Chip Badley (English, UC Davis) for a post-screening discussion of the show Our Flag Means Death. Cossio shares her experiences as a writer and details various casting insights during the pre-production of the show, including their unique approach to adapting familiar characters and bringing in guest stars. She also elaborates on the influence of sitcoms and romantic comedy films in her writing, and how the diversity of their writers’ room helped shape the diversity of characters onscreen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39054]

Yvett Merino (Producer, Walt Disney Animation Studios) joins moderator Dolores Inés Casillas (Chicana and Chicano Studies, UCSB) in a post-screening discussion of Encanto, the acclaimed Disney animation film about a multigenerational family with magical powers in the mountains of Colombia. In their conversation, they discuss the importance of Latinx representation in mainstream media, reflecting on the film’s themes of intergenerational trauma and its power to spark important conversations among family audiences. Merino also shares the significance of including an immigrant story in the film and details the development and release of the film, including the impact the pandemic had on viewing practices. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39050]

Director Paromita Vohra joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) in a discussion of her film Partners in Crime, which dives into the world of copyright law, piracy, and the fluid nature of authorship. She dives into concepts like the cultural commons and the complicated nature of artistic value. She also details the social and economic contexts of the bazaar and the impacts of a rapidly changing economic landscape on art. They share perspectives on the diversity of people involved in the “illegal” market, the impacts of colonization and neoliberal practices, and the nuances of conflicting definitions of ownership. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39048]

Lucy Fischer (English and Film Studies, University of Pittsburgh) joins moderator Patrice Petro (Dick Wolf Director of the Carsey-Wolf Center) in a post-screening discussion of What Ever Happened to Baby Jane, a psychological thriller about the rivalry between aging Hollywood sisters. In their conversation, they illuminate the similarities between the film’s themes and the much publicized behind-the-scenes drama between stars Bette Davis and Joan Crawford. Fischer reflects on the film’s playful incorporation of conventions from Gothic horror and melodrama, as well as its status as a camp classic. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39049]

Director Ramona S. Diaz joins moderator Miguel Penabella (Film and Media Studies, UCSB) for a post-screening discussion of her documentary A Thousand Cuts. She details her experiences closely following Nobel Peace Prize-winning journalist Maria Ressa and the Rappler team’s fight for press freedom in the Philippines, as well as observations from political rallies of those aligned with former President Rodrigo Duterte. The discussion also explored issues surrounding journalistic persecution, the emergence of social media disinformation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39015]

Artist Vishal Jugdeo and poet vqueeram join moderator Cathy Thomas (English, UCSB) to discuss their film Does Your House Have Lions, which features a queer household of activists and academics in New Delhi living under the shadow of increasing authoritarianism. They discuss the film’s exploration of different forms of queer intimacy and propose possibilities for resistance against state violence. They also reflect on communal ideas of freedom, ways of building spaces of joy, and incorporating friendship as a method of artistic and scholarly practice. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39016]

Filmmakers Joyce García and Alvaro Parra join moderator Alexandra Lippman to discuss their two documentaries on cumbia sonidera, or Colombia-inspired dance music, in Mexico City and Los Angeles, "Yo No Soy Guapo" and “Sonidero Metropolis.” They explore the cultural significance of the sonidero in shaping regional music scenes and tastes, as well as the impacts of migration patterns, diasporic experiences, and technological and generational changes in transforming cumbia culture. They also share their insights on the experiences and difficulties in documenting the protagonists of their films, and the surprising lives those figures lead both professionally and personally. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38944]

Doris Berger, co-curator of Regeneration: Black Cinema, 1898-1971 at the Academy Museum, joins moderator Peter Bloom to discuss the film Carmen Jones and the legacy of actress Dorothy Dandridge. Berger explains the backstory of how the Regeneration exhibition was originally conceived and developed, detailing her experiences digging through archival materials and discovering materials from films with all-Black casts in the 1920s and 30s. She also discusses her perspective on Carmen Jones and its significance to film history, as well as on the career of Dorothy Dandridge, from early soundies like Cow Cow Boogie to late career works like Porgy and Bess. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38894]

Writer/director Maysoon Pachachi joins moderator Mona Damluji for a discussion of her film "Our River...Our Sky," which tells the story of ordinary people living in Baghdad under occupation. Pachachi details the origin of the project and the film’s early development, including casting considerations and lessons learned from her documentary work. She also discusses the political contexts of the film and how life in Iraq changed as a result of civil war and occupation, and how real-world stories inspired the film. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 38945]

