Meet the Composer

We began last week’s episode digging into the music of one particular electronic musician - the synthesist, producer and composer Kaitlyn Aurelia Smith.

Today we’re thrilled to bring you a song that you won’t hear on any of Kaitlyn’s albums. Clouds Forming Over Mount Baker was commissioned by the University of Pennsylvania’s Arthur Ross Gallery to accompany a landscape photograph by Eliot Porter.

It’s a fitting collaboration, as Smith grew up on Orcas Island, where Mt. Baker is a visible feature. Join us for this rich, synthesized soundscape, bringing sonic life to Porter’s beautiful photograph.  

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposer
Like Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.org
Follow Q2 Music on Twitter: @Q2Music
Like Q2 Music on Facebook: www.facebook.com/q2music

What happens when a composer writes music without pen and paper, using machines? How does that change the creative process? How does it morph the art itself? 

Today on Meet the Composer, our producer Alex Overington — usually behind the studio glass — takes us on a road trip to unravel the creative process of those composers who write without a score. We meet the synthesists, the samplers, the electronic musicians, and dive deep into the tools they’ve adopted to define their craft. 

Join us as we uncover what it means to be a composer who sculpts directly with sound, through conversations with such artists as Matmos, Kaitlyn Aurelia Smith, Tyondai Braxton, Laurie Anderson, Morton Subotnick and more.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposer
Like Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.org
Follow Q2 Music on Twitter: @Q2Music
Like Q2 Music on Facebook: www.facebook.com/q2music

Last week, we dug into a particularly contentious moment in classical music’s history. This week, however, we’re looking at where we are NOW, a place of, well… niceness.  

“I think right now is a really good time to be a composer,” says composer John Adams. “And I tell young composers that. They don't believe me, but they don't know how difficult it was back when I was in my 20s and 30s.”

We'll hear how David Lang’s group Bang on a Can helped to shape a newfound culture of support and generosity, and how the next generation of composers - including Bryce Dessner - can find creative freedom in this new landscape. Finally, we hear from Bryce what it’s like to write for “the Rolls Royce … of New Music,” with his new piece, Wires, for Ensemble Intercontemporian, led by Matthias Pintscher.  

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposer
Like Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.org
Follow Q2 Music on Twitter: @Q2Music
Like Q2 Music on Facebook: www.facebook.com/q2music

It was composer pitted against composer: uptown vs. downtown, tonal vs. atonal, left brain vs right brain, and these musicians were NOT pulling any punches. Composers were antagonizing each other, questioning each other's validity, and bad-mouthing one another; it was like the second half of the 20th century was when Western Music went through middle school, and it was brutal! 

“If you weren't being a constructivist composer, if the music wasn't indeed about its own structure, and its own structure wasn't complicated, then you were a pariah, you were rejected. You didn’t get tenure. You didn’t get a job.” That’s Robert Sirota - Nadia’s Dad - one of many composers who came of age in the midst of this feud and struggled - for years - to find a voice.

On this episode of Meet the Composer, we unravel one of the most contentious periods in classical music’s history. How did this fight begin? How did it play out? Who were the contenders?  We hear from composers on both sides of this battle, and discover how, on all ends of the aesthetic spectrum, we can find value in differences.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposer
Like Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.org
Follow Q2 Music on Twitter: @Q2Music
Like Q2 Music on Facebook: www.facebook.com/q2music

Henry Threadgill’s music and community can’t be separated; there is no boundary: challenge and failure and growth in music are the same as challenge and failure and growth in life. This Meet the Composer bonus track shares an exclusive performance by Henry Threadgill's Zooid ensemble of I Never, recorded live by Q2 Music at the Village Vanguard on Oct. 2, 2016.

Throughout his career, Threadgill has led countless ensembles with diverse instrumentations and personalities. And in each of them, he finds a way to unearth a type of asymmetry – a blend of unease and transcendence that comes across in his remarkably structured compositions. He unites musicians in the same way as he composes: with affection for the mysterious, embrace of the unexpected, and spontaneity guided by uncompromising intellect. As Threadgill has said, “Improvisation is a way to live your life and solve problems.” Music is one outlet, one way to activate this philosophy, which is something we hear echoed often from his collaborators.

