In The Past: Garage Rock Podcast

The Byrds had a bad time in England, and wrote a curiously grey-mood tune that many consider "the first psychedelic song of all time" - "Eight Miles High." It's known for its sound, but we take a deep dive into the lyrics, too. Succulent, truculent. The next flight was piloted by the semi-legendary obscuros, Index. Some nice warm guitar strummin' & lotsa negative space. Less negative space on Leo Kottke's version - he's a king of fingerpickin' geetar and he has a nice deep baritone a...

This week, we manage to talk about 7 songs in just over 2 hours - appropriately, all are versions of "Train Kept a Rollin'"! The original is by Tiny Bradshaw, a 1951 jump blues number that contains a rock n roll instro break that clearly caught the ears of the next crew, namely Johnny Burnette & The Rock n Roll Trio. They take Tiny B's joyous number and inject it with some wild hillfolk hiccupin' and hollerin'.' The train somehow made it to England by 1965, and Screamin' Lord Sutch ...

Stop! and check out the new episode, featuring The Supremes. who were on a run of consecutive #1 hits in 1965. "Stop! In the Name of Love" is the one with the iconic choreography, but we dig even deeper to explain the charms of this arresting song. The first cover we discuss is a very busy garage version from 1969 by Crosstown Switch. Beverly Kelley, the lead singer on this tune, sounds like she's been beamed in from 1962! Next up is an epic soul version by Margie Joseph which has to be heard...

After our wild celebration of Episode 200, we woke up a little hungover ... so the perfect prescription to get us back in the saddle for this Canadian Holiday Weekend is "Double Shot of My Baby's Love"! by Dick Holler & The Holidays. Despite the band name, you gotta wait for the third version for true frat rock shenanigans. The first cover version is a weird swamp-pop duet by Dale & Grace, we'll leave it up to you to decide if it's BDA-worthy. The third and most famous rendition is by...

We just passed go and collected 200 ... episodes!! We celebrate this achievement with a bunch of "party" songs, including discussions of The Sundowners, The Gallows, The B-52's & Jonathan Richman. Crack open a cold one and celebrate with us!! Yay yay!

This episode: all THREE versions of "I Met Him on a Sunday" by The Shirelles: the 1958 snap 'n' clap original (when they were in high school!!), the '64 re-do, and the '66 Wall of Sound version (with FUZZ!)! But that's not all - 3 boffo renditions by The Orlons (1962), Reparata & the Delrons (1970), and Laura Nyro & Labelle (1971). The only thing we don't talk about is what happened to Lew Conetta!!!!!

Hey! The Gruesomes twosome - Bobby Beaton & John Davis - join us once again and they wanna talk about Nederbeat this week! Both songs are by The Outsiders - but we have cover versions, too! First up is "That's Your Problem," the original, then the 1984 renditions by The Tell-Tale Hearts. Second song is "Touch", the weirdly tense folk-garage masterpiece, with versions by The Bristols & The Thanes. If you don't like ... that's YOUR problem!!!!

Sometime in the early 90s, a record store owner asked Weldon the question: "Have you heard Gruntruck?" And until recently, the answer was no. But the memory of this exchange leads us to this bonus episode, where we listen to "Crazy Love" by Seattle's Gruntruck and dismantle the semiotics of grunge. A little pain feels good!

On Friday the 13th, we satisfy Pastronauts with "Frustration," the uptight 1966 number by Vancouver's Painted Ship. It's a quiet, beatnik-y talk-sing, yet it has the classic garage theme of rejection of society and rejection by girls! In 1982, Plan 9 took the song on an extended, almost 12-minute jam, and we might actually talk about a song for less than its length for once! Some Boston guys called Dark Cellars dragged the tune through the shooting gallery in '84, then French weirdos Temple G...

In 1959, Charles Brown & Amos Milburn recorded a beautiful duet called "I Want to Go Home." It's like a nice highball, two ingredients that blend well (Milburn is the Rum and Brown is the Coke). Sam Cooke later transformed the song into "Bring it On Home To Me", which he sang with Lou Rawls, an impassioned vocal performance with some Gospel call and response. The Animals then brought the song to England and Eric Burdon hogged the song all to himself, but that's ok because there's Alan Pri...

This was supposed to be a bonus episode, but it's really a textbook ITP episode where we talk about a garage classic and two other versions, with lots of crucial digressions - like the early days. The song is "Go Ahead" by garage legends The Squires from Connecticut. A folk-punk jangler with churning organ - if you don't like it, what are you doing here?! The second version is by the Pop Art Toasters, with the recently departed Martin Phillips on vocals. New Zealand sure is the land of a...

In this episode, we celebrate the work of Michael Bouyea: singer-songwriter, Vietnam vet, and DJ. We start with two rippin' 1966 garage numbers by The Rogues, "Same All Over the World" and "The Original." In the 70s, he went pop! - and from this era we play "Just an Illusion" (sorta new wavey) and lost Canadian classic (he was livin' in Toronto), "The Fury." The latter is one of the jauntiest tunes ever put to wax. In 1985, it was a very good year for the Toronto Blue Jays, winning 99 ga...

