Filtra per genere
- 39 - Chakra Flow - Solar Plexus Chakra - Tapping Into Your IntuitionSat, 24 Feb 2024 - 15min
- 38 - Evolution: Rules vs. OptionsFri, 08 Dec 2023 - 06min
- 37 - Get in Your HeadThu, 23 Nov 2023 - 07min
- 36 - In Conversation With ... DiabetesUK
To more information on Diabetes UK, visit my website: gloriamiller.co.uk.
Tue, 23 May 2023 - 09min - 35 - Time (Episode #36)
As I’m getting older, my internal clock is getting louder. So much so, that I can’t stand the sound of actual clocks ticking. I made the hubs get rid of any clock that ticked, but that didn’t settle the unrest bubbling in the pit of my stomach.
There is so much that I still want to do with my life, but sometimes I can’t shake that feeling of running out of time and then I get stuck. A ‘lack’ mentality will always lead to feeling stuck. That idea of “if only I had more money, I would …” or “if only I were younger, I would …”
If only. Two little words that can paralyze us and keep us from living our best lives. Stop for a minute and think about your ‘what if.’ I’ll wait. Got it? Now I encourage you to take another minute and flip the script. For example, instead of ‘if only I was younger, I would …’ flip it to ‘what if I had all the time in the world, what would I do.’ Then list the things you’d do and get to gettin’.
My point is that you can change the narrative, and you should if your current one isn’t serving you. I was watching Rihanna’s Fenty shows on Prime recently, and looking at the performers being so committed to their craft and seeing the full spectrum of beauty that represents humanity, I felt like I could accomplish anything. At one point, what the performers were doing was so beautiful I was brought tears. But it was more than that. I felt the power of witnessing people living their dreams, and I want that power in my own life.
So I’m gonna fight for it! Come on … say it with me … ‘I got the power.’ Yes boo! You have the power to create the life you want. Simply switch your perspective. Turn your ‘if only’ to ‘what if.’ Go from victim to victor. I’m going to plan like I have all the time in the world and live like there’s no tomorrow! What are you gonna do?
Now’s the time to be fearless and create the life of your dreams. No one is going to hand it to you on a silver platter. Not even if you’re born into royalty. If the ‘Spare’ is out there hustling to live his best life, then we better get out there and live ours!
You deserve all the good things in life that you want. You are worthy. You are on point to do great things. You are unstoppable. Now is the time.
by Gloria Miller (aka, Ekua Adowole)
Wed, 30 Nov 2022 - 04min - 34 - Here's to Bald Women Everywhere! (Episode #34)Mon, 21 Nov 2022 - 08min
- 33 - Shine (Episode #33)
This past week following the tragic death of George Floyd I found myself in a really dark place. The struggle to keep anger from turning into hatred and rage is real, and we are seeing it played out in the media across the world as outrage against racism is unleashed. I finally had to stop looking at social media and the news as they were just fanning the flames. I had to get quiet with my feelings, and find a way to be a light in the midst of all of this darkness.
My yoga session today was on a spiritual plain. More so than usual. Because the emotions of the past week have drained me, I am approaching my mat completely empty, and wow, with each breathe I could feel the light of the universe coursing through me. I've been pretty obsessed with the universe over the past few years, and according to astronomer Carl Sagan, we are made of 'star-stuff.' His statement sums up the fact that the carbon, nitrogen and oxygen atoms in our bodies, as well as atoms of all other heavy elements, were created in previous generations of stars over 4.5 billion years ago. Moby sang about it in his popular 2002 song "We Are All Made of Stars." Light is at the very core of our being, and we can't let anything steal our shine.
One of my mother's favourite songs was 'This Little Light of Mine,' and at the end of my Yoga session today, that song was blaring in my Spirit ... 'this little light of mine, I'm gonna let it shine ...'
At the end of my session as I was lying in resting pose, I could feel energy coursing through my entire being. Then I turned on my right side and curled up in the fetal position and an image of myself shining as bright as the sun flashed before me. When I left my mat, I was determined to shine bright, no matter how dark the world seems around me.
