Retake with John Horn

Listen to a panel discussion led by Antonia Cereijido (she/her), host of the Imperfect Paradisepodcast from LAist Studios about how Angel City Press has been shaping and influencing public understanding of LA for decades.

Full Event Info:Here

Guests:

Richie Kulchar (he/him), Director of ARTBOUND, Angel City Press

Terri Accomazzo, Editorial Director, Angel City Press

Paddy Calistro & Scott McAuley, Publishers, Angel City Press

 (Recorded live on Nov. 14, 2023)

Watch full episodes at Pbssocal.org/Artbound or the free PBS app.

Listen to a panel discussion led by Antonia Cereijido (she/her), host of the Imperfect Paradisepodcast from LAist Studios about how Artists-In-Residence programs provide artists opportunities to create uninterrupted work.

Full Event Info:Here

Guests:

Christine Lee (she/her), artist

Jia Yi Gu (she/her), Director and Curator at the MAK Center for Art and Architecture

Kimberly Glann (she/her), Sr. Manager, LA County Department of Arts and Culture

Carol Zou (she/her), artist

 (Recorded live on Nov. 7, 2023)

Watch full episodes at Pbssocal.org/Artbound or the free PBS app.

Listen to a panel discussion led by Antonia Cereijido (she/her), host of the Imperfect Paradisepodcast from LAist Studios about how, following the Watts Uprising, UCLA’s School of Theater, Film and Television enacted affirmative action policies to increase the enrollment of students of color in the film program—a group that had historically been underrepresented in the student population.

Full Event Info:Here

Guests:

Ben Caldwell (he/him), educator and filmmaker

Moctesuma Esparza (he/him), entertainment executive

Luis Garza (he/him), photojournalist and curator

Alile Sharon Larkin (she/her), artist and educator

Storme Sweet (she/her), executive director, Aliah Sweet Fragile Hearts Foundation

 (Recorded live on Oct. 24, 2023)

Watch full episodes at Pbssocal.org/Artbound or the free PBS app.

Listen to a panel discussion led by Antonia Cereijido (she/her), host of the Imperfect Paradisepodcast from LAist Studios about artist David Alfaro Siqueiros' popular Olvera Street mural "América Tropical".

Full Event Info:Here

Guests:

José Figueroa (he/him), filmmaker, co-founder - Dignicraft

Oscar Magallanes (he/him), artist, co-founder - 3B Collective

Rebecca Zamora (she/her), independent scholar, arts professional

 (Recorded live on Oct. 3, 2023)

Watch full episodes at Pbssocal.org/Artbound or the free PBS app.

Listen to Antonia Cereijido (she/her), host of the Imperfect Paradise podcast from LAist Studios, as she leads a discussion with all-girl, LA-based punk band The Linda Lindas and musician/author/punk rock trailblazer Alice Bag (she/her) and Jessica Schwartz (she/her), associate professor, music industry; musicology at the The UCLA Herb Alpert School of Music. 

This inaugural event of the LAist + KCET ARTBOUND Screening Series, in partnership with Grand Performances, featured the premiere screening of the new documentary Chinatown Punk Wars, which digs into how two Chinatown restaurants became the implausible heart of LA’s burgeoning punk scene in the 1970s. 

(Recorded live on Sept. 22, 2023)

Full Event Info:Here

Guests:

The Linda Lindas

Alice Bag (she/her)

Jessica Schwartz (she/her)

Watch full episodes at Pbssocal.org/Artbound or the free PBS app.

In the year since the L.A. City Council tape scandal, a lot has changed.

Efforts are underway to reform the redistricting process. Nury Martinez and Gil Cedillo are gone from the council. Only Kevin De León remains. Progressive shifts in the council are influencing its policies, and new elected members are working to forge a new way forward in L.A. This is the last episode of Nury & The Secret Tapes.

Support LAist Today: https://LAist.com/donate

Go to Hellofresh.com/50imperfect and use code 50imperfect for 50% off plus 15% off the next 2 months! Grow your business–no matter what stage you’re in.

Sign up for a one-dollar-per-month trial period at SHOPIFY.COM/paradise

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Host Antonia Cereijido presses former L.A. City Council President Nury Martinez to account for the racist, hurtful comments she made on the secret recording that rocked Los Angeles and led to her resignation.

CONTENT WARNING: Sensitive subject matter. 