In this episode, we tackle seven versions of "The Witch" while also trying to remember the Seven Wonders of the World!:1. The Sonics2. Atilla & The Huns3. The Pointed Sticks4. The Gruesomes5. Heart6. Mojo Beatnik7. Marcel Bontempi

This week we go gaga over The Pretty Things' 1964 number, "Rosalyn." You know it, you love it. Textbook early garage that takes its cues from Saint Bo Diddley. The second version is by Steve and the Board, a group of Australian teen treblemakers who change the lyrics for some reason. The third is by scary Cheshire cats Stack Waddy. Thick, fuzzy, thudding claustrophobic 70s sledgehammer proto-punk! Robin from Ghosts' fave version. The fourth is by a little known singer named David Bowie, ...

Beautiful song alert! Canadian legend Joni MItchell's early classic "Both Sides Now" is the tune of the week, and it touches Erik and Weldon's Prairie souls. A wide-ranging discussion of Canadian accents, British Surrealists, Plato's Cave, and the journey of life ensues. Judy Collins had a hit with the tune in '68, and we dig the Baroque arrangement, and isn't the organ a little ... garagey? That same year, an obscure band called The Collection authored a psych-bubblegum versio...

Three versions of 99th Floor, all featuring Billy Gibbons of future ZZ Top fame! Two demos by The Coachmen V, his original band, and the more well-known Moving Sidewalks version. All different, all great - but that's not all! In the mid-70s, some weirdos from Pennsylvania called TNT recorded the tune and made it even more psych! Last but not least, The Chesterfield Kings filed a faithful but extra fuzzy version in 1982. Why didn't we do this song for Episode...

The sound is timeless, the bass is fretless. This is the bonus episode we recorded immediately after "I'm a King Bee", celebrating the sexy sliding sound of the fretless bass. In the words of Erik Komarnicki, "The fretless bass is like a road with no speedbumps." It was late, we were drunk, and we forgot about Mick Karn. All kinds of weird things happen in this episode, like us creating extemporized lyrics to "Teen Town" by Weather Report. Is this a garage rock podcast? No, it's a fretless ba...

I guess this could be a Canada Day Long Weekend Special? The song this week is "The Cat Came Back," a song written in the 1890s by a Tin Pan Alley songwriter but made famous by a Canuck. The first version is by Sonny James, a country dude who picks n grins his way through this Goofy Great. The man, the myth Fred Penner didn't pen the song, but people think he did. So let's call it Canadian! His version is wild ... and it's for the kids, so there's extra meows. Does it fade out into ...

This week we buzz awhile about Slim Harpo's 1957 concoction, "I'm a King Bee." A slow and syrupy groove, a slightly sinister mood, and drums which sound like someone's hammerin' a nail. Even the harmonica solo sounds like it's emerging out of the swamp! 7 years later, the song travelled from the Bayou to the Thames and The Rolling Stones beeswaxed the song. Apparently, this song is the first appearance of a fretless bass, which will lead to a very strange bonus episode later. In 1965, The Bad...

It's always good to hear The Coasters, and this week we're studying their Goofy Great, "I'm a Hog For You." Written by Leiber/Stoller, loaded with A-pluses, hogsnort sax work, with a one-note guitar solo - this'll make you happier than pig in poopy! The second swine is by The Deejays, a bunch of British piggies who went to Sweden and waxed the track with added Mersey madness in 65. Bug music with great "yeah's" ... and we pick the best one as a side bet! The third porker in the pigpen is by T...

Three versions of "Hey Joe"! But they're all by The Leaves!! The first one is chaotic, the second one is cleaner, the third one is canonical (Nuggets)- but which one blows OUR minds the most? Listen in to hear the song's lore, including the suspicious "original" demo, and more. It's a wild tale, and a wild tune.

Back with another one of those block-rocking themes! All of this episode's songs center on laughter, but very few of our subjects this week seem too mirthful. The first funny guy is "Ho Ho Rock n' Roll" by Peter Roberts & Sid Ramin. This 1956 tune is mostly instrumental, featuring the goofy guffaws of broadcaster PB set to a "Las Vegas Grind" arrangement. The second stand up song is "Laughing at Me" by Barbara J & The Silver Slippers. A sweet, if paranoid doo-wop/girl group numbe...

The very first Righteous Brothers release was "Little Latin Lupe Lu" in '62. It has a slight rockabilly/surf feel, with the great vocals we came to expect, plus the immortal love song line, "She's My Mash Potato Baby"! In 1964, our frat friends The Kingsmen trashed the song, a la "Louie Louie." It's clubfooted, stiffarmed, not soulful, and great. We follow that up with two versions by TWO Dimensions! The first one from Chicago, with some tetanus tambo, and the second a NC band ...

This week, we take on one of the greatest "she done me wrawng" songs of all time - "Bad Little Woman" by The Wheels. We analyze the religious slant of the song written by these Northern Ireland velocity boys - is the singer's woman dating the literal devil?? Wild screams, a sparking organ, a malevolent atmosphere - this must have went over gangbusters at Belfast's Maritime Hotel on a stormy night. The American version of the song was credited to Wheel-a-Ways, and it's a totally different take...

Did The Tymes come up with their 1963 hit "So Much In Love" by repurposing the official song of the United States Army? That's Erik's theory, and we talk about it as well as the tune as doo-wop's "swan song" -its gentle and elegaic quality serves also as a goodbye to a more innocent era. Later in the 60s, Cleveland's The Munx did a bombing raid on the song, which belongs firmly in the "music for squares" camp. Luckily, in 1971, The Persuasions performed a pretty, and very masculine acapp...