So, in the midst of social injustice and racism, Covid 19, unemployment, economic uncertainty or whatever the darkness is that seems to be closing in around you, I say to you ... stand your ground and let your light shine! Because in your light, you will find peace and strength!
Wed, 03 Jun 2020 - 03min - 32 - George Floyd (Episode #32)
I need to preface what I’m sharing in this episode/post with the fact that typically I don’t publicly share my political views, and I keep my thoughts and feelings to myself on social issues. But last night, when I stumbled across a videoon Facebook showing the fate of George Floyd, I was disturbed and angered. I fell asleep and woke up this morning with George and his plight on my mind, and I couldn’t keep quiet on this one ... so here goes ...
"Please, please ...
I can’t breathe man ...
Your knee is in my neck, I can’t breathe ...
Momma, Momma ...
I’m through ...
My stomach hurt, my neck hurt, everything hurt ...
I need some water or something ...
Please ...
I can’t breath officer ...
They gone kill me ..."
And they did. Four men dressed in police uniforms killed George Floyd in broad daylight, on a city street filled with people joining their pleas with his for help. I struggle to call them police and I struggle to call them men. Who do you call for help, when the police need to be policed?
When the video starts, George is already lying on the ground with his hands cuffed behind him, and one of the officers, Derek Chauvin, is kneeling on George with one of his knees on his neck. George as well as bystanders can be heard begging the police officer to take his knee off of George’s neck.
While George’s cries and moans grow weaker, the protests of the crowd grow louder, but to no avail. Chauvin continues to kneel on George’s neck.
There were two other officers next to Chauvin who all appear to be holding George down, and another officer doing crowd control. The two officers who you can clearly see in the video, Chauvin, the officer with his knee on George's neck, and Tou Thao, the officer doing crowd control, showed no compassion or sense of humanity when George was begging for help. Essentially, begging for his life.
At around 4:04 of the video I saw, George stops moving. For the entire four minutes of the video to this point, George and the bystanders have been begging for the officers to show some mercy and get off of George, who is lying on the ground, handcuffed and and being held down by three officers. Not resisting. Just struggling to breathe. Just calling for his momma and begging for his life. Yet, the police ignore George’s pleas and that of the bystanders around them.
From around 4:04 to 6:43, when the paramedics arrive, George is lying completely still on the ground while bystanders are begging for the police to check his pulse. With one bystander overheard to say, ‘Did they just kill him?’
One paramedic can be seen checking George’s pulse and then heading back to the ambulance to get a stretcher. Then George, who is still handcuffed, is manhandled onto the stretcher with very little care given to his neck or spine, which is what you would normally expect to see. If there was even a hint of a pulse when the paramedic checked him, you would expect them to start CPR right there on the scene. But they didn’t. He was just put onto the stretcher. They didn’t even bother to strap him down. At around 8:09 in the video, where you can briefly see George lying on his back on the stretcher, it doesn’t look like he’s breathing. (more)
Wed, 27 May 2020 - 08min - 31 - Simplicity (Episode #31)
Is it optimism, looking at the world through rose coloured glasses or spotting a silver lining?
I’m not sure, but somehow during this Coronavirus Pandemic, I have found simplicity. And with that simplicity, I have found a mordicum of peace.
I just started reading a book about a man trying to live his life without all the electronic gadgets and apps that have become such a natural part of our lives, even in the fight against Covid19. My favourite app is ‘To-Do,’ an app that I would NEVER give up. I have always used lists to stay organized, and one of my biggest pleasures is completing a task and then checking that task off as finished. Just the thought of it makes me happy.
Prior to the pandemic, my to-do list was unending. Each day I was checking things off, but I was also adding more things that ‘needed to be done.’ During the early days of the virus, I could not face this mountain of to-dos, because I was so weighed down by fear and confusion at the start of this global journey into the unknown. So I spent the first couple weeks trying not to panic while having panic attacks. Cra Cra.