Support LAist Today: https://LAist.com/donate

Go to Hellofresh.com/50imperfect and use code 50imperfect for 50% off plus 15% off the next 2 months!

Grow your business–no matter what stage you’re in. Sign up for a one-dollar-per-month trial period at SHOPIFY.COM/paradise

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Before the L.A. City Council tape scandal, Nury Martinez, the former council president, was known as a champion of working class immigrants. After, she became the poster child of anti-Blackness and colorism in the Latino community. Host Antonia Cereijido examines how Nury's upbringing influenced her politics and the divisions that emerged within the council under Nury's leadership, leading up to the secretly-recorded conversation.

Listen to Imperfect Paradise.

Support LAist Today: https://LAist.com/donate

We take you behind the scenes of the L.A. City Council tape scandal, a year later. The secret recordings of the conversation among four of the city’s most powerful Latino leaders making racist, derogatory insults – exposed thorny, unresolved issues of race and politics. Host Antonia Cereijido explores those issues and speaks with the people who were most affected by the tapes, including former councilman Mike Bonin. And for the first time since resigning, former L.A. City Council President Nury Martinez breaks her silence.

Support LAist Today: https://LAist.com/donate

Go to Hellofresh.com/50imperfect and use code 50imperfect for 50% off plus 15% off the next 2 months!

This podcast is supported by Gordon and Dona Crawford, who believe quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.*

“Imperfect Paradise: Nury & The Secret Tapes” tells the story of the biggest political scandal in recent Los Angeles history. A secret recording leaked online in 2022 exposed then-LA City Council President Nury Martinez making racist and derogatory remarks. A year after the scandal and her resignation, Nury breaks her silence in an exclusive interview with LAist.

From LAist Studios, “Imperfect Paradise: Nury & The Secret Tapes,” coming September 27, 2023.

We are excited to announce LAist Studios' award-winning narrative podcast "Imperfect Paradise" relaunches in September as a weekly show with Antonia Cereijido as our host!  Be sure to follow and subscribe to "Imperfect Paradise" wherever you get your podcasts. 

From LAist Studios: "Imperfect Paradise", new weekly episodes coming September 27th. 

In this episode, Ruth and Elliot Handler are gone, and the new Mattel team, led by a man who feared the volatility of the toy business, diversified the company and made a big gamble on electronics. It didn’t work. Fortunately, Barbie ends up in the sure hands of some trailblazing women executives, who could see that the culture was moving in a direction very compatible with Barbie’s persona. From the workforce to the workout, Barbie was a doll of her times.

This podcast is supported by Gordon and Dona Crawford, who believe quality journalism makes Los Angeles a better place to live.

From LAist Studios, “LA Made: The Barbie Tapes". 

Listen now at https://laist.com/podcasts/la-made  

In episode two of LA Made: The Barbie Tapes, for Barbie, the cultural upheaval of the 60s and 70s incites one identity crisis after another as Mattel tries to keep up with the times. On top of that, she has a new boyfriend to deal with. Ken's creation is a big hit for Barbie fans, but he’s facing a few growing pains of his own. In this episode, we investigate Ken's origin story, delve into the inner workings of Mattel, and hear how Barbie's inventor, Ruth Handler, was ousted from her own company.

This podcast is supported by Gordon and Dona Crawford, who believe quality journalism makes Los Angeles a better place to live.

From LAist Studios, “LA Made: The Barbie Tapes". 

Listen now at https://laist.com/podcasts/la-made  

Season 2 of “LA Made” tells the true story of the making and marketing of the most famous doll in the world, Barbie, told by the people who did it. We’ll hear from Mattel co-founder Ruth Handler, who spent years trying to convince her own company to make a teen aged fashion doll.

From LAist Studios, “LA Made: The Barbie Tapes". 

Listen now at https://laist.com/podcasts/la-made  

Part two of John’s discussion with Tom Hanks reflecting on the podcast Dead Eyesand lessons he’s learned on set and in the audition room over the years. Plus, a special message from John.

Support Retake by donating now at LAist.com/join

Producer Susan Downey on creating worlds, the importance of freshness, and her creative relationship with Robert Downey Jr, partner/husband. Also, writer Brigitte Muñoz-Liebowitz talks about the strike and the cancellation of Gordita Chronicles. Plus, TV recommendations from John.