At In The Past, we always take things to the next level - some people are still satisfied with "Name That Tune," but we've invented "Name That Vid!" In this episode, your hosts read the Wikipedia descriptos of notable music videos, and try to guess which tune it belongs to. If you grew up in the MTV/Much Music Generation, then you better think quick! As always, the boys use the premise to astutely analyze the past as we ponder the future...

We've weathered several recessions and a pandemic, but there's an ever-present threat of ... Green Fuz. It all started back in 1968, when The Green Fuz had everything go wrong at the Crossroads Cafe in Bridgeport, Texas, and there's been several sightings of the escaped mold spores ever since. The original is primo primitive, a legendary tune amongst the garage gang - just ask your local weirdo with a Prince Valiant haircut. But why is there a Max Roach solo in there? We of course discuss the...

The latter phrase comes early on in our discussion about band names - the good, the bad, and the shitty shitty! This is Part 2 of "Shitty Shitty Band Names!" - a popular new series that we're assured has created a lot of discussion around the family dinner table, and caused overturned tables at the local boozer. In this edition we talk about short names, long names, but we're going to save fat ones and skinny ones for a later episode!

If you have a dog, you have to understand your responsibilty - "Walking the Dog" isn't as simple as you might think. Therefore, we start with Rufus Thomasand his instructional record of the same name from 1963. Is it a goofy great? It's definitely great, because a million bands have covered it. The Rolling Stones took the dog out in 1964 and Brian Jones sounds appropriately woofy. The amazing Jackie Shane walked the dog her way when back in Nashville, which also gives us a chance to talk abou...

This week we pick a Canuck classic that's two songs in one - "No Sugar Tonight/New Mother Nature" by The Guess Who. The lyrics are faux-profound, but Burton Cummings' pipes and scattin' will spike your blood sugar. We scoured the record bins for our second version - a dirtbag bubblegum version by Steel Wool. They bring the song back to perfect popsong length by axing "New Mother Nature", but the guitar stings might be too long. The third in the pack definitely isn't sugar-free - The Shirelles...

It's time to revisit The Kinks Kanon and do "All Day & All of the Night." Have you ever noticed how weird the title is? Probably not, because of the Riff! It's dirty and has that "Louie Louie" fairy dust which produces misty brain fog where you can't remember how many duh duhs are in it. And Ray Davies savors syllables - apeman poet! The song travelled across the puddle and New York's Knickerbockers were one of the first to kover it. Their version adds sax and has a great sproing-y ...

The first in a series celebrating Goofy Greats!: the 1975 K-Tel compilation that turned a generation of kids onto novelty songs, old rock n roll and R & B, and some very questionable tunes, too (we're looking at you, Ray Stevens) ... we go back to our old friends The Royal Guardsmen and their enduring hit, "Snoopy vs. The Red Baron." A lighhearted song about combat during the escalation of the Vietnam War? Sign me up! There's a LOT of Canadian connections with this tune, including the fac...

We're a bit weary of garage rock tropes, so it's time to head to the country. First this week is "The Woods" by The Nickel Bag. This 66er advocates leaving the city, but should you follow this pied piper? I might - the swirling organ has me hyp - mo - tized!! That same year, the "Old Macdonald" nursery rhyme got rewritten by some LA weirdos - The Seeds called it "Mr. Farmer." Lots of seedy sibilance, and when has Sky Saxon ever ssssteered you wrong? Let's cross the pond to celebra...

This one's a doozy - 4 versions of "Be My Baby" and a close relative! The first-born by The Ronettes is so good it's disqualified from the Bo Diddley Awards. We discuss Ronnie's "vibrato in a phone booth," Hal Blaine's boom-crash, the smiley backing vocals and so much more! The second child comes from the same year of 1963, it's by The Georgettes. Girl group workhorse Rickie Page makes you almost forget the absence of the Wall of Sound! A visit from a kissin' cousin comes third, "Don't Worry ...

We're back with a great garage tune that is the inverse? obverse? reverse? of 1965's "Satisfaction" - the tune is "(Don't Give Me No) Friction" by The Green Beans, released the same year as the Rolling Stones gem. The lyrics were written by a couple of middle-aged people, so it appears to be masquerading as hip, but of course our analysis finds deeeeeper meanings. It has a great chorus, a cavernous scream midway thru, and lotsa FUZZ! Australia's Misslng Links discovered the song like a g...

It's early February, and time for love & conversation ... so this week's song is the 1965 classic "She's About A Mover" by the Sir Douglas Quintet (2:57). A simple groove, great manly singing from SIr Doug himself, and a cavernous, carnivalesque organ sound will keep this in the canon for years to come. The song migrated to Germany later in the year and The Boots gave it a good home (42:29). The organ is comparatively chintzy & warbly, but this is a remarkable raucous racket with...

In this episode, we throw the book at The Equals and their 1967 non-hit, "Police on my Back." Written by the indestructible Eddy Grant, the debate centers around the song's rude boy narrative (Stratton 2013) and the question of the narrator's guilt or innocence. The next in the line up is The Stacattos (from South Africa). These guys mess the song up in interesting ways, but is it a social statement? Was the original? Well, on "Sandinista," The Clash made the song famous and it's taken o...

We recorded this a few days before the very sad passing of Mary Weiss on Friday, January 19, 2024. We hope that this episode honours her memory, and the other departed Shangri-La's, Marge & Mary Ann Ganser. Love forever <3.Versions by The Shangri-Las, The Compacts, Die Crazy Girls, The Detergents, Twisted Sister.