In this recording, we hear the 2016 Pulitzer Prize laureate leading his longstanding chamber ensemble, Zooid, in a live performance inside the legendary New York City underground jazz venue, the Village Vanguard.

Performers:

Henry Threadgill, alto sax
Liberty Ellman, tres
Christopher Hoffman, cello
José Davila, tuba
Elliot Humberto Kavee, drums, percussion

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposer
Like Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.org
Follow Q2 Music on Twitter: @Q2Music
Like Q2 Music on Facebook: www.facebook.com/q2music

1967, Fort Riley, Kansas. Henry Threadgill is 23 years old. Knowing he’s going to be drafted into the military, he joins the Army Concert Band, hoping to focus on his passion: writing music. As he surrounds himself with new ideas, he works his influences into the music that he's arranging. Then one day, the band plays one of his arrangements of a patriotic song for an inauguration of big-wigs, and from the calm of a quietly confused crowd comes a cry from a cardinal in attendance: “Blasphemy!”

One day later, he’s told to gather his things. Thirty days later, he’s on his way to Vietnam. Fifty years later, he wins the Pulitzer Prize for music composition.

This is only the beginning of the story of how the energy, hunger and curiosity of Henry Threadgill have influenced and changed the people around him. In spite of the failure and rejection he’s faced, Threadgill is perpetually driven toward new ideas, new challenges and new opportunities to pursue and grow stronger in his improvisational creative vision. His music is the product of the community he builds in the moment.

This is the story of Henry Threadgill, told by the people whose lives he has touched.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposer
Like Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.org
Follow Q2 Music on Twitter: @Q2Music
Like Q2 Music on Facebook: www.facebook.com/q2music

Today's bonus track is an exclusive arrangement of a nutso, sci-fi-y electronic piece John Adams wrote in 1993. Originally part of a larger work, Hoodoo Zephyr, Coast was never intended to be performed live. However, the 20-person chamber ensemble Alarm Will Sound has often been tempted by electronic works. Violinist, composer, and Alarm Will Sound member Caleb Burhans, who cut his teeth arranging works by Aphex Twin for the group, adapted Adams' work. While Alarm Will Sound has performed this piece several times, we're proud to bring this you exclusive recording! 

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposer
Like Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream — hand-crafted daily to reward your curiosity — and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.org
Follow Q2 Music on Twitter: @Q2Music
Like Q2 Music on Facebook: www.facebook.com/q2music

What happens when the composer shows up to the first rehearsal of his brand-new piece? Would a living Beethoven sue for intellectual property? Are you the hit, or are you in the hole? For this episode, we collaborated with the 20-member chamber ensemble Alarm Will Sound and its conductor Alan Pierson – with whom we're partnering on the upcoming podcast album Splitting Adams (out April 21 on Cantaloupe Music) –  to take a close look at the music of John Adams, specifically his two insanely difficult chamber symphonies. This episode offers unprecedented access to not only to the creative process, but the weird, woolly procedure of putting these massive pieces together.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposer
Like Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.org
Follow Q2 Music on Twitter: @Q2Music
Like Q2 Music on Facebook: www.facebook.com/q2music

Today's Bonus Track is an extended cut of Pauline Oliveros' "Tuning Meditation," recorded live at the Fuentidueña Chapel at the Met Cloisters on Jan. 20, 2017. Recorded in 3D-sounding binaural audio, it's an immersive experience in which we would love you to think about participating while listening. For optimal audio quality, please listen with headphones!

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposer
Like Meet the Composer on Facebook: www.facebook.com/meetthecomposer

---

Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream — hand-crafted daily to reward your curiosity — and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.org
Follow Q2 Music on Twitter: @Q2Music
Like Q2 Music on Facebook: www.facebook.com/q2music

We continue our investigation of the odd, wrong-side-of-the-tv-set role of The Performer with a deep dive into the "Sonic Meditations" of pioneering American composer Pauline Oliveros. Pauline manages to smudge at the distinction between composer, performer and audience with these simple, text-based pieces, which somehow pack an emotional wallop far larger than their few lines might suggest. 