Director Julia Mintz and executive producer Eva Haller engage in a post-screening discussion of their film Four Winters, where they provide insights into the making of the documentary. Mintz details the process of collecting and editing footage of countless interview subjects to tell the heroic story of Jewish partisans during the Second World War, and Haller emphasizes the importance of sharing those stories for posterity. They recount personal stories of loved ones and their experiences during the war, and reflect on the challenges and significance of revisiting and preserving history. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38895]

Actress and filmmaker Marielle Heller discusses adapting Phoebe Gloeckner’s graphic novel, The Diary of a Teenage Girl: An Account in Words and Pictures, into a screenplay. With UCSB Pollock Theater Director Matt Ryan, Heller addresses the challenges of constructing a realistic and honest coming-of-age narrative, told from the perspective of a teenage girl in 1970s San Francisco. The Diary of a Teenage Girl follows Minnie Goetz as she grapples with questions of sexuality, identity, and power in a moment of social and cultural upheaval. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36783]

Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]

Moderator Matt Ryan joined screenwriter/co-producer Christina Hodson in a conversation about the chaotic, funny, action-packed movie Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn). This discussion explored the transformation of the story from the Birds of Prey comics to the screen, as well as the major themes of emancipation, independence, and finding your own path. Christina Hodson offered an inside look at the narrative, characters, and character relationships within the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36614]

Roman Koropeckyj, Professor in the Department of Slavic, East European, and Eurasian Languages & Cultures at UCLA, joins moderator Sasha Razor for a discussion of Sergei Parajanov’s film Shadows of Forgotten Ancestors, sharing insight into Ukrainian culture and history. Koropeckyj discusses the making of the film and details the complexities of Ukrainian culture and history, including the Hutsul ethnic group around which the film revolves. They contextualize the political volatility during the film’s production and broaden discussion to a longer history of Ukrainian oppression, all the way to contemporary struggles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38876]

In this enlightening conversation, Ray Santisteban, director and producer of the documentary "Time of the Phoenix: The First Rainbow Coalition," shares his insights on activism, coalition politics, and social change. Santisteban delves into his journey of making the documentary and how it marked the beginning of his filmmaking career. He highlights the unique power of documentary filmmaking which enables him to address important social issues that Hollywood often overlooks. Exploring the historical context of revolutionary movements, including the influential role of the Black Panthers, Santisteban emphasizes the significance of building diverse and uncomfortable coalitions to achieve transformative progress. Don't miss this inspiring dialogue on realizing revolutionary possibilities and the untapped potential of documentary filmmaking. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38821]

Production designer Akin McKenzie joined moderator Mireille Miller-Young (Feminist Studies, UCSB) for a post-screening discussion of his work in visualizing the world of The Woman King. The discussion revolved around McKenzie’s extensive research from out-of-print books, photos, and other archival materials to disentangle complex historical events from colonial revisionism. McKenzie also detailed his collaboration process with director Gina Prince-Bythewood and shared thoughts on Black representation in Hollywood and the future of Black cinema. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38875]

Writer/director Antonio Dikele Distefano and scholar/filmmaker Fred Kuwornu discuss the film Autumn Beat with Claudio Fogu. Distefano details his experiences writing books and magazines and his transition to cinematic work, as well as his experiences growing up as a young Black man in Italy. Kuwornu elaborates on the evolving Black cultural renaissance in Italy and the struggles involved with it. They reflect on the themes of the film, including disability, parenthood, self-expression, and legacies of colonialism, all of which center on a story about the Italian rap scene. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38820]

Moderator Peter Bloom is joined by Kim Knowles and Carrie Noland for a discussion of how contemporary experimental film represents multi-species relationships and dependencies. Together, they consider how experimental cinema can animate alternative understandings of the relations between human and non-human animals. Addressing questions of genre, style, narration, and performance, Knowles, Noland and Bloom highlight the political and aesthetic complexity of the cinematic representation of animals. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38777]

Patrice Petro and E. Ann Kaplan discuss Irving Rapper’s classic 1942 melodrama, Now, Voyager. Together, Petro and Kaplan situate the film historically in the context of the Second World War and the changing dynamics of the domestic and public spheres. They also address the film’s unique depiction of psychiatry and psychoanalysis, and consider its complex representation of mother-daughter relationships. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38776]

Co-writer and co-director Jessica Woodworth joined moderator Stephen N. Borunda (Film and Media Studies, UCSB) for a post-screening discussion of her film Altiplano and the process of developing a film about environmental and indigenous exploitation in Peru. Woodworth reflected on the role of music in shaping the emotional experience of the film. She also shared details of how current ecological issues and the culture of the region contributed to the narrative. Moreover, she discussed the real-life mercury spill and locally produced photography under the TAFOS project in Peru from 1986 to 1998 as key elements that contributed to the development of the film and its ideas. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38775]