Support Retake by donating now at LAist.com/join

A new documentary series Iconic Americaexplores the history of the Hollywood sign, the idea of “Hollywood” in American culture, and our deep affection for a very complicated place. Plus, John’s recommendations of great Hollywood movies.

Support Retake by donating now at LAist.com/join

As the finale approaches, a deep dive with Succession actor Jeremy Strong on acting - his philosophy on the craft, impactful lessons, and how he doesn’t like to over-rehearse.

Support Retake by donating now at LAist.com/join

Chris Keyser, co-chair of the WGA’s negotiating committee, calls out the protests of pauperism from film and TV studios. And “You Hurt My Feelings” writer/director Nicole Holofcener talks about receiving criticism — good and bad — of your work, and going with your gut when deciding how to trim a film.

Support Retake by donating now at LAist.com/join

Betty Gilpin (“GLOW,” “The Hunt”) on fighting an A.I. enemy in her new show “Mrs. Davis.” And Vox’s Alissa Wilkinson explains why A.I. may be the most important issue in the writers’ strike.

Support Retake by donating now at LAist.com/join

Why striking screenwriters are mad as hell: Adam Conover and voices from the picket lines. And Emma Thompson on her new film What’s Love Got to Do With It and her thoughts on Hollywood endings, the value of story, and the evolution of roles for women.

Is the strike affecting you? Share your story here.

Support Retake by donating now at LAist.com/join

All the updates on the WGA strike. Is the strike affecting you? Share your story here.

Support Retake by donating now at LAist.com/join

Direct from Cinemacon, John reports on the gradual recovery of the movie theater business. And Oscar-winning documentarian Chai Vasarhelyi, and Kris Tompkins, conservationist and former CEO of Patagonia, discuss their new film Wild Life.

Support Retake by donating now at LAist.com/join

Author Cheryl Strayed and showrunner Liz Tigelaar on the new Hulu series Tiny Beautiful Things.And as Hollywood faces a looming Writers Guild strike, a production slow down has already begun.

Support Retake by donating now at LAist.com/join

Sex on the screen:You Must Remember This podcast host Karina Longworth on her latest season, Erotic 90s, plus actor/filmmaker Zoe Lister-Jones on her new streaming series Slip and a cosmic form of transportation: orgasms.

Support Retake by donating now at LAist.com/join

Creators Ariela Barer and Daniel Goldhaber on their new film about eco-terrorism How to Blow Up A Pipeline. And how a potential Oscars rule change meant to boost movie-going could impact the smallest distributors. Plus, a trip to Desert X.

Support Retake by donating now at LAist.com/join

Sedgwick on directing her new film, the challenges of getting financing, and the rewards of making a movie that serves a greater good. Apatow warns the bleak future of writers if things don’t change and doing work that makes him feel inspired.

Support Retake by donating now at LAist.com/join

Tom Hanks talks about being a “covid canary in a coal mine”, why predicting a movie’s success can give you an ulcer, and how listening to radio as a kid helped him tell stories today.

Support Retake by donating now at LAist.com/join

“Everything, Everywhere” won nearly everything, everywhere at the Oscars. Will it be a teachable moment for Hollywood? Plus, actor Willem Dafoe on his new film “Inside.”

Support Retake by donating now at LAist.com/join

New York Times awards season columnist Kyle Buchanan and I give you all our tips and predictions ahead of Sunday’s Academy Awards.

Support Retake by donating now at LAist.com/join

In this episode: With the Academy Awards just a little more than a week away -  we’re again bringing you conversations with some leading Oscar nominees…

Later in the show, you’ll hear from Luis Moreno Ocampo, a lawyer at the center of the true story behind ARGENTINA 1985, nominated for best international feature film.

In this episode: With the Academy Awards just two weeks away, another chance to hear conversations John's had with some leading Oscar nominees.

Today we have the writer/director of "Tár," Todd Field, and its star Cate Blanchett. The film has six Oscar nominations, including best picture, best director and best actress.

And also, filmmaker Laura Poitras, nominated for her documentary "All the Beauty and the Bloodshed."

In this week's episode: John does an extended interview with Baz Luhrmann where they discuss his new movie Elvis and the challenge of recreating Presley's old footage.

In this week's episode: Just a few weeks before the Oscars, we’re taking a deep dive into the best documentary category. I talk to two of the nominees: Director Sara Dosa, who made FIRE OF LOVE, DOSA.