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposerLike Meet the Composer on Facebook: www.facebook.com/meetthecomposer

---

Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.orgFollow Q2 Music on Twitter: @Q2MusicLike Q2 Music on Facebook: www.facebook.com/q2music

We are thrilled to bring you a WORLD PREMIERE recording as our first bonus track of Season Three!

Our previous episode, The Performer: Part One, featured, among other things, a fascinating conversation with the Austrian composer Georg Friedrich Haas. As we are a talk show about music, we are always dying to simply play some MUSIC, and so today we bring you our exclusive, world premiere recording of Haas’ 9th String Quartet. The whole thing! Featuring the fantastic JACK Quartet.

The JACK Quartet has spent years performing and championing an older piece of Haas’, his 3rd String Quartet. They played it so well, in fact, Haas decided to write his ninth quartet specifically for the JACKs, taking full advantage of their superpower: just intonation. So we figured, what could be better than having the JACKs over to Q2 Music to bring this piece to life?

Like his 3rd String Quartet, this piece comes with an unusual stipulation: it is to be performed in complete, india-ink, can’t-see-your-hand-in-front-of-your-face darkness. So turn out the lights and join Meet the Composer and the JACKs for the first-ever recording of this spectacular piece of oddly-tuned awesome.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposer
Like Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.org
Follow Q2 Music on Twitter: @Q2Music
Like Q2 Music on Facebook: www.facebook.com/q2music

We're kicking off Season Three with a look beyond the composer to the performer, that unusual intermediary between the artist and the audience. How do performers from different cultures, who speak different languages, come together to perform the same piece? What happens when an ensemble completely messes up... and the audience loves it? How does a piece change when it’s played nonstop for twelve hours?

We explore these questions and more, taking a seat on stage as we find out what it’s like to experience music from the inside-out.  

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposerLike Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.orgFollow Q2 Music on Twitter: @Q2MusicLike Q2 Music on Facebook: www.facebook.com/q2music

We conclude the week-long ramp-up to our next and third season with an interview with the legendary, charismatic Leonard Bernstein. Though mostly known for his work as a composer (West Side Story) and conductor (New York Philharmonic), Leonard Bernstein was also a consummate evangelist for classical music. This conversation focuses on Bernstein's efforts as a music educator and the role that education played for host Tim Page in his music criticism.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposerLike Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.orgFollow Q2 Music on Twitter: @Q2MusicLike Q2 Music on Facebook: www.facebook.com/q2music

A blast from the past featuring the composer Libby Larsen. Larsen explains how living in Minneapolis facilitated her success as a composer, and how federal regulations in Title IX provided an uplift to women composers in the U.S. This week, we're revisiting interviews conducted in the 1980s by the influential music critic and educator Tim Page. His show, which aired from 1981 until 1992, was called Meet the Composer and featured some of the most towering musical figures of the previous century. Join us tomorrow for one more throwback episode, and stay tuned on Monday for the premiere of Meet the Composer's third season.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposerLike Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.orgFollow Q2 Music on Twitter: @Q2MusicLike Q2 Music on Facebook: www.facebook.com/q2music

Otto Luening was a forefather of experimental electronic music and a life-long educator, flutist and composer. In this 1985 interview with host Tim Page, from the original WNYC program called Meet the Composer, Luening tells the story of his first electronic experiments and wonders why audiences had found new interest in some of his earliest works. We also take a look at Alvin Lucier, another tape music maverick, as we prepare for the start of our new season on Monday.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposerLike Meet the Composer on Facebook: www.facebook.com/meetthecomposer

---

Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.orgFollow Q2 Music on Twitter: @Q2MusicLike Q2 Music on Facebook: www.facebook.com/q2music

We continue the week-long ramp-up to our next and third season with an interview with the widely influential patriarch of 20th-century experimental music John Cage. In this conversation with host Tim Page, Cage explains how his strenuous connection with music precipitated his experiments with silence, ambient noise and spirituality. Page offers his own straightforward critique of Cage's discoveries and reiterates the need for objectivity and seclusion in music criticism. 