Moderator Cristina Venegas joined Chicano and Chicana Studies Professors Gerardo Aldana, Giovanni Batz, and Daina Sanchez to discuss Wakanda Forever and Indigenous Worldbuilding. Professor Gerardo Aldana served as a consultant on the film’s representation of Mesoamerican cultures and played the role of UN assembly chairperson in the film. The panel discussed the politics of representation and the film’s themes of displacement and diaspora. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38744]

Guests Elizabeth Gabler (President, 3000 Pictures) and Marisa Paiva (Executive Vice President, 3000 Pictures) join moderator Emily Zinn (Associate Director, Carsey-Wolf Center) for a post-screening discussion of their 2022 adaptation of D.H. Lawrence’s classic, Lady Chatterley’s Lover. Together, Gabler and Paiva discuss how they came to adapt D.H. Lawrence’s classic novel for through a feminist lens for a contemporary audience. They also address the challenges of bringing classic works to the screen through creative collaboration, and the key role of screenwriter David Magee in bringing Lawrence’s language and voice to life. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38719]

Composer and filmmaker Clarence Barlow joined moderator Peter Bloom (Film and Media Studies, UCSB) for a post-screening discussion of Barlow’s pioneering work on composition and experimental film, including: Uccelli Ungheresi (1988), Kuri Suti Bekar (1998), Estudio Siete (1995/2015), )ertur( (2015), Evanescent Evidence (2021), and Zero Crossing (2001). Barlow shared insights on the development of his films and the importance and use of sound, particularly his unique approach to tonality and metricism. He also reflected on his long career and his fascination with mapping sound to visual media. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38717]

Guests Trinankur Banerjee (Film & Media Studies, UCSB) and Bishnupriya Ghosh (Global Studies & English, UCSB) join moderator Bhaskar Sarkar (Film & Media Studies, UCSB) for a post-screening discussion of Satyajit Ray’s The Hero (1966). Together, Ghosh, Sarkar and Banerjee discuss how The Hero became one of Ray’s most iconic films thanks in part to the star power of beloved screen couple Uttam Kumar and Sharmila Tagore. They also consider how Ray deftly explores themes of stardom and celebrity in the contest of the Indian film industry. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38716]

Guests Pujita Guha (Film and Media Studies, UCSB) and Bishnupriya Ghosh (Global Studies & English, UCSB) join moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a post-screening discussion of Satyajit Ray’s The Golden Fortress (1974). Together, Guha, Ghosh, and Sarkar discuss the literary origins of Ray’s film, its popular appeal in the 1970s in India, and how it helps us to better understand Ray as a maker of popular genre film. They also discuss how Ray channeled influences from science fiction, detective fiction, travelogues, and other popular genres to create a distinctive and iconic body of cinematic work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38715]

Director James Hayman joins moderator Patrice Petro, (Dick Wolf Director of the Carsey-Wolf Center) for a post-screening discussion of episode 51 of The Sopranos. Together, they explore how Hayman created a riveting, nuanced portrait of mafia and family life. Hayman offers insights into matching the darkly comedic style of the series, and how his education in film and media studies has shaped his work. He also addresses the relationship between cinematography, direction, and storytelling, and how these elements work together in the penultimate conclusion to season four. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38734]

Moderator Ben Olguín joined filmmaker Ellie Walton and poet Sami Miranda for a post-screening discussion of the documentary La Manplesa: An Uprising Remembered. Together, they discussed the importance of artistic collaboration and community, the relationship between art and activism, and current events that echo the story of injustice in DC’s Mount Pleasant neighborhood. Walton reflected on the experiences that compelled her to create this documentary, and Miranda shared his personal discovery of his grandfather’s old photographs, which helped him better understand his own artistic practice. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38621]

Moderator Bhaskar Sakar joined Professor Moinak Biswas, Professor Emerita Supriya Chaudhuri, and graphic illustrator-designer Pinaki De for a post-screening discussion of two films by Satyajit Ray, The Adventures of Goopy and Bagha (Goopy Gyne Bagha Byne) and The Kingdom of Diamonds (Hirak Rajar Deshe). Together, they addressed the personal background of Satyajit Ray, his contributions to Indian cinema, the historical and political contexts of the films, and their artistic significance. Pinaki De elaborated on the significant detail and craftsmanship of Ray’s set design, while Supriya Chaudhuri and Moinak Biswas weighed in on the political and literary influences of the films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38564]

Lei Li is an assistant professor in Computer Science Department at University of California Santa Barbara. His research interest lies in natural language processing, machine translation, and AI-powered drug discovery. He received his B.S. from Shanghai Jiao Tong University and Ph.D. from Carnegie Mellon University. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38476]