Third week in, I opened my To-do app and started deleting tasks that were now either irrelevent due to the fact I didn’t have any work, or unimportant in light of the world’s condition.
With each deletion, I felt a little bit lighter. I have now whittled the list down from infinite to eight tasks per day, and I haven’t been adding to the list. Four of those items are from my CV Mental Health list that I referenced in my earlier ‘Coping’ podcast.
In doing so, I have achieved simplicity. By narrowing my focus, I have been able to identify the crucial things that must be done, and eliminate the rest, creating space in my mind and reclaiming ownership of my time.
Without this Coronavirus outbreak, I would not have come to this place of simplicity. Silver lining. And yes, the future is uncertain and the outlook is scary, but the calm that has come from simplifying my life is also giving me the strength to face each day as it comes.
Many of us are having to think of ways to re-invent ourselves whether from necessity or desire, because what we did for a living before Covid19 might not be an option during or after. I encourage you to find simplicity within the madness, giving yourself the headspace to figure out your next steps. Cut out anything that’s not serving you now, because it probably won’t serve you in the future.
Use this time to simplify your life so that you have the room for the expansion that is to come. Stay safe, keep it simple sweetie, and thrive as you survive!
I welcome your thoughts and comments, so please let me know how you’re doing in this very challenging time.
Wed, 20 May 2020 - 04min - 30 - Coping (Episode #30)
I need to preface this post by stating that I wrote this post on the 22nd April when I was struggling with being in lock down. I was in such a strange place then and was unable to actually bring myself to sharing it with you. Well, here goes ...
How are you coping with lock down?
For me it’s been a strange combination of ‘Ground Hog Day’ and riding an emotional roller coaster, with the biggest struggle being lack of purpose. Wondering what’s it all for. At the start of lock down I created a Coronavirus mental health list and on that list I put five activities to keep my mind, body and spirit fed during this crises:
1. Plan My Meals (counting the calories so that I don’t put on the predicted Coronavirus 15 pounds).
Update: So far, I've put on five pounds :).
2. Work Out (That's been going great. Been doing very long walks with the hubs and that is helping with keeping the 15 pounds off.)
3. Read for at least 30 minutes (I’m an avid reader so this one has proven to be easy.)
4. Write for at least 30 minutes (This has been a struggle, but I’m beginning to feel the creative flow in this area after several weeks in lock down.)
5. Work on Music (This has been a joy!)
The first few days I found it very helpful to have a routine, and was happily checking off these tasks everyday (one of my greatest joys is completing tasks). But after a week I found myself back to wondering what’s it all for. With all the uncertainty about resuming life as we knew it, I’m finding it hard to get excited about anything.
When there’s so much death and pain around us, reading my books, writing my stories or even working on music feels so trivial. My first single of 2020 is dropping soon and I feel guilty any time I do any social media promotion because it just feels irrelevant. I feel irrelevant.
But there’s still a flicker of purpose buried somewhere deep in my Spirit that keeps propelling me to follow my daily routine and do these things that once brought me a significant amount of joy, but I currently feel numb to, because though it might just be subconsciously, I know that this too shall pass.
If I’m honest, my life isn’t much different that it was before lock down. By nature, I’m a loner and I enjoy being in the house. But, the idea of not having options feels stifling. So I go back to my list, my routine and the false sense of normalcy it gives me. There are some positives that have come from this situation. Each day feels like a gift when so many around me are suffering and dying. Another positive is the realisation that the love between the hubs and I is as strong as it is, because we have NEVER spent this much time together, and there have only been a few mild clashes. And, I can clearly see who and what is truly important to me, because I’m clinging to those things and people as if they are a lifeline, because they are. My friends, family and creating have been my salvation.
So today, I am committing to my survival list and sticking to my routine, even when my heart is not in it, in the hope of returning to a sense of purpose. This is a work in progress.
Update: I have managed to stick to everything In my Coronavirus mental health list but the writing, which thankfully as of today, that particular creative spark seems to be re-igniting!