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposerLike Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.orgFollow Q2 Music on Twitter: @Q2MusicLike Q2 Music on Facebook: www.facebook.com/q2music

As we build up to the launch of our third season next Monday, we thought we'd look back at the original WNYC radio program Meet the Composer from the mid-'80s, hosted by the illustrious music critic Tim Page. We'll share excerpts of his interviews with some of the most exciting figures in contemporary music, but before that we wanted to check in with Tim himself, a man for whom music has been an enormous force in his life, in his career, and even for his psychological well-being. We ask him how he found his way into music criticism, where that first Meet the Composer radio program came from, and what role music has played in his recovery after a recent traumatic brain injury.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposerLike Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.orgFollow Q2 Music on Twitter: @Q2MusicLike Q2 Music on Facebook: www.facebook.com/q2music

Help us make a third season of the Peabody Award-winning podcast about the creative musical process, with host Nadia Sirota. Learn more about our ambitions for next season and help make Season Three a reality by backing our Kickstarter campaign today at www.q2music.org/kickstarter.

I'm so excited to share today's Meet the Composer bonus track with you. Last October, I traveled to Detroit to perform the US premiere of Nico Muhly's viola concerto with the Detroit Symphony Orchestra under Maestro Leonard Slatkin. The orchestra has graciously agreed to let us use the second movement of the viola concerto for our show for three months, so this is our first ever LIMITED-TIME bonus track. 

Nico wrote the concerto in 2014, and in a lot of ways it's the fruit of 10 years of our working together. The piece is in three movements, and this movement, Part II, is sort of the emotional heart of the piece. It's soulful and colorful and I adore playing it. 

At the end of the movement the viola line suffers a sort of massive emotional breakdown, which is then answered by a huge orchestral explosion, featuring a giant tam-tam (gong) and all sorts of low-brass rumbles. In the aftermath, individual members of the orchestra play small phrases independently of each other, finally reuniting in a wounded coda. 

This is my favorite part of the concerto to play. 

Many, many thanks to the Detroit Symphony Orchestra and Leonard Slatkin for making this bonus track possible!

First, a disclaimer. I wanna make something clear right off the bat here: I'm completely in the tank for Nico Muhly. We went to college together and he has been one of my best friends and most frequent collaborators ever since. But! He is deeply gifted creator, and honestly I'd feel insane not featuring him just because we're close.

Okay.

Nico is a composer with a very specific point of view – a rabid communicator whose personality factors massively in his work. Nico works extremely well with others; his collaborators live and create in an environment that is just foreign enough to instigate surprising, brilliant results. He curates community on a grand scale, corresponding with dozens of people a day, and is the hardest working person I have ever met. Nico lives his life out loud, and his music is stunning, hilarious, touching, and brilliant.

This week’s Meet the Composer Bonus Track is a world premiere recording of Anna Thorvaldsdottir’s piano work Scape. Scape, like many of Anna’s works, uses extended techniques to create unique, otherworldly textures. For this piece, Anna demands quite a bit of playing INSIDE the instrument, as well as a few somewhat unconventional preparations to the instrument itself. Prepared piano basically means a piano with stuff in it, screws, thimbles, tin foil, pieces of paper, the type of thing that’ll make a piano technician start to sweat. The first couple people to do this type of thing were crazy Americans, Henry Cowell and John Cage. Definitely take a moment to check those guys out, if you have a sec. Anna, very much in keeping with her timbral language, uses these techniques to carve out massive swaths of sonic texture, creating a huge universe in a relatively limited time frame. A couple weeks ago, Cory Smythe, pianist for the International Contemporary Ensemble, stopped by the Q2 Music studios to create the beautiful world premiere recording. 