Single File is back and we're talking about a real rager: Shelby, Ohio's Shepherd's Heard and their only record "I Know" b/w "But That's Life." The first sounds like a demented version of The Rascals' "Good Lovin'." The drums and vocals are CRAZY and they're both performed by the same guy, Kim Shepherd, who rightfully named the band after himself since he does most of the work! Kim takes a breather on the flip, "But That's Life", an organ-driven sorta ballad. Man, Jonathan Richman should cove...

Our podcast's New Year's Resolution? To be quicker! Hence, we present you with "We're Pretty Quick," a wild 1967 side by New Mexico's finest, The Chob (4:32). There are covers by The Fuzztones and The Cannibals that fly by, too. But then we introduce The Lucky Seven Lightning Round Countdown, SEVEN other versions that we have progressively less time to listen to (for the first time) and react to! Take that challenge, Tik Tokers!!!

We end 2023 and start 2024 with some final thoughts and we pick our favourite songs out of all the Bo Diddley Awards nominees. Is the discussion insightful? Maybe. Incisive? Probably not. Insane? Always!!

The categories are:Bo Diddliest Girl Group Song: Dedicated to the One I Love - ShirellesHe’s Gone - Chantels Then He Kissed Me - Crystals Uncle Willie - Juliettes Mr. Scrooge - Orchids Bo Diddliest Video:Liar Liar - The CastawaysNow and Then - The BeatlesMust Be Santa - Bob DylanYou Really Got Me - Van HalenJack The Ripper - Screaming Lord SutchBo Diddliest Song From A Theme Episode:Open Up Your Door - Richard & The Young Lions (Table Toppers)Oh Mom, Teach Me How to Uncle Willie - Dayligh...

We kept the tape rolling after the recent episode we did with John & Bobby from The Gruesomes and we said more stuff about John's favourite song ever - "Say It" by the Five Royales. Along the way, we solve the problems of modern music.

We know Pastronauts love it when John & Bobby of The Gruesomes visit our podcast, but this one's extra exciting because it's two episodes in one! John has picked two of his favourite songs by the unsung Five Royales ("Think" and "Dedicated to the One I Love"), and then the four of us talk about 2 cover versions. This means versions by James Brown (who did "Think" twice!), The Shirelles, and The Mamas and Papas. Top notch analysis from two esteemed scholars of Garage Studies, p...

We enjoyed the eggnog so much last week that we decided to gift Pastronauts two more Holiday songs, and the talk that goes with it. 'Tis the season!!!

Forget about all those uncool Xmas tunes you hear in the malls - we've got the good stuff for this Holiday season! The first present for you is "Mr. Scrooge" by England's GREATEST 60S girl group, The Orchids (2:16). If Georgina Oliver isn't in your 60s British Music Icons Advent Calendar - then one listen to this, and she will be! Great backing from Pamela Jarman & Valerie Jones. John Lennon gets coal in his stocking for puttin' 'em down on TV in '63. The next carol is by the legendary So...

Erik & Weldon discuss band names they hate. Will YOUR favourite band be included? - Listen and find out!!!

Let's not Beat(les) around the bush here - the Garage Studies world has been waiting for Weldon & Erik to weigh in on the new Fab 4 tune, "Now and Then." We play it, talk about it, and also throw in some other AI versions of said tune. Along the way, there's questions from Erik and answers by Weldon, textbook slams, and a whole lot of goofiness and crucial digressions. What do the lads think? Is the song good, great, gear, or ghastly? More importantly, is it better than "Mr. Moonlig...

Theme episode time! This one's a simian sensation, so we start off with Chuck Berry's 1957 baboon tune, "Too Much Monkey Business" (2:32:31). Is it anti-monkey, or anti-business? It may not really be about monkeys. but it's rock n roll poetry! The next in the evolutionary order is "Mickey's Monkey", sung by Smokey of Motown's The Miracles (59:37). A dance craze song, this one has a great hook, boozy organ, bongos, and the tasteful licks of one of our fave axemen, Marv Tarplin. Movin' thru the...

Wouldn't you love it if we published every day? Well, we can't do that, but here's Buddy Holly's magical 1957 b-side "Everyday" as compensation (3:35). A concerto for hambone, celesta, and hiccupping hillbilly vocals! A gentle, innocent, and hopeful rock'n'roll hay ride ... it's special! In 1964, surf duo The Rogues had a date with the song in the studio and it's a real rollycoaster ride! (1:09:54). Is this first bubblegum song ever? It has yakety sax and a "Louie Louie" reference, which mean...

Live! From Room 711 of the Georgian Court Hotel in Vancouver, BC - it's Erik & Weldon broadcasting in the same spot for the first time in In The Past history!! We say hello to Ike & Tina Turner's 1965 tune, "Goodbye, So Long" and then gab about it behind its back. Up second is a Raiders-y version by one of the many bands named The Uniques. It's a real cut up kinda cut! Third is a reprise by Ike & Tina from 1970 - does this version show development and maturity? Yes, by ...

This week the boys talk about the girls - it's doo wop time and we start with the fabulous Chantels and their 1957 debut, "He's Gone" (1:32). Picture perfect in every way, from Arlene Smith's powerful voice and glittering, subtle songwriting to the beautiful backing from Lois, Sonia, Jackie, and Renee. A real Teenage Symphony to God! In 1964, podcast favourite The Royalettes adopted the song and here's where the strings come in (Teddy Randazzo's, that is ...) (1:00:45). Sheila Ross skip...