Then, director Daniel Roher, who’s behind NAVALNY…

This week: why New York Times film critic Manohla Dargis is optimistic about women in the film world, for the first time…

Plus, does female success have to come at the cost of male ego? That’s the premise of a movie, Fair Play, which sold to Netflix for 20 million dollars at Sundance. I talk to its writer/director, Chloe Domont 

But first, there was some pretty big news this week about Alec Baldwin and the fatal shooting on the Rust set in 2021. I spoke about it in  my weekly entertainment news chat with LAist Morning Edition host Susanne Whatley.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

In this week's episode: John Horn just got back from a cold, crowded Sundance Film Festival where he got to interview some great actors and filmmakers. 

One of those conversations: actor, writer, comedian and now first-time filmmaker, Randall Park. His movie Shortcomings is based on the graphic novel of the same name by Adrian Tomine, which he first came across in 2007.

Plus my conversation with Sundance programmer John Nein - one of the people who decides what gets into the festival – and what doesn’t.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

In this episode: A wide-ranging conversation John had before I left L.A. with three friends and collaborators who also all happen to be Oscar-winning filmmakers.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

In this episode: The awards show that must not be named… happened, after one-year broadcast ban. And another awards granting body - one more worthy of your attention - the Screen Actors Guild - announced its nominees. Rian Johnson talks Glass Onion.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

In this episode: New reports about Hollywood’s hiring practices show few gains for women.

Plus, my two top movies of 2022 - one a narrative film, and one a documentary - that I’d recommend you seek out.

You’ll hear my conversation with veteran Harry Turner, the subject of the incredibly moving documentary “Wildcat”.

But first, my interview with writer/director Sarah Polley. Her new movie, “Women Talking,” is a work of fiction. But I believe it holds many truths, especially in its powerful depiction of how women are marginalized, and what it really means to be a male ally. “Women Talking” is also a beautiful film to watch.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

In this episode: Filmmaker James Cameron on his new movie "Avatar: The Way of Water" and the future of the film business.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

In this episode: The former studio chief and Oscar-winning producer was convicted of rape, forced oral copulation and sexual misconduct involving a woman known as "Jane Doe 1." The jury was unable to reach a verdict on several other counts.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

In this episode: A look ahead to next year's awards shows… 

Plus, two compelling documentaries that are worth seeking out.

“The Stranger at the Gate” tells the story of a U-S Marine with a plan to bomb a mosque. The compassion he was met with from the members of the congregation set him on a very different path

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

In this episode: As we await a verdict in Harvey Weinstein’s sexual assault trial in Los Angeles, some new lawsuits have been filed against Bill Cosby and filmmaker James Toback in New York.

Plus, my conversation with writer, comedian and actor Kumail Nanjiani about his new Hulu series, “Welcome to Chippendales” and why he was reluctant at first to take on the role.

And I'll speak with Anna Diop, star of "Nanny," a horror film centered on a recent immigrant from Senegal working as a caregiver for a family in New York City.

In this episode: It’s one thing to eat turkey. 

It’s another thing to release one.  A Thanksgiving Disney disaster. Plus, John talks to Emma Corrin, star of a new steamy remake of once-banned Lady Chatterley’s lover, still controversial after almost a hundred years.

But first, one woman’s crusade to expose the family that helped fuel the opioid crisis and remove their name from famous museums, as documented by Oscar-winning director Laura Poitras

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

In this episode: The latest in the legal fallout of the fatal on-set shooting of cinematographer Halyna Hutchins last year…

Plus, I’ll talk with filmmaker Noah Baumbach about his new movie “White Noise," an adaptation of Don DeLillo’s 1985 novel of the same name, starring Greta Gerwig and Adam Driver. And I'll chat with comedian Chris Estrada about his Hulu series “This Fool,” set in his hometown of South L.A. 

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this bonus episode: You may have heard the big news that after losing billions of dollars on its streaming platforms, Disney CEO Bob Chapek was fired Sunday night. The new boss is the same as the old boss…Bob Iger. He ran the company from 2005 until he announced his retirement in 2020, when Chapek took over. The news broke during the Disney Plus live broadcast of Elton John’s concert at Dodger Stadium, which was supposed to be a big night for Chapek, in a much better way.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

On this week’s episode – “Wakanda Forever” is a box office bright spot, but most other films just aren’t filling seats.