Anna Thorvaldsdottir is an Icelandic composer whose work conjures entire environments of sound, surrounding the listener in a dark and forbidding landscape. Anna thinks sonically; her music comes from a deeply non-verbal place, and she has developed a brilliant workflow which allows these ideas to remain mostly whole and unmolested through her creative process. Anna often favors massive ensembles, writing delicate and detailed parts for every player, but even when she is writing for smaller forces, she somehow summons these massive sonorities — detailed, elegant tapestries with a seductive gravity, which pull the listener in with their gradually revolving color and texture.

Today's MTC bonus track is a WORLD PREMIERE! Or, apropos of its October release, we might call it a movement brought back from the dead. This undead movement was born back in 1981, when Ingram Marshall wrote a string quartet for the Kronos Quartet called Voces Resonae.

The piece employed, among other things, very complicated choreography for a sound engineer operating delay units (big physical boxes about the size of say a DVD player), a task which, at the time, was completed by Ingram himself. However, when the third movement of this work, "Turbulent but flowing," proved too logistically complex to be performed, it was essentially put in a drawer, where it has remained for the last thirty-some years.

That's where we come in! MTC has enlisted the fabulous Parker Quartet to help us rescue this lost movement, with the help of MTC producer Curtis Macdonald playing the role of, as Ingram put it, "the mad scientist in the middle." Except in our contemporary take on the piece, all the delays and echoes are created with software instead of hardware.

The Parker Quartet is:

Daniel Chong, violin
Ying Xue, violin
Jessica Bodner, viola
Kee-Hyun Kim, cello

We hope you enjoy the Lost Movement!- Nadia Sirota

Ingram Marshall is often called a California Minimalist, a title which, while not exactly geographically accurate, allies him with a loose cadre of artists writing ambient, visceral scores. It's a title he'll happily wear, but it only vaguely describes they art he makes. Ingram is kind of a throwback - a free-thinker making music on his own, music that accesses a deep, emotional place. His music leaves the listener gutted, keyed into something beyond consciousness. It's ambience with a purpose, slowly inevitably unfolding towards a climax.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposer
Like Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.org
Follow Q2 Music on Twitter: @Q2Music
Like Q2 Music on Facebook: www.facebook.com/q2music

I'm thrilled this week to give you a sneak peek of a new Q2 Music podcast called LPR Live coming out this Fall. It's hosted by Conor Hanick, a longtime friend and radio colleague, brilliant pianist, and all-around passionate and insightful advocate for new music. The performances will come from Greenwich Village's Le Poisson Rouge, a stalwart showcase for new music in New York City and a trendsetting venue that's been "serving art and alcohol since 2009."

Here's a quote from Conor about the show:

"This is not your typical pre-concert hosting, and the content is not your typical pre-concert banter. Each episode of LPR Live will weave together a variety of voices that bring you into the heart of the beast of this dynamic downtown, underground performance space and into the personal aspects of the music's creation and presentation. This is a podcast that will let this exciting new music take its first (digital) breath. Production will create a sonic space where each strand is able to converse with its surroundings, and the richness and multi-dimensionality of the voices themselves will create the form, almost like eavesdropping on a conversation in the performer's greenroom."

I am so thrilled to bring you this Meet the Composer Bonus Track! We are extremely lucky to present this recording of Kaija Saariaho's piano trio Light and Matter, taped live at the Coolidge Auditorium in the Library of Congress, just this past May 22 by the world-class ensemble of violinist Jennifer Koh, cellist Anssi Karttunen and pianist Ieva Jokubaviciute.

It's lovely, colorful, and you are some of the first people to hear it!

Light and Matter (2014) is published by Chester Music, Ltd.

Kaija Saariaho's music evokes all sorts of natural sounds, the kinds of complex, white noise-y sounds that we often tune out. She's able to take the instruments of the orchestra and pull out of them the sound of wind rustling through trees, or waves hitting the shore. She's got this ear that can hear the music in everything, but in not in a John Cage way — she's not putting all sounds on an equal playing field. Instead, she teases harmonies out of these sounds, finding notes that were aaaalmost there to begin with.