It's Episode 152 and we're finally gettin' to "You Really Got Me" by The Kinks (1:06). Knife, amp, and THEE garage rock riff! But is it FUZZ? Is the song's repetitiveness a representation of obsessive thoughts of lust? Is it choral music? Yep Yep Yep! In 1966, The 13th Floor Elevators got the song and made it long (1:01:24). There's solos, acoustic jug, and the bassist adds another Kinks riff to the mix ... Remember Van Halen? In 1978, they were just beginning their climb to the h...

Some people flip houses, but we at In The Past: Garage Rock Podcast flip singles. Yes, it's a return to the tried-and-true Single File format, and this week the subject is The Huns from Arlington Heights, Illinois, and their rampaging 1966 everblack, "Destination Lonely / Winning Ticket." The first side is a furious, fuzz-laden foray powered by the energy of Mom's snickerdoodles. The reverse is less terse and has a lot of verses: a jangly folk-rock number that's eight miles high! Th...

We celebrate Episode #150 with 1 artist, 5 great songs, and 0 misses! The spotlight is on Bo Diddley, and 5 of our favourite tunes by him. The beat starts with 1955's "Bo Diddley" (2:41). The second selection introduces you to Bo's legendary maracas rattler, Jerome Green, with "Bring it to Jerome" (1:02:06). A Bo ballad is up next with "Mona" and he sure moans for her (1:24:50)! We start "Crackin' Up" with Bo at (1:47:17) and you might worry that there is "No More Lovin" after song five...

No one's gonna protest about this week's songs! Three of the greatest garage tunes PERIOD - with some astute social commentary as well?! The first missile we hurl is "Social End Product" by New Zealand refuseniks The Bluestars (1:59) A proto-punk anthem with a pounding rhythm, dive-bombing bass, extra-enunciated vocals, and a FUZZ riff for the ages. The second dissentful ditty comes from Bermuda boys The Savages, who riotously remind us "The World Ain't Round, It's Square" (51:46)...

This week we talk about "Let's Talk About Girls"! The original was done by Tucson's The Grodes (aka The Tongues of Truth) (1:10). This gem features slinky guitar & organ, deft drumming, and a psychedelic pulse of a bassline. Not to mention Jagger-esque vocals and a fun, fantastic chorus! The most famous version (due to Nuggets) is by patron Saints of the podcast, The Chocolate Watchband (1:04:46). Huh! Singer Don Bennett takes the tune out of teen-town and makes an ADULT...

Ch-Chk! This week we step out of the garage to discuss many people's favourite song, "Save It For Later" by The (English) Beat (1:27). A ringing guitar sound, soaring strings, and cheeky lyrics with some clever Catcher in the wry-ness. Dave Wakeling's timeless tune has a meaningful feel & an appealingly feelingful meaning! A lil later, his elder Pete Townshend showed his reverence for the song, making a quiet, beautiful, and vulnerable epic out of it (1:08:25). In 1999, Harvey Danger part...

Enough of the big names - Beatles and Dylan have dominated the podcast for too long! This week we're talkin' bout the Moody Blues and their 1965 album track "And My Baby's Gone" (1:10). A little known slice of (squeaky) blue eyed soul an' R&B - it even has a faint "Bayou via Birmingham" feel because of the Allen Toussaint-esque piano rhythm. And it's the first song we've ever done with a guitar "swole-o" - listen and find out! ... In '66 or '67 (no one really knows), the awesomely-named B...

Have you ever wondered what Erik & Weldon do when they sign off? They keep drinking and talking about music!! That's what we did right after we recorded our latest episode, on Bob Dylan's "Girl From The North Country." We had a folk cover left over, by a mysterious troubador named Hamilton Camp, and we decided to press "play" on the proceedings. We discovered something very exciting about the man, especially if you grew up watching syndicated TV in the 80s - listen and learn!!

This week we're staying in the world of the Big B's of the 60s - but now it's Bob Dylan and his achingly beautiful 1963 ballad "Girl from the North Country" (3:07). Erik thinks it's a meditation on being forgotten, written at a time before Bob was famous. We get deep into the song, including the lyrics, the "place" of the song, and the moaning mouth organ! Then, in 1965, Link Wray did the song! (1:18:59). This one rawks. 'Nuff said. The third version is by Kansas kids The Blue Thi...

If Bug Music gives you the horrors, stay away from this one! An early slice of Beatlemania, "She Loves You", is on the docket this week (2:11). We discuss why people don't really rate The Beatles of this period: is it the "yeah yeah yeah"'s? Is it because it's a single and not really an "album track"? After you hear this, you're going to go full mop-top! Version two is by Patron Saint of the Podcast, Mary Wells (1:09:12). Sadly not arranged by Sonny Sanders, but we like the wood block in this...

We're re-doing an episode from the very early days of the podcast, when we didn't have our snappy patter & schtick down like we do now - the folk-punk classic "My Flash on You"! All versions are from 1966 : the original by Love is at 1:25, and we focus on FUZZ and Fashion (the drummer Snoopy's short-sleeved shirts). Thee Sixpence (soon to become The Strawberry Alarm Clock) play it FASTER at 55:58. And The Menerals from Texas add even more FLASH at 1:20:00!

