Words - The Bee Gees Podcast

Stuart and Cristiano discuss Robin's second solo album, released in May 1983, 'How Old Are You?'. A departure from the baroque orchestrations and wartime tales which filled Robin's 1969-70 solo efforts, this album sees Robin and collaborator Maurice embracing contemporary influences, ranging from Europop to new wave synth.

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In September 1982, Dionne Warwick released 'Heartbreaker', an album produced by the indomitable Gibb-Galuten-Richardson team. With the chart-topping title track, and success with follow-ups 'All The Love In The World' and 'Take The Short Way Home', Dionne Warwick had reasserted herself as a leading artist once again after a career that had already seen many heights since 1962. Stuart and Cristiano delve into this R&B and adult-contempo album, as well as the demos and some leftover songs.

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Stuart and Cristiano turn over 'Living Eyes' and discuss the five songs on the second side. Being such a prolific period for the Gibbs, there is also a collection of leftover and unreleased songs from the recording sessions, including a 1982 single for Leo Sayer. Critical reviews and listener thoughts are shared as Stuart and Cristiano conclude their opinions on this fascinating Bee Gees album.

Vocal split extracts created through LALAL.AI: Vocal Remover & Instrumental AI Splitter | LALAL.AI

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Stuart and Cristiano return for the fourth season with 1981's 'Living Eyes'. In the midst of legal affairs with RSO, a disco backlash, and a shake-up to the recording style and personnel which had accompanied the Gibbs over the previous five years, the resulting album, which also had a smash-hit predecessor in 'Spirits Having Flown' to live up to, was always going to suffer. And although the album struggled commercially and critically, and subsequently dismissed by the Brothers Gibb, it has gone on to become a fan favourite. A return to natural voices, orchestral bombast and the triumphant return of Robin and Maurice on lead vocals make this album a special one. In this first part, Stuart and Cristiano discuss the context of the album's recording, and the five songs that comprise side one.

Tim Roxborogh - 'Living Eyes at 40' - Barry Gibb With Tim Roxborogh On The 40th Anniversary Of Living Eyes - 2021 - YouTube

Vocal split extracts created through LALAL.AI: Vocal Remover & Instrumental AI Splitter | LALAL.AI

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The vocal prowess of Barbra Streisand with the production and songwriting talents of the Gibb-Galuten team... it's a match made in music heaven. And the results prove it. The album 'Guilty', released September 1980, stormed to number one all over the world, accompanied by chart-topping singles. Closing off Season 3 with style, Stuart and Cristiano discuss this masterful album, comparing the finished product to Barry's demos, whilst also exploring Streisand's earlier work, to understand how this project came to such magical fruition.

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In May 1980, Jimmy Ruffin released his seventh and final studio album, 'Sunrise'. This often-overlooked album consisted of compositions by Robin Gibb and Blue Weaver (with contributions from Barry, Maurice and Andy), with the pair also producing the album. 'Sunrise' is a fascinating combination of the distinct Robin Gibb lyrics, Weaver's trademark arrangements and Ruffin's motown style. When Marcy Levy's vocals and 1970s soul sounds are added in, the result is a charming and totally unique album in the Gibb catalogue. Stuart and Cristiano delve into 'Sunrise', as well as some surrounding material from Robin.

Hold On To My Love - Gulymix: JIMMY RUFFIN feat. ROBIN GIBB - Hold On To My Love - Extended Mix (gulymix) (youtube.com)

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Stuart and Cristiano delve into Andy Gibb's third and final studio album, 'After Dark', released in early 1980. The discourse which often surrounds this album focuses on the overdubs and input from Barry (who also pens almost all of the material on this album), due to Andy's declining vocal capabilities and his absence from recording sessions. However, there's a whole new side to 'After Dark', as Stuart will explain...

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Stuart and Cristiano return for side two of 'Spirits Having Flown', as well as a summary of the Bee Gees' accompanying tour of North America, and a reflection of the album over four decades later, with thoughts from contemporary critics and listeners of the podcast.

Acapella ;Living Together' - Bee Gees Living Together (Vocal Track) - YouTube

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Spirits are flying high with this seminal 1979 release from the Bee Gees. Rounding off half a decade of chart topping singles and albums, 'Spirits Having Flown' epitomised the Brothers Gibb at the height of their game. Spotless production and arrangements, pitch-perfect falsettos and a refinement of the disco and ballads styles which had defined their recent material, all culminating in one of the group's best regarded, and best selling, albums. In Part One, Stuart and Cristiano discuss side one of the album, and the context of its recording.