Kaija is famous for writing moving, visceral works full of difficult new instrumental techniques. She often writes for acoustic instruments with almost subliminal electronic manipulation — it's hard to tell where the performer leaves off and the electronics begin, and she's written full scale operas, often with strong, historically-inspired female protagonists, grappling with huge themes, love and death, that kind of thing. - Nadia Sirota

I am absolutely thrilled to present this week's bonus track, an exclusive in-studio performance of Meredith Monk's transcendent string quartet Stringsongs.

Stringsongs is Meredith's first string quartet. Written in 2005, the piece was premiered by the Kronos Quartet. Until now, however, no recording of this entire work has been available to the public. Meet the Composer is extremely proud to present this recording, by the inimitable ACME (American Contemporary Music Ensemble).

In the MTC Monk episode, we spent a considerable amount of time focusing on the fascinating processes Monk has employed constructing some of her vocal music - namely, her using her vocal ensemble to workshop ideas in the air. Stringsongs is an example of a completely different working style; these days, Monk has been writing more and more scored, instrumental music, and Stringsongs was developed very much that way. The piece is in four movements: "Cliff Light," "Tendrils," "Obsidian Chorale," and "Phantom Strings." This work is a gorgeous example of Meredith lending her gilded aesthetic to a very Classical format.

The composer's program note is below:

In Stringsongs, my first piece for string quartet, I explored using instruments to create unexpected textures and sounds in much the same way that I have worked with the voice over many years. I was inspired by the profound musicianship and passionate commitment of the Kronos Quartet. During the rehearsal period, as I got to know the players, the music came to life in surprising ways, colored by the distinctive "voice" of each musician.

Living legend Meredith Monk is a composer, vocalist, dancer, choreographer and filmmaker. While all of these descriptors are technically on point, none quite gets to the bones of who she is as an artist. Meredith seamlessly blends these media into arresting performance pieces that feel like rituals – rites from another dimension. 

Take a tour with Meredith of her longtime Tribeca home-studio: http://bit.ly/1f0Urxo

Season Two is just around the corner, but we need your help to make it happen. Learn about our next five featured composers and support Meet the Composer today on Kickstarter.

Building on a long-standing collaborative relationship, Marcos Balter wrote Intercepting a Shivery Light for the Anubis Quartet, a saxophone ensemble, in 2012. The piece's title is an anagram for Everything in its Right Place, a Radiohead song, which Marcos admits is an important song for him "and many members of [his] generation."

For Marcos Balter, stellar composition requires the dedicated, daily practice of an athlete. He doesn't think it possible to unearth and hone brilliant musical ideas without slogging through a whole bunch of failures along the way, nor does he believe that the compositional demigods we revere so highly – Bach, Beethoven, Mozart – birthed only masterpieces. He worries too many creatives get tongue-tied attempting consistent genius, and that their work suffers for it. Marcos has learned to embrace failure, and that these failures can lead to incredible breakthroughs.

In 2012, the Grammy award-winning Brooklyn Youth Chorus commissioned the the future Pulitzer Prize-winning composer Caroline Shaw to write a new work for their upcoming Benjamin Britten centenary celebration concert at Carnegie Hall. The result, "Its Motion Keeps," is a swirling piece for SSA choir and viola that employs at once the familiar (repetitive, calming ostinati) with the strange (extended techniques, clashing dissonance).

Caroline Shaw began her love affair with music at the age of two, when her mom started teaching her violin. Throughout her childhood, Caroline had a lesson every Wednesday afternoon, and sang and played in school and at music camps, falling for chamber music by Mozart and Clara Schumann. Caroline always made things; when she was bowled over by a Brahms sonata, she'd try and figure out how to construct her own sonatas. As a young adult, she continued on a rigorous, violin-centric path, earning both undergrad and masters degrees in violin performance from Rice University and the the Yale School of Music.