This episode is bigger than bubblegum! We chew on Tommy Roe's 1966 hit, "Sweet Pea" and we find it both delicious and diatonic (2:19). It has that wicked drum break, but the jangly guitar and bright organ also make the song POP! The second stick comes from Mexico's great girl garagers, Las Chic's (40:16). This is one of them refritos which we talked about long ago ... they make a cute song even cuter, and Weldon thinks they sound a bit like Shonen Knife or Trixie's Big Red Motorbike. Manfred ...

We're back in the Garage Studies classroom to discuss the poetic masterpiece, "Just Like Me"! The first version by The Wilde Knights (1:25) gets us talking about iambic dimeter, and the poetry of John Skelton & Robert Frost. As one does. More importantly, the song has a mmmarvelous, Mike Mitchell-esque guitar solo. In late 1965, Paul Revere & The Raiders made the song a hit (44:28). They slow the song down, cut the bridge, and replace the strange, clipped enunciation of the orig...

Pastronauts Rejoice! We're finally taking you to the Land of 1000 Dances! The first dance goes to Chris Kenner, the author and soulful belter of the original one-chord wonder (1:30). CK mixes the sacred and secular, and Allen Toussaint and the band give the song a swampy New Orleans groove. Next, we cut a rug with Cannibal & The Headhunters (30:05). Were these guys an actual band, or a vocal group?! These guys add the famous "na na na"'s - which gets us talkin' about the doo-wop influence...

In this theme episode, we feature a trio of tunes with the proven percussive potency that makes you want to bash the nearest table like a raving Ringo … in fact, many of you tabletop thumpers have probably clattered the cutlery to at least one of these. First up is “Have I The Right” by The Honeycombs (4:57). The band is famous for having the hive-hairdo’d Honey Lantree as their drummer, but the whole band provides the backbeat on the chorus of this one. Wild, warbly guitar lines and Dennis D...

This week's episode traces the evolution of one of the most beloved songs of the 60s: "Good Lovin'"! (A tune that should have an exclamation mark in the title). Lemme B. Good was the first to pitch woo in spring of 1965 (0:48). Exuberant vocals, crashing piano chords, horny horns & galloping drums will make your heart pitter patter. Rudy Clark wrote the original version's lyrics, but he decided he needed a Cyrano to help him express his true feelings, so he turned to Art...

Our fifth edition of the ever-popular Better Than The Beatles series focuses on the first, and greatest, manufactured pop group: The Monkees. Literally cast into the limelight of pop superstardom, The Monkees, at their peak, outsold the Beatles while simultaneously filming weekly episodes of their zany and ultra-hip eponymous hit TV series.You’ll go bananas for our first foray: Last Train To Clarksville (2:19). This infectious oldies radio anthem leaves the station at Paperback Writer and jum...

In this episode, we go for a wild ride with a golden oldie that still smells factory fresh, "Brand New Cadillac" by Vince Taylor & His Playboys (1:53). Hear how this 1959 bopper is a "crossroads", deal-with-the-devil ditty, as signalled by the otherwordly opening string strumming. In 1964, The Renegades took the song to Finland, renaming it "Cadillac" and passing it off as an original - a clearcut case of grand theft auto (1:01:04) !! This model goes from 0 to 95 in seconds, f...

In this episode, we go down a Rabbitt hole and discuss one of the early songwriting efforts of the man who ruled the musical world of 1980 - Eddie Rabbitt! In 1966, his tune "Ball and Chain" (co-penned by Tricia Carr, who we also talk about) was released as a single by Scottish freakbeat merchants The Anteeeks (1:30). Yes, the spelling is correct, as is the band's use of fuzz. The song has a great riff and a great bridge, but is it enough to win this week's Bo Diddley Award? The Scottish dias...

While some might see Lulu as an exemplar of cherubic innocence, one listen to "Try To Understand," written by the boss songwriting duo of Lori Burton & Pam Sawyer (see Episode 70) will clear up that misconception (1:27). This song is from the POV of a player, a female Casanova who's trying to keep her main man and her side piece (but which is which?) ... a big production, a "Bacharach stack" of grand pianos and Lulu's booming vocals make this a beautifully bombastic track! Little Ha...

This week we discuss the song that Francis Rossi wrote on the toilet while trying to escape family life - the pop-psychedelic masterpiece "Pictures of Matchstick Men" by Status Quo (1:53). With that in mind, it's possible that the tune is a fever dream fantasy of familicide, with the wah-wah parts imitating his newborn baby crying ... who knew that there could be such a push-and-pull between the domestic and the psychedelic? (- The Beatles, probably) ... The second snapshot is by&nb...

"Then He Kissed Me" by The Crystals is a somewhat underrated pop product of the early 1960s, so it's time to shine the spotlight on this brick in the Wall of Sound, featuring the powerful vocals of La La Brooks, the production of Phil Spector, the arrangement of Jack Nitzsche, and the Brill Building words of Jeff Barry and Ellie Greenwich (1:07). What a cast!! We then take a detour to see how the song's opening guitar riff inspired Lou Reed and John Cale's pre-Velvets band, The Primitives, on...

In the latest episode, Erik & Weldon answer the question: "what's purple and goes buzz buzz buzz?" The answer is the Electric Prunes, who psyched out the world in 1966 with "I Had Too Much To Dream (Last Night) (1:44). Unlike most people who tell you about their dreams, the Prunes keep you listening with some seriously spacy sounds. We analyze all the parts of this moody masterpiece, and Erik recounts a close encounter with some Taiwanese hornets. In '67, Rasputin & the Mad Monk...