So, I ask again. How are you coping? Please feel free to share your thoughts either in the comments or at gloriamiller.co.uk.
Wed, 13 May 2020 - 04min - 29 - Glo Sings - Beautiful (Episode #29)
Each week I host Music for the Soul Radio Show on ExpressFM here in Portsmouth in the UK, and one of my favourite Artists to feature is India Arie, who I believe is a modern-day poet and my personal guru. Her voice is lush and her lyrics are thought provoking, which are key ingredients for music for the Soul.
During this Corona Virus Pandemic, music has been my salvation and has kept me from going off the rails and India's song, Beautiful, is one I go to often to find refuge and peace.
Here's my cover version of India Arie's beautiful.
Tue, 05 May 2020 - 05min - 28 - Glo Sings ... Questions
One of the highlights of living in the UK, after I got through the very hard first year, was getting to work with some fantastic original bands. ‘Contagious Vibes’ was one of those bands and I had the pleasure of working with them for about of year. I loved the music they were creating which was a mix of Soul, Funk and Pop, and I ended up writing the lyrics for many of the songs. ‘Questions’ was one of my favourites and I recently came across the rehearsal music track and decided to have a go at recording a version of the song. Here’s how it turned out ...
For a free download of this song click here.
Wed, 01 Apr 2020 - 04min - 27 - Glo Sings ... Sweetest Taboo
On Monday the UK prime minister announced three weeks of lockdown to try to slow down the spread of the Coronavirus. The hubs and I had already started self-isolating, and social distancing for the past couple weeks and one of the things I’ve been doing to stay sane is recording covers of some of my favourite songs.
Sade’s ‘Sweetest Taboo’ is one of those favourites and I thought I would share the recording journey and the song with you.
Last year I bought a home recording system called Studio One. I am in the process of learning how to use the system, and this month my first original single of 2020, Regret, will be hitting stores and I mixed that single in this program. I will talk more about that process next week after the single drops.
So, I searched on Youtube for a backing track for ‘Sweetest Taboo’ in its original key and then uploaded that to Studio One. This program has some fab presets so I used one of them which opened a session already setup and ready to record. Once the backing track was added to the program, I was ready to go.
Over a few days I recorded practice versions of the song, and during one of the takes, I added some lovely ad-libs at the end, which I then turned into 3-part harmony backing vocals.
On playback of these practice runs, I realized that the song wasn’t sitting in my ‘sweet spot.’ In a previous post/podcast I talked about finding your vocal sweet spot and after getting advice from some people that I highly respect in my local music community, I landed on Bb as the optimal place for my voice. So, I dropped the key 3 semi-tones from the original Bb minor to G minor (the minor relative key to Bb major).
After a few practice runs in that key, I was ready. I then double tracked each backing vocal part, ending up with six backing vocal tracks, then recorded four takes of the lead vocal, and then picked the best parts from each take (referred to as comping) to share with you. Here’s my version of Sade’s ‘Sweetest Taboo.’
Tue, 31 Mar 2020 - 07min - 26 - Getting Back Up
If you’ve been following my podcast/blog, you know that I’m on a journey to find myself ... at 53 years old. Crazy, right? This journey is proving to be a wild ride, one that involves courage, fear, intimidation, falling down and then getting back up.
I have wanted to quit and just eat cheesy popcorn and watch Netflix, I have wanted to abandon my creative self and just surrender to workaholism, and I have wanted to give free reign to my inner-critic. But instead of doing those things, I simply get back on the horse and I keep moving forward.
On this past Saturday I had the privilege of performing an originals set with two of the most wonderfully talented ladies I know. Chloe Josephine, who was the headliner, and Amba Tremaine. I was so nervous leading up to show day and my 35-minute spot felt like an out-of-body experience. I felt so out of my depth. You see, I suffer from function-singeritis. It’s like I don’t know how to just be myself on stage anymore.