Vocal only Too Much Heaven: Bee Gees - Too Much Heaven - Acapella (Only Vocals) - (Vocal Track) - YouTube

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Stuart and Cristiano return to the youngest Gibb brother for Andy's second album, 'Shadow Dancing'. Released in 1978, this is an album of two halves; side one: Barry, and side two: Andy. With a majority of the latter's compositions being relegated to the album's second side in favour of his elder brother and Blue Weaver's single-worthy material on side one - which included chart-topping hits such as the title track, 'Our Love (Don't Throw It All Away)' and 'An Everlasting Love' - there's a whole different side to this album which is far too often overlooked, with Andy developing his country singer-songwriter approach from 'Flowing Rivers' and adapting to his disco and pop surroundings.

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Stuart and Cristiano are joined by Andrew Sandoval, curator of Bee Gees reissues, author of 'The Day-By-Day Story 1945-1972', contributor to the 'Ultimate Biography' and renowned radio host, music producer and performer. Sandoval discusses his journey through the Gibb catalogue, from his 1997 recording of 'Nobody's Someone', to the joys and tribulations of reissuing the Bee Gees' music, through to his current work hosting 'Come To The Sunshine' and his involvement with the Monkees' discography.

Come To The Sunshine radio show: WFMU: Come to the Sunshine with Andrew Sandoval: Playlists and Archives

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From the Odyssey Disco dancefloor to Pepperland and all the way to Rydell High, the Bee Gees' output across 1977-78 is unparalleled. With a chart topping soundtrack album, and a collection of songs which are renowned as some of the finest in popular music, the brothers Gibb were at an all time high that not even the failure of the fever dream 'Sgt. Pepper's...' project could diminish. Stayin' Alive, How Deep Is Your Love, Night Fever, More Than A Woman... for many, these songs define the Bee Gees, but as ever there's always a lot more to uncover from this period.

Gibbology on 'Sgt. Pepper's...' here: https://beegeespod.wordpress.com/

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Stuart and Cristiano explore the early songs and debut album by Andy Gibb. From teenage singer-songwriter beginnings in Australia, to chart-topping singles in 1977, Andy Gibb proves to be just as prolific and productive in his formative years as his brothers before him.

Zenta recordings from Trevor Norton here: Trevor Norton - YouTube

This episode features 'Twinky', with thanks to Andrew Sandoval. Come To The Sunshine: WFMU: Come to the Sunshine with Andrew Sandoval: Playlists and Archives

Special thanks to Joseph Brennan for providing the demo of 'Flowing Rivers'. 

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Preceded by the radio and dancefloor chart-topper 'You Should Be Dancing', and succeeded by further top ten album singles, 'Children Of The World' is as commercial as they come, whilst the double live LP 'Here At Last...' encapsulates the Bee Gees on stage and riding high on their newfound success. Stuart and Cristiano delve into these two albums, and are honoured to have Vince Melouney answer their questions on 'Let It Ride', a song which he co-wrote with Barry Gibb in 1976. "What you doin' on your bed on your back?" the Bee Gees ask, and quite right too, as 1976 is as productive a year as ever for the Brothers Gibb. We should all be dancing!

Tall Poppy Syndrome & Let It Ride: Music | Tall Poppy Syndrome (bandcamp.com)

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Stuart and Cristiano discuss the Bee Gees’ breakout release from 1975. The realisation of Barry’s falsetto, the developing R&B and disco influences, and the input from new surroundings in America and collaborators Blue Weaver and Albhy Galuten result in a commercial, critical and chart success of an album for the Brothers Gibb. It’s time for the ‘Main Course’…

Country Lanes Vocal Only - Bee Gees - Country Lanes - Vocals - YouTube

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Renowned radio host, travel writer and Bee Gees fanatic Tim Roxborogh joins the podcast to share his thoughts and memories of 'Mr. Natural'. Stuart and Cristiano also go through listener opinions and critical reviews, and conclude their thoughts on the album that is too frequently overlooked by history (and the Bee Gees!).