Plus, the new movie “She Said” is about the New York Times reporters who broke the Harvey Weinstein story and helped launch the Me Too movement. I’ll talk with Zoe Kazan, one of the stars of the film.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this episode: What the Walt Disney Company’s latest earnings report tells us about how the entertainment industry is trying to reinvent itself - and how it’s going so far.

Plus, John talks with the director and co-writer of the first-ever German film adaptation of “All Quiet on the Western Front.”

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this episode: One bright spot at the box office? Horror films are making a killing.

Plus, actor Jeremy Strong of HBO’s Succession fame, talks about his new movie “Armageddon Time,” and why he says acting sometimes requires accessing your worst potential.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this week's episode: An opera about an enslaved Islamic scholar from Michael Abels, the composer of Jordan Peele's horror films.

Plus, Tar is writer/director Todd Field's first film in 15 years... He wrote it for Cate Blanchett, who jumped at the demanding role.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

On this week’s episode – after multiple arrests, allegations of grooming, and felony burglary charges, why is Warner Brothers still standing by Ezra Miller?

Plus, a fascinating new documentary breaks down the ways that women in film are objectified through shot design.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this episode of Retake: Why are so many studio executives are reluctant to greenlight movies that aren’t sequels, spinoffs, or remakes?

Plus, the new film “Till” centers on one of America’s most notorious lynchings - the killing of 14-year-old Emmett Till in 1955. The film’s director, Chinonye Chukwu explains her decision not to depict any physical violence on screen. 

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this edition of Retake: Will movie theater attendance ever return to pre-pandemic levels? One huge chain says not anytime soon.

Plus, the documentary “Battleground” profiles some of the activists who fought to overturn Roe v. Wade -- and what the consequences of their victory might mean…

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this week’s episode: nearly a year after actor Alec Baldwin shot and killed cinematographer Halyna Hutchins on the New Mexico set of Rust, prosecutors say criminal charges might be imminent.

Also, my conversation with director Gina Prince-Bythewood about her new film - “The Woman King.” It’s a movie that she says wouldn’t have gotten made were it not for its star - Viola Davis.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

On this week’s episode: the impact of the true crime podcast “Serial” on the case it delved into and on the podcast landscape.

Plus, my conversation with Abigail Disney about her documentary that calls out her own family’s company for failing to pay workers a living wage.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this episode of Retake: Five years after the Me Too movement began, powerful male figures in the industry continue to be identified - and convicted - like disgraced R&B star R. Kelly. 

Plus, I talk to documentary filmmaker Brett Morgen, whose past subjects include Jane Goodall and Kurt Cobain. His new documentary about David Bowie is designed to tell you more about your own life than about his.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this episode of Retake: a preview of this year’s Emmy Awards, which air on Monday, because, well, Sunday Night Football is more important to NBC. Plus, a taste of my conversations with some of the actors and filmmakers who premiered their films at the Telluride Film Festival this past weekend in Colorado.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

On this week's episode: bankruptcy is on the horizon for the second-largest movie theater chain...

Plus, an interview with the director of the latest hit streaming series from Korea - Extraordinary Attorney Woo - which is continuing to draw in new viewers on Netflix...

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

In this episode: The latest developments in the ongoing streaming wars

Plus: "The Territory," a new documentary about the fate of the Brazilian Amazon, co-created by members of the indigenous community who are fighting to protect it.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

(Music courtesy of: ItsWatR from Pixabay, RalphReal from YouTube)

In this episode: John interviews actress and producer Aubrey Plaza.

Plus: What's going on at Warner Bros. Discovery, and the best book about Hollywood.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

(Music by: ItsWatR from Pixabay, RalphReal from YouTube)

The Frame is now Retake with John Horn!

In this episode: John interviews comedian Jo Koy of Easter Sunday.

Plus: Will 2022 mark the peak of the ‘peak TV’ era? And John's thoughts on HBO Max and the underrepresentation of Latinos.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

The Frame is now Retake with John Horn!

In our first episode: John chats with writer / director Jordan Peele about his new sci-fi thriller “Nope”.

Plus, John's take on the lasting legacy of Die Hard, and a look ahead to the three big fall film festivals. 

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live. This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Introducing Human/Nature, from LAist Studios, a podcast with a wild yet inspiring thesis: if you step outside and reconnect with nature in your own city, you’ll feel better, reconnect with yourself, and find your place in the world. This podcast will empower you to reclaim your attention. 