At one point during my performance I was thinking, ‘What do I do with my hands?’ It’s like they had a mind of their own. I finally just let them drop down beside me. Duh. Then I was like, ‘What am I going to say about these songs?’ They’re my songs. I wrote them. I should have plenty to say about them, right? Nope. I had nothing. Nada. So I just let a stream of unconsciousness freely flow from my lips, just so I could get to the next song.
But the saddest bit for me, and this is real, I didn’t enjoy it. My most favourite thing in the world used to be getting lost on the music. Getting lost in the performance. I miss it like an old friend. I spent that entire performance on Saturday in my head, and not connected to what was in my heart. No matter how many people told me how much they enjoyed my performance, I didn’t. Because I wasn’t present.
On Sunday, I lamented and fretted and thought, you know what, I don’t need this. I can just stay in the comfort zone of function singing and let that be enough. Thankfully, I had another originals gig at The Bedford in London on Tuesday. I wanted to cancel, though. I wanted to stay down. And my circumstances were trying to assist me in giving up. Two of my three musicians were suddenly unavailable for a booking that’s been in the diary since last year. That was my chance to bow out. But instead of bowing out, I emailed the booker, explained the situation, and asked if I could do my set solo using backing tracks. They said yes. Now there’s no going back.
I sang four of my original songs for The Bedford gig, and for the first time in a long time, I did get lost in my own songs. I spoke with elegance and grace between the songs, and more importantly, I spoke from the heart. I was totally present through all four songs, well, for the first song, I could hear my own heart beating from nerves, but about a verse in that settled down. And, when I got back to my seat, someone had left me a lovely note saying how much they enjoyed my set.
My Saturday gig was just as well received from the audience as my Tuesday set, but I was in a different headspace. I struggled with receiving the praise on Saturday because I didn’t feel like I had earned it. On Tuesday, I just wanted to prove to myself that I could be present for my own music and allow my voice and my words to be heard. When I stood in front of that mic, I took a deep breath, allowed myself to just be and feel. And when I sat down, I felt triumphant.
I’ve got a long way to go on my journey, and it’s no longer to get back to myself. I am realising that this journey has to take me forward. It’s about rediscovery. Understanding who I am as a singer and performer now. Singing and performing may never feel as easy and effortless as it did back in the day, and that’s okay. I’m just glad that on Tuesday I had the strength to get back in the saddle and ride into my destiny.
Wed, 11 Mar 2020 - 06min - 25 - It's Not Me, It's You
This question is to my fellow performers out there ...
Have you ever prepared for a show, and was so excited and looking forward to it, and then you get there and the audience seems like they had a secret meeting before the show and in that meeting they decided they were just not going to be interested?
You ever had that experience before?
Well I have. Just a couple weekends ago.
I’ve been performing my Tina Turner Tribute show for at least 7 years and I know my show inside and out. Most times I don’t even practice before the show. I just turn up, do the sound check and then I’m off. The show is obviously high energy, it’s Tina for crying out loud, so the response is usually off the chain.
But not this time. This time, the show seemed to fall flat. I got the customary gasp when I first hit the stage, but from there to the end of the set, it felt like hard work. Bummer. Because I was so up for doing the show. I even practiced the week leading up to the show. So, during the second song, which is ‘Nutbush,’ I decided that I was going to perform that show with the same gusto as if I was at the IOW Festival. I was not going to let their reaction, or lack thereof, be a reflection of my performance. I made up my mind that I would bring it no matter what. And I did. But, the audience was barely warming up. Finally, by the time we got to the obvious floor fillers like ‘What’s Love Got to do With It,’ ‘Proud Mary,’ and ‘Simply The Best,’ they were on their feet, singing and dancing.
After finishing the Tina set and then the 2nd Disco Divas set, I was tempted to attribute the audiences lack of response to me and my performance, but here’s the thing. I know I did the job. I gave 100% effort, because over the years I’ve learned that in giving 100%, that means I’ve given my all and done the best that I can do in that moment.
I think it also helped that a few weeks before I performed the Theatre version of my Tina show where there’s no dance floor, just people sitting and watching, and let me tell you, that was a different experience all-together. I loved it. People were actually listening and watching. It was wonderful.