This week, we tell tall tales about one of the all-time greats - 1965's "Liar Liar" by The Castaways (1:30). A song with rolling organ that opens up with a snare crack, released in the same month as "Like A Rolling Stone"... but this one's way better because of the weird falsetto , the deadpan verses, surf drums, a wild scream and the newly-rediscovered SENSATION NOTE! How do they fit in so much greatness under two minutes? In 1966, SoCal's Mustangs sped through the song in even l...

You can think of this as a belated Valentine's Day episode - featuring the brainless, bashing Bo Diddley-beat balladry of "Makin' Love", originally done by The Sloths in 1965 (1:18). If Animal from The Muppets was a one-man band, this would be his signature song. While other LA bands were folkin' it up on the Sunset Strip, the Sloths were fearlessly flying the flag for freaky, frazzled, garage R&B. Listen in to find out what the "Sensation Note" is! The next year, some other SoCal sc...

This time it’s personal ...Sergeant Erik and Chief Inspectors Bobby Beaton and John Davis, of the Gruesomes, embark on an investigation of one of the most notorious garage rock cold cases of all time: the mystery of Jack The Ripper! We seek the truth regarding:Who released the song first?Who covered whose version?Why are there SO MANY versions of this ill-advised, tasteless song?!Clarence Stacy & Group commit the first crime, with their largely unreported original version (7:12).You’...

We should have a long talk ... about the shoulda-been-a-hit "Say Those Magic Words", written by Doc Pomus and Mort Shuman. The McCoys open the oration with a very twangy sound - there's more guitar hooks here than the Fishin' Musician! It's bubble-gummy, but also a little bit psych, what with the delay effect at the end of the chorus. The Birds (the ones from England with Ron Wood) present their rebuttal at (45:15). A cool guitar tone that sounds like a Hammond Organ and a very vampy vocal pe...

Super Gorilla! We suspect we are the first podcasters to discuss "The Rat's Revenge, Pts. 1 & 2" by The Rats (aka The Decades), anyone wanna challenge us? "Part One" and its unforgettably STOOPID riff comes first (3:05). As the "Back From The Grave" liner notes note, the song cycle is an homage to the real hero of the AIP "Beach Party" movies, Eric Von Zipper and his Rats Motorcycle Club - but it's so much more than that! To truly understand the weirdness of the 1960s, you must list...

This week we listen to 4 GARAGE versions of what some boomers say is the greatest song of all time: Bob Dylan's "Like A Rolling Stone." We think the very first cover of the tune was done by the Soup Greens, presented to the world only one month after BD released the original. (1:47) They don't bore us, they get to the chorus! In their soupy hands, the song becomes a frat rock rager - with a burbling organ, boom-crash drums, and a great clattering ending. Mike Mitchell > Mike Bloomfield by ...

In 1959, R&B Renaissance men Don & Dewey released the first version of the soon-to-be-classic, "Farmer John" (1:01). These guys were multi-instrumentalists and multi-talented - this one's sure to be a hit at your upcoming barnyard blitz. Two years later, Carl & the Commanders brought out the next in the crop, an even faster take with wild drums, some tickling of the ol' ivory, and it ends with some slapback handclaps (42:42). in 1964, The Premiers pr...

This week we bequeath to you an episode on the rockin' 66er, "Readin' Your Will" by The Human Expression (2:25). The original acetate is a raw 'n' snotty intervention, with singer Jim Quarles condemning his friend for his dissolute rock 'n' roll lifestyle while backed with cool gallopin' drums and an overall "Steppin' Stone" vibe. The etymology of "blow your mind" is discussed here. The next deed is done by The Hypnotic Eye, way back in 2012 (50:49). Their version is a punky boy/g...

In late 1963/early 1964, a new dance craze blew through the Windy City: the Uncle Willie! In this episode, the first of 2023, we listen to 6 songs that range from R&B, girl group, and garage - all of them will have you putting your hands on your hips and letting your feet slip ... it's as easy as it can be!

Say Toodle-oo to 2022 with In The Past: Garage Rock Podcast! We have 4 categories for this year's Bo Diddley Awards:1. Bo Diddliest Tambourine Tune (new!)2. Bo Diddliest Video3. Bo Diddliest Song From a Theme Episode4. Most Beautiful Song (new!)All that, and resolutions - get away from the family for a few hours!!

This show finds us investigating the iconic 60s sound of jangle - we start with the most famous treble-makers of the decade, The Byrds and their beautiful 1965 B-side, "She Don't Care About Time" (1:16). Erik diagrams the science of jangle and we do a deep dive on Gene Clark's inscrutable, ineffable lyrics. And those harmonies!! Next, go deeper into the jangle jungle with 1966's "You Wouldn't Listen" by The Ides of March (1:07:58). These Chicago cacophonists add some R&B flavour, do...

The new episode aims to sate Pastronauts with 4 versions of the garage gem, “Hungry.” The main course is the 1966 original from Paul Revere & the Raiders. This one has FUZZ, pulsing organ, and some terrific cha cha tambo along with a lusty vocal performance from the great Mark Lindsay. That same year, Canadian/British combo The 5AM Event altered the ingredients somewhat for more Freakbeat-influenced fodder. Since Lindsay’s “Hungry” was so horny, these guys take that literally and ad...