In 1844, Asenath Nicholson, a school teacher, reformer and proprietor of an all-vegetarian boarding house in New York City, travelled to Ireland to "personally investigate the condition of the Irish poor." Upon her arrival, she saw the beginnings of the Great Famine, a seven-year period of mass starvation and disease in which it is estimated over one million people died and a million more emigrated from Ireland. Nicholson's writings and first-hand observations from the time are stitched together to form the narrative backdrop of The Hunger, a multi-media opera by Donnacha Dennehy.

Donnacha Dennehy is an Irish composer who thought he was going to study with spectral icon Gérard Grisey in Paris. When he showed up, however, it was apparent that Grisey had accepted him into his study under the mistaken notion that he was not, in fact, a gentleman but a lady.

A bit put off by Grisey's visible disappointment with his gender, as well as the strikingly uninteresting uniformity in the style of his students work, Donnacha headed to Amsterdam, where he met Louis Andriessen, who changed his life. Donnacha's music fuses the old (sean-nós and other Irish styles) and the new (just intonation, pulse-based textures) to create something all his own. It's a music that is at once satisfying and supremely strange.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposer
Like Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.org
Follow Q2 Music on Twitter: @Q2Music
Like Q2 Music on Facebook: www.facebook.com/q2music

Andrew Norman was a well-feted kid composer, a precocious pre-adolescent who wrote works with grand, filmic gestures for his middle school orchestra and had the local newspapers filling their style sections with profiles invoking Mozart. Then he went to college.

All of a sudden, Norman's musical world exponentially widened; he was exposed to styles and practices so far outside of his previous experience that he stopped composing altogether. How could he write what he had been writing in a world rich with Lachenmanns, Xenakises and Carters, who were manipulating, torquing and stifling sound to create a whole different world of music? Norman almost left music entirely for architecture, but in flirting with this other career, he actually found his way back to composition, ultimately birthing a style that stunningly weds texture and drama in a unique and wonderful way.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposerLike Meet the Composer on Facebook: www.facebook.com/meetthecomposer

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Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.orgFollow Q2 Music on Twitter: @Q2MusicLike Q2 Music on Facebook: www.facebook.com/q2music

Gordon Wright, the Alaskan composer, conductor, professor and environmentalist, was John Luther Adams's best friend. When he died suddenly in 2007, Adams wrote three pieces for solo violin titled Three High Places, vignettes representing moments Adams and Wright shared while camping. These pieces eventually led Adams to write his first string quartet, at age 59, called The Wind in High Places. In a process that Adams likens to "primitive man discovers fire," he approached the traditional music form in a way that felt true to his compositional identity. The entire work is built on natural harmonics and open strings, allowing an airy, breathy timbre. 

Q2 Music celebrated the launch of its inaugural podcast, Meet the Composer, on Tuesday, June 24 at 7 pm with a music party and live video webcast in The Greene Space at WQXR. 

John Luther Adams made all of the wrong career decisions. He got kicked out of multiple high schools, went to the "wrong" college, never finished his master's degree, and ultimately moved as close as he could to the edge of society, to a cabin, in Alaska.

Somehow, though, all of these unconventional moves crystallized his creative voice into something singular, instantly recognizable, and emotionally mature. Adams's music is fast and slow at the same time, unraveling in fractal patterns that mimic great vast landscapes as well as tiny variations in the snow.

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast that takes listeners into the minds and creative processes of the composers making some of the most innovative, compelling, and breathtakingly beautiful music today.

Follow Meet the Composer on Twitter: @MeettheComposerLike Meet the Composer on Facebook: www.facebook.com/meetthecomposer

---

Q2 Music is WQXR, New York's multi-platform home for dynamic modern music. Discover countless new artists via our 24/7 music stream – hand-crafted daily to reward your curiosity – and surprise your imagination with a world of exhilarating new music.

Produced by Q2 Music. www.q2music.orgFollow Q2 Music on Twitter: @Q2MusicLike Q2 Music on Facebook: www.facebook.com/q2music