As function singers, we get conditioned to think that if people are on the dance floor, then we’re doing a good job. And we assume that those who are not on the dance floor aren’t interested. But I beg to differ. I think when they are sitting, many of them are just watching the show, and that’s our chance to really show them what we’re made of. To really let our talents shine.
Let’s face it, once we’ve got the audience up on and dancing, we can just coast through the rest of the gig. It’s easy, right? But when they’re not on the floor, we have to work a bit harder for it. Earn it. Be in the moment, and I mean fully in the moment.
So even though that gig was a bit of a drag, I am also thankful for it, because when I finished that gig, packed my gear in the car and drove the long journey back home, I did so feeling great about myself and the performance. I left it all on the stage. I gave my all to that moment. And based on the feedback that I did receive from several of the guests, I did the job.
So, if any of those punters left that night feeling like they didn’t have a good time, that’s on them. Because the groundwork and foundation for a great night was fully laid out for them. If they couldn’t manage to build a good night for themselves, it’s not because of me. I gave them a fantastic show, and every opportunity to make the most of their evening.
British audiences are very different from American ones, and I learned early on from working over here that it’s not about me, but about them. You have to check your ego at the door. Especially with function work. The Brits will not meet you halfway. And occasionally, you come across an audience that will not surrender, no matter what you do. And to them I say, it’s not me, it’s you!
Wed, 04 Mar 2020 - 05min - 24 - Inner-Dialogue
We all experience that little voice in our own heads. For me, often that voice is negative. Often, that voice stops me in my tracks, distracting me from the task at hand with thoughts of ‘not being good enough.’ That’s the big one for me.
Sometimes the voice shows up disguised as fear. Dread. Not something I’m hearing from within, but feeling instead. In trying to figure out how to live with my inner-critic and possibly make peace with it, I had to face it. That’s actually putting it mildly. My inner-critic and I had a straight up show down.
First I had to figure out where this feeling of not being good enough truly started, which meant I had to look at my past. I came across an article on Psychology Today.com that suggested writing down the negative messages I hear in my head. So I started to list them:
1. You’re going to forget the words.
2. You should practice more.
3. Your songs are shit.
4. No one wants to hear a 53 year old singing about love.
Okay, so this list went on a while ...
Then my brain landed on a memory ...
“You have a nice voice, but it doesn’t have that intangible quality.” These were the words spoken to me by a Music Executive at Warner Bros. Gospel Music Division.
This memory has been buried in my subconscious since the early 90s, and me thinks it’s the reason I keep hearing ‘you’re not good enough’ from my inner-critic.
I didn’t explore this at the time, but now I want to truly understand what was said to me back then, so I Googled it!
Intangible defined:
Unable to be touched, not having a physical quality. Something intangible can't be touched physically, but most of the time it is understandable or even felt in the heart.
So this man was saying my voice ‘can’t be felt in the heart.’ Ouch. That hurts.
This was said to me in my early 20s. I am now in my early 50s, so 30 years later this negative statement is still affecting me.
The article in Psychology Today goes on to say that ‘for every negative message there is a positive truth that can counteract it.’
Here’s my positive truth:
“My voice is full of emotion and touches people in their soul.”
I could feel the weights of doubt and fear lift even before I finished my positive truth, then I experienced an ‘aha’ moment: I got the power! (Sung to the top of my lungs). I’ve got the power to change my self-talk. To challenge my inner-critic.
Quoting from psychology today:
“Self-talk tells us what to do and how to feel about events and situations. A lot of self-talk feeds us valuable information that serves us well, that helps us succeed and even ensures our survival. For example, ‘Look both ways before crossing the street’ and ‘Stand up for yourself’ are constructive reminders.
But other self-talk undermines us and keeps us from fully experiencing parts of our personality. Your inner voice may be telling you things like this:
I know it won’t work.
It’s just no use.
I never have enough time.
I never know what to say.
Everything I touch turns to bleep.