In the new episode, we take some giant steps and discuss 4 songs from the 60s about our Earth's best friend, the oblate spheroid you can't avoid - The Moon! We launch with 1961's "Blue Moon", by The Marcels (1:51). This one has been a golden oldie from the start, but you have to listen with fresh ears: Freddy "Fricative" Johnson's low basso profundo will paradoxically send you to the celestial sphere the song sings of, while it sends Weldon into the Linguistics lab. The second moonshot ...

What happens if you bring a tambourine to a gang fight? That question is answered by Don Covay's "Sookie Sookie", released in 1966 (1:02). A song with a great groove but chorus amnesia - and the most intimidating tambo work we've ever heard. Listen to us talk about the history of the banana peel in comedy as well. The second "Sookie" is from '67, by The Primitives (49:27). These guys add some freakbeat touches, the "Taxman" bassline, and true to their name, some apropo Paleolithic grunt...

In our latest, we celebrate some German garage gibberish: "Balla Balla", originally done by The Rainbows in 1965 (1:44). Grab a lager and listen to some Schlager! Die zweite Version is by the American twist King Chubby Checker, aided by De Maskers from The Netherlands (37:18). Chubby retitles the song "Baby Baby Balla Balla" and adds more lyrics so it .... uh ... makes sense. The band cooks and Chubby growls ... it'll put your heart at ease! More Dutch delight comes in the guise of Pee ...

Duh duh duh -- Grab your partner, it’s Louie Louie time – again!! One cover and three “soundalikes” of Richard Berry’s bartalk-ian classic. First in the parade is I. Kadez’s Nashville version of “Louie Louie” from the portentous month of November, 1963 (2:51). We think this might be the first cover that uses the Kingsmen version as a template. Listen in to find out the mystery vocalist behind the pseudonym. Second up is the first duplicate, “12 Months Later,” by another mystery band, The Shee...

Visiting professors Bobby Beaton and John Davis of The Gruesomes are back to lecture young garageniks about the legacy, impact, and mechanics of what is, in Dr. Beaton's words, "the paramount garage experience"!! That is, of course, the song "City of People", originally heard in 1966 by The Illusions (2:15). A song all the Gruesomes hold in both scorn and esteem, which they laugh at and love in equal measure - listen to what they have to say about it! There's also a version by The Creeps from...

This Halloween we continue to howl at the moon with 5 more songs about those scary wolfmen (and wolfwomen)! We start the horrific cavalcade with "Rockin' Werewolf" by Robbie the Werewolf from 1964 (2:38). Just try and get the chorus of this fun strummin' folk number out of your head, but keep the crucifixes away while Robbie is rockin' ... wait, is that only for vampires? Our second song is a Shatnerian soliloquy on lycanthropic transformation: "Wolfman" by The Muleskinners (38:29). Listen in...

This week's show is a pre-Halloween extravaganza that takes you to the Twilight Zone and points beyond (i.e., Idaho)! The Serlingesque shenanigans start with "Out of Limits" by The Marketts (1:57). The famous 4-note riff is present, along with triangle, organ, castanets, and French horn! The Marketts manage to throw the sound of Western and spy movies into the mix, too - whooo! The sinister second is a truly weird number: weird because it's either by Barry Ray OR Rich Cutcher and the Wildwood...

What do you give the podcast listener who has everything? Answer: an episode on Them's 1966 garage hymn "I Can Only Give You Everything", which has everythang: a gravedigger riff with fuzz, overdriven organ, pounding drums, a snarling vocal performance, some wild modulation and a messed up chord change (1:51)! Ain't that enough? Of course not! A couple of months later, the co-songwriter and producer of Them's initial onslaught, Scotland's Tommy Scott waxed his own interpretation (56:53)...

In the latest episode we make sense out of nonsense, meaning we crack open three 'goofy greats' and feast on the goo inside! Back in 1956, The Chips released "Rubber Biscuit," a rockin' doo wop number with insane vocables that we find hides a serious message (1:39). Two years later, David Seville went to visit the "Witch Doctor" (58:54). We don't know if he won his crushes heart, but the squeaky-voiced Doc did give Seville one of the greatest choruses ever. Finally, in 1972 the Italian legend...

Watch it now, watch it! We're talking about quatro versions of "Wooly Bully" this week, but we have to go back to 1962 to listen to the origins of the insanity, namely the tune "Hully Gully, Now" by Big Bo & the Arrows (1:11). The bass is incredible. The organ is incredible. The vocals (by Little Smitty)... will leave you incredulous! Words can't capture the wildness of this wooly antecedent, but the dirty job falls to us and we get our hands and ears dirty. In 1965, Sam The S...

Randy Newman's 1970 rocker "Have You Seen My Baby" is the subject of this week's episode: the original is in a rollicking Fats Domino barrelhouse-style with RN's love-it-or-leave-it voice (0:48). The lyrics are about a deluded romantic, and the arrangement is melancholically delightful. She ain't his baby! The following year, the Roy Loney-era Flamin' Groovies waxed the track to stunning effect (56:48). Their transparently rockin' version leads us into a considered discussion...

4 of Weldon's fave girl group songs on this one! We start off with "Party Lights", a smash hit for Claudine Clark in 1962 (1:15). She wrote and sang this clever little ditty, but the word is she also played piano as well. CC begs, pleads, uses her best Lowtower and even throws a tantrum but her mama ain't letting her go to join the kids across the street. That same year, some soon-to-be-legends were also looking to get the party started: The Supremes made a minor splash on the cha...