In Episode 1, host and nature activist Marcos Trinidad talks with Jenny Odell, an artist and author of the book, “How to Do Nothing: Resisting the Attention Economy.” O’Dell talks about birdwatching, the repose of Oakland’s bustling Morcom Rose Garden and why seeing a Wilson’s Warbler always puts her in a good mood.

Human Nature is sponsored by BetterHelp and our listeners get 10% off their first month of online therapy atBetterHelp.com/nature

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

As the Frame is on hiatus, we are sharing the new show by John Horn, "Hollywood, The Sequel." The limited-run podcast series asks some of the entertainment industry’s most influential artists and executives how Hollywood could and should reinvent itself.

We don’t know yet how the entertainment industry will adapt and respond to the traumas of 2020 when production resumes full time. But from an Oscar winning director to gig workers behind the scenes, there’s broad agreement that not everything in Hollywood should return to the “good old days.”  

Hollywood, The Sequel sponsors include:

Korea Tourism: Visit Korea and experience delicious food, vibrant cities, and natural beauty. Please visit https://www.visitkorea.com.my/

Caltech: Cal Tech Science Exchange provides trustworthy answers, clear explanations, and fact-driven conversation on critical topics in science and technology. Please visit scienceexchange.caltech.edu 

As the Frame is on hiatus, we are sharing the new show by John Horn, "Hollywood, The Sequel." The limited-run podcast series asks some of the entertainment industry’s most influential artists and executives how Hollywood could and should reinvent itself.

Screenwriter Akiva Goldsman and Casting Director David Rubin predict how the crises of 2020 will be represented by Hollywood’s storytellers, from scripting to casting. And Indie filmmaker Ana Lydia Monaco tells how she was able to shoot a short film in July, despite the challenges of Covid-19 safety protocols.

As the Frame is on hiatus, we are sharing the new show by John Horn, "Hollywood, The Sequel." The limited-run podcast series asks some of the entertainment industry’s most influential artists and executives how Hollywood could and should reinvent itself.

Glenn Close is hoping for a new “golden age of storytelling;” costume designer Ruth Carter is hoping for a new Hollywood with a much wider world view. But if there’s one thing they have in common, it’s that they can’t wait to get back to work.

Hollywood, The Sequel sponsors include:

Watch Emmy®-eligible programs from HBO at hbofyc.com

With critically acclaimed dramas and insightful documentaries. FX Networks has important content to help understand the world today. The limited series “Mrs. America,” with Cate Blanchett and Sarah Paulson explores the movement to ratify the Equal Rights Amendment and the backlash that shifted the political landscape. And the documentary “AKA Jane Roe” reveals the complex truth behind Norma McCorvey’s role in America’s abortion debate. Available on Hulu, and also for Emmy consideration at https://www.fxnetworks.com/fyc

As the Frame is on hiatus, we are sharing the new show by John Horn, "Hollywood, The Sequel." The limited-run podcast series asks some of the entertainment industry’s most influential artists and executives how Hollywood could and should reinvent itself.

Full Frontal’s” Samantha Bee and Ramy Youssef, of Hulu’s “Ramy,” are making us laugh despite the times we’re living in. 

But in their different ways, each is also trying to be an agent for change in how, and by whom, stories are told on television. 

Hollywood, The Sequel sponsors include:

Watch Emmy®-eligible programs from HBO at hbofyc.com

As the Frame is on hiatus, we are sharing the new show by John Horn, "Hollywood, The Sequel." The limited-run podcast series asks some of the entertainment industry’s most influential artists and executives how Hollywood could and should reinvent itself.

When Netflix began its streaming service in 2008, the movie studios were happy to sell the company their old films and shows. In doing so, they ended up inadvertently creating their biggest rival. As Co-CEO and Chief Content officer Ted Sarandos says, being fast and nimble, and not fearing their bigger competitors, turned out to be Netflix's superpower. 

As the Frame is on hiatus, we are sharing the new show by John Horn, "Hollywood, The Sequel." The limited-run podcast series asks some of the entertainment industry’s most influential artists and executives how Hollywood could and should reinvent itself.

With the FX series "Pose," writer/director Janet Mock became the first trans woman of color to write and direct a TV episode. The show features more transgender actors in regular roles than any other scripted series. That kind of representation, Mock says, has real power to change attitudes and behavior toward trans people. She also believes that the industry gatekeepers are beginning to realize that she’s able to tell more than one kind of story.