The Roxborogh Report

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Stuart and Cristiano return to pick up where they left off, starting in 1974 with 'Mr. Natural'. Working with the prolific and renowned R&B producer and arranger Arif Mardin, the Bee Gees uncovered a new sound, and one which would come to define their music forever. Soft keyboards, luscious strings and breathy vocals, all blended with Mardin's R&B and American touch, results in one of the most fascinating Bee Gees albums. In Part 1, Stuart and Cristiano go through the album and the story of its recording. There's a lot to say about this one…

Acapella 'Mr. Natural' - BEE GEES (ACAPELLA) MR. NATURAL - YouTube

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Stuart and Cristiano reach the end of their travels through the Bee Gees' formative years in Australia, and wrap up Season 2, by discussing the rest of the brothers' music and activities of 1966. Throughout the remainder of this year, the Bee Gees gave a large amount of material to other artists, and they recorded a collection of covers of musical standards remaining as productive and prolific as ever. All of this before they set sail for the UK in 1967, and the rest is history…

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It’s 1966, a revolutionary year for the commercial music landscape, which has dramatically changed since the Gibb family arrived in Australia. The new studio space and endless time spent there allows the Bee Gees to let loose and produce a vast and eclectic amount of material over the course of this year. Maurice has his first compositions and collaborates with Nat Kipner, Robin also debuts his solo compositions and develops his unique style, and Barry continues to adapt to his musical surroundings. Stuart and Cristiano go through the first half of 1966, detailing the Bee Gees’ second studio album ‘Spicks and Specks’, as well as a collection of additional material. 

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Stuart and Cristiano follow the wind and travel to 1965 for the second part in their journey through the Bee Gees’ early years in Australia. With a notable change in songwriting style, and various notable debuts, including Bill Shepherd’s first involvement with the Gibbs, the release of the Bee Gees’ first ‘studio’ album, and the first known lead vocal from Robin, 1965 is a year of change. The music landscape worldwide is expanding vastly, and Barry is quick to adapt and evolve his songwriting to match the new sounds of this important year in popular music.

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Stuart and Cristiano begin their journey through the Gibb's music composed, recorded and released during their time in Australia. Having emigrated to Australia in 1958, Barry, Robin and Maurice soon put their musical gift into practice, recording material for themselves and other artists. The result is a long, long list of compositions (many still unreleased), all of which in Part 1 are written by Barry. Whilst the quality of compositions varies, from the Mersey beat hit-that-never-was Claustrophobia to the questionable Stomp, the clear talent of the brothers from such an early age is on full display. This is where it all started..

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Recorded at the Record Plant in late 1972 for an intended 1973 release, before ultimately being shelved, ‘A Kick In The Head Is Worth Eight In The Pants’ is the holy grail of any Bee Gees collection. Stuart and Cristiano try to make sense of the story surrounding this album and its fate. Was it cancelled because of 'Wouldn't I Be Someone's' poor performance? And was it RSO or the Bee Gees themselves who pulled the plug? And, most pressingly, do the songs follow the narrative concept set up in 'Life In A Tin Can'? There’s a lot to unpack…

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Stuart and Cristiano open the lid on the Bee Gees’ ‘Life In A Tin Can’ and discuss their (mis)interpretations of the album’s loose concept. Released in January 1973 - only three months after ‘To Whom It May Concern’! - and recorded in L.A. with arranger Johnny Pate, this is an album that saw the brothers covering new territory. Despite garnering little chart action, Stuart and Cristiano uncover ‘Life In A Tin Can’s’ ever-growing charm and appeal, with its matured songwriting, sophisticated arrangements, authentic instrumentation and heart-meltingly beautiful vocals from Robin. 

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We're joined for this special episode by Joseph Brennan. Having founded the 'Gibb Songs' website, Brennan went on to contribute to the 'Ultimate Biography' and later album reissue projects. We talk to Joseph about the origins of 'Gibb Songs', the Bee Gees' unreleased material, his involvement with the reissues and the 'Ultimate Biography', and the brilliance of Maurice Gibb!

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Stuart and Cristiano hold a party and delve through this eclectic 1972 release from the Bee Gees. 'To Whom It May Concern' displays the Bee Gees let loose and at their truest selves, the album brimming with creativity and showing everything that the brothers have to offer. The music ranges from rollicking blues to pretty Barry ballads, and from Moog melodies to paper mache, cabbages and kings! But how was the album regarded upon its release, and have opinions changed today?