Working on your self-talk is a good way to challenge the idea that there’s some inherent flaw in your personality. If you have deficits, you are not doomed to live with them forever; you can change your programming. When that changes, you may find you have hidden strengths where previously you had problems.”(Read More)
Thu, 06 Feb 2020 - 07min - 23 - Ego
There is a ‘ying, yang’ quality to the Ego. Looking at the Ego feels like looking at two sides of the same coin. And possibly, how it displays itself is just as haphazard as flipping a coin. Will it be the healthy Ego or the unhealthy Ego?
The lack of Ego would lead to ruin, mental instability, a total disconnect between the conscious and the unconscious. So why is the popular thought that Ego is the enemy? Ego is defined as a person's sense of self-esteem or self-importance. It is clear from this definition that if we are to look at Ego, we have to also look at Self.
I moved to the UK 10 years ago, and it took a year to get my first gig. Thankfully, that gig lead to other gigs and 10 years later, I have consistently had a thriving diary of work.
Those early performances sometimes sent me home in tears. British audiences are quite different than the enthusiastic American audiences that I had been used to. You could have given your absolute best performance, the performance of a lifetime, and the Brits will just carry on with their conversations and drinking as if you are not even in the room. Or, they will listen for the first two minutes of the first song, and then they’re gone. You’ve lost them.
My first encounters with this phenomenon was soul destroying. I would get home from the gig and say to the hubs, ‘they hate me.’ I was starting to doubt if I even knew how to sing. Something I’ve been doing practically my whole life. Suddenly, the joy was going out of performing.
Then I started to realize that what I actually liked about performing was the applause. The accolades. People waxing lyrical about how great I sing. So, without that, my self-esteem suffered. Why did it suffer? Because I was arriving at those gigs with an inflated sense of self-importance, and the Brits cut me down to size for it. And for that, I will always be grateful.
As soon as I started leaving my Ego in the car upon arrival to a gig, and walked in the place with the sole purpose of making sure whoever would be in front of me had a good time, I started finding the enjoyment of performing. It was a light bulb moment really, the idea that it’s not about me. It’s about them. And strangely enough, the less I needed the applause, the more it came. Sometimes it catches me by surprise when it does come, because I no longer need it. I’m not gone lie, it’s a pleasant surprise.
I want to understand what actually happens when one ‘checks his or her Ego at the door.’ What role does a healthy Ego play in how we navigate our world? (more)
Sun, 26 Jan 2020 - 06min - 22 - Life Is But A Dream
Whoopi Goldberg has proven herself to be a great actress. I mean, she’s got an Oscar, right? But as we all know, having an Oscar is not necessarily proof of being a good actor. Whoopi won hers for ‘Ghost’ and her performance in that film was proof enough for me!
Another film I loved her in was ‘How Stella Got her Groove Back,’ a film she starred in with Angela Bassett. My favourite scene in the film is when Whoopi’s character is in the hospital and Angela’s character is at her bedside and Whoopi says, ‘Life is but a dream.’
This line has stuck with me all these years later, and it’s screams in my Spirit even more so now that I am getting older. Life IS but a dream. No matter how long we get to live it, it goes bye in a blink.
It’s up to us to make the most of this precious gift called life. Human life is imponderable (thank you word of the day from dictionary.com). It can’t truly be measured or figured out. But it can be appreciated and fully lived.
There’s a lot of anger and pain being displayed on our various screens, and in many cases, right before our very eyes, and it can feel like the world around us has gone mad. It’s terribly easy to get caught up in the madness and lose sight of the beauty in our lives. The things that are going right. The people that make us happy. Our pets that cuddle up next to us. The mundane things that make us smile.
Stepping back from the drama and finding our joy is our responsibility. Finding our own bliss and happiness is a noble pursuit. Today, let’s allow that pursuit to distract us from the crazy. Let it turn us in a direction that will lead us to peace. To stillness. To awareness.
So, right now, think about something that truly makes you happy. Got it? Awesome. Make time in your day to do or show appreciation for that thing, because ... merrily merrily merrily merrily, life is but a dream.