As the Frame is on hiatus, we are sharing the new show by John Horn, "Hollywood, The Sequel." The limited-run podcast series asks some of the entertainment industry’s most influential artists and executives how Hollywood could and should reinvent itself.

While the pandemic rages on,  “Homeland” director Lesli Linka Glatter is part of a select group crafting safety protocols designed to allow production to resume. But she’s worried about another danger--that some of the gains made in racial and gender equity will slip away. She’s calling on her peers and the studios to make a firm commitment to hire outside their comfort zones.

As the Frame is on hiatus, we are sharing the new show by John Horn, "Hollywood, The Sequel." The limited-run podcast series asks some of the entertainment industry’s most influential artists and executives how Hollywood could and should reinvent itself.

For Hollywood executives trying to fix the industry’s diversity problem, producer and actor Gloria Calderon Kellett has a simple piece of advice: just do it--even if it means you have to work through your own discomfort. The showrunner of “One Day at a Time” points to her own writers’ room and cast as proof that it’s not a “favor” to hire a diverse team--it makes everybody’s storytelling richer and more honest. 

Hollywood, The Sequel sponsors include:

Stream We Are Freestyle Love Supreme beginning July 17, only on Hulu

As the Frame is on hiatus, we are sharing the new show by John Horn, "Hollywood, The Sequel." The limited-run podcast series asks some of the entertainment industry’s most influential artists and executives how Hollywood could and should reinvent itself.

When work resumes in Hollywood, the business of show business will be very different, from how films are made, to where they’re shown, to what defines a box office hit. “Mulan” Producer Jason Reed is dealing with those challenges now, as he waits for the much-delayed release of his film. But he’s hopeful that some of the changes will lead to lasting solutions to Hollywood’s problems. He’s advocating for better financial support for the freelancers who are the backbone of Hollywood’s gig economy. He’s also calling for changes in the executive suites, so that more diverse voices can “shift the dominant paradigm.”

Hollywood, The Sequel sponsors include:

Stream We Are Freestyle Love Supreme beginning July 17, only on Hulu

As the Frame is on hiatus, we are sharing the new show by John Horn, "Hollywood, The Sequel." The limited-run podcast series  asks some of the entertainment industry’s most influential artists and executives how Hollywood could and should reinvent itself.

With his comedy series  “Black-ish” and  “#blackAF,” Kenya Barris has never avoided difficult conversations about race. Entertainment, especially comedy, he says, will push those conversations forward, but there need to be many more versions of what Black lives and other underrepresented experiences look like.

Hollywood, The Sequel sponsors include:

HBO: Watch Emmy®-eligible programs from HBO athbofyc.com

As the Frame is on hiatus, we are sharing the new show by John Horn, "Hollywood, The Sequel." The limited-run podcast series  asks some of the entertainment industry’s most influential artists and executives how Hollywood could and should reinvent itself.

Just as advocates for meaningful police reform say you can't simply reassemble broken pieces, Ava DuVernay argues that reform won’t be enough to fix Hollywood. The director of “Selma” and “When They See Us” believes it’ll take drastic change in the executive suites of the networks and studios if Hollywood wants to rid itself of bias. 

Hollywood, The Sequel sponsors include:

Stream We Are Freestyle Love Supreme beginning July 17, only on Hulu

As the Frame is on hiatus, we are sharing the new show by John Horn, "Hollywood, The Sequel." The limited-run podcast series  asks some of the entertainment industry’s most influential artists and executives how Hollywood could and should reinvent itself.

The ACLU lawyers in “The Fight,” Kerry Washington’s new documentary, want justice for all. And so, too, does Washington. The actor and producer says when work begins again, it won't be enough for Hollywood to be not racist. It has to be actively anti-racist if the industry wants to be an agent of change. 

Hollywood, The Sequel sponsors include:

Stream We Are Freestyle Love Supreme beginning July 17, only on Hulu

With COVID-19 shutting down venues, stand-up comics are left without a platform and Hollywood assistants are struggling to make it; "The Climb" gets delayed; plus M. Ward is releasing a new album; Why Amy Ryan made the Netflix movie 'Lost Girls;' and singer/songwriter Sudan Archives finds inspiration in youtube videos; Plus The Frame team has some recommendations for you.

Documentary filmmaker Morgan Neville and chef/restaurateur David Chang talk about their Netflix series and how coronavirus is affecting food culture; with large gatherings essentially banned, how will it affect live theater?