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Journey back to 1971… or 1805… as Stuart and Cristiano peel back Pocock’s ‘The Battle of Trafalgar’ painting to examine the Bee Gees album beneath. 'Trafalgar' sees the Brothers Gibb return to the majestic, almost-concept album territory of ‘Odessa’, with an abundance of beautiful ballads, soaring vocals and heartfelt lyrics. With various leftover tracks, including commercial jingles and a nineteenth century anthem, as well as an accompanying tour and extra recording activity to discuss, this is another jam-packed episode, but that's just the way it is. 

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Stuart and Cristiano return to explore the Bee Gees' comeback album, '2 Years On'. Released in November 1970 after the reunion of Robin, Maurice and Barry, and including the hit single 'Lonely Days', this is a crucial album in the Gibb timeline; but how does it fare over half a century later? 

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Stuart and Cristiano discuss the follow-up to ‘Robin’s Reign’ that never was. Compiled from material composed and recorded in 1970, ‘Sing Slowly Sisters’ is filled with Robin’s signature story lyrics, earworm melodies and haunting arrangements - but would it have made a worthy second album, or should it have been combined with Maurice and Barry's abandoned solo works of the time to make the Bee Gees album that never was?

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Amidst the disarray surrounding the Bee Gees in 1969 and 1970, Barry composed and recorded a collection of material that has become known as ‘The Kid’s No Good’. However, the pretty acoustic ballads and forays into country, as well as his studio work with P.P. Arnold and a collection of poems all prove that Barry couldn’t be further from the moniker of ‘no good’.

GSI Barry Gibb poetry collection: Barry Gibb poems Gibb Service International (brothersgibb.org)

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Stuart and Cristiano explore the mostly unreleased material from Maurice Gibb recorded between 1969-1970, which has become known collectively as ‘The Loner’. Often regarded as the ‘man in the middle’ amidst his brothers, these recordings instead prove that Maurice has plenty to offer on his own, with music that ranges from pastoral instrumentals to swamp rock musings. 

Check out PJ's article on 'The Loner' here: https://albumsiwishexisted2.blogspot.com/search/label/Maurice%20Gibb?m=1

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Stuart and Cristiano enter the realm of Prince Frederick and Prince Marmaduke to discuss ‘Cucumber Castle’, released April 1970. With the absence of Robin and the resulting country and ballad tendencies, this is a unqiue album in the catalogue. But how does Barry and Maurice's efforts compare with the Bee Gees’ other work?

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After some creative differences with his brothers, Robin (temporarily) bowed out from the Bee Gees in 1969, and in February 1970 released his debut solo album ‘Robin’s Reign’. Stuart and Cristiano take a look at this first solo release from the Brothers Gibb.

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Having discussed all of the album tracks, Stuart and Cristiano take a look at additional material, critical reception and album packaging, as well as sharing the listeners' thoughts, and concluding their own views on the Bee Gees’ double album.

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In the year of the moon landing, Woodstock and peace bed-ins, the Bee Gees released their majestic, red flocked, loosely-conceptual double album ‘Odessa’. In Part 1, Stuart and Cristiano explore all four sides of the album.

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After getting an idea that came like a gun and shot in their ear, Stuart and Cristiano drop the needle onto the second of the Bee Gees' 1968 albums: ‘Idea’.

Idea TV Special: https://youtube.com/playlist?list=PLIrejnQHP6bbagYrFIAQM_Nf-ziGftt9o

I Started A Joke tribute video: https://youtu.be/EOMMytOeU1g

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Now that they have found that the world is round, and that apples are fools but lemons never forget, Stuart and Cristiano delve into the first of the Bee Gees’ two offerings from 1968: ‘Horizontal’.   

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From castles made of cucumber to mining disasters in New York, Stuart and Cristiano go back in time to the psychedelic pop land of 1967 to explore ‘Bee Gees’ 1st’.

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A very warm welcome to 'Words - The Bee Gees Podcast'. Before Stuart and Cristiano begin their exploration of the Bee Gees' discography, find out about how their love for the Brothers Gibb began, as well as what to expect from the upcoming episodes.

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