Note: If you found inspiration in my words, then I highly recommend watching ‘The Professor’ on Amazon’s Prime Video. This film is a beautifully funny and sad look at living life to the fullest!
Mon, 20 Jan 2020 - 03min - 21 - Acceptance
TRANSCRIPT
I am learning to accept myself for exactly who I am, and who I am is turning out to be a nice surprise. It’s hard to stop trying to be what people want me to be, because having done this for so long, I lost sight of my true self.
Last year, I started working on an original music project that I’m calling ‘no agenda,’ because I am realizing how hard it is to live with no agenda, no expectations and no demands. I like to plan everything. I plan my meals , I love lists and currently have four on the go. I’ve set five goals for myself for this year, and I’ve put myself on a daily schedule. So operating without an agenda goes against my very nature. In my attempt to loosen the constraints of self-inflicted expectations and demands, I am finding freedom.
Most of us live with the misconception that when we perfect ourselves, then the magic of life will happen. Where did this notion come from? I suspect that it’s mostly come from the media presenting us with images that are thought to be the standard. Constantly consuming these images lead us to feeling less than and unworthy. But each of us is enough, and our uniqueness among millions is a masterpiece.
I am becoming more aware of how I let my environment affect me. I am starting to protect myself from the media onslaught that I have been deluged with for my 53 years on the planet. Social media can be a bitter pill sometimes. Spending hours reading about others successes and seeing their happiness displayed for mass consumption can lead to the disillusion that our own lives are shit. But is any of it real or just manufactured for ‘likes’? We’ve all done it. We’ve all embellished ourselves on social media. What’s really behind this? Why do we feel the need to present a life that’s not authentic?
Recently, the hubs and I spent the night at our friends lovely house out in the country, and as I lay in bed, I was fascinated with how quiet it was. There was no street noise, no ticking clock, no sound other than my own breath. This made me think about how rare it is to hear silence. In stillness there can be self-discovery. You can be gently reminded of the unique qualities that make you you, and then you can nurture true acceptance for being intrinsically who you are.
Upon introspection, you can begin to own your greatness without any self-deprecation. You can fearlessly share your art with the world just for the sake of it, without being at all concerned with how it’s received.
Acceptance leads to freedom. Accepting who we are right in this moment, warts and all could pave the way to true happiness. I did a poll on my Facebook Group asking the question, ‘Are you happy with where you are in life right now?’ I am thrilled to report that 75% of the respondents answered ‘yes’! I take comfort in knowing that self-acceptance is possible, and I’m well on my way.
How would you answer the question. Would it be, Yes, No or Not Sure? Click here to leave your answers in the comments section.
Mon, 13 Jan 2020 - 04min - 20 - Be Kind
Do you remember the term ’be kind rewind?’ If you do, you are definitely showing your age. For the uninitiated, ‘be kind rewind’ was a phrase that was used by video rental shop employees encouraging their customers to rewind the video tape after viewing it so that the next person to watch that tape wouldn’t have to rewind the movie, and possible encounter spoilers in the process. Doing this was considered an act of kindness.
If you saw the film Captain Marvel, for some of you, this would have been the first time you’ve actually seen a video rental shop like Blockbuster, but in the 1980s, they were everywhere, and the term Be Kind Rewind quickly became etched into pop culture.
Each video had a sticker with the phrase on it, and there were even separate video rewinding machines that were hi-speed rewinders, designed to protect your video player from the wear and tear of rewinding so many videos. This was serious business.
At Christmas time it is quite easy to show kindness to others. Because the general mood is festive, shiny and bright, people tend to feel upbeat and happy, and being kind to one another feels as easy as breathing. But what happens the rest of the year? This year we’ve seen a lot of anger and ugliness being played out in the media and it’s so easy to be swept up into whatever mania is swirling around us. I’ve noticed it in myself and in others this ‘me, myself and I’ attitude that’s so focused on our own needs that we move through our respective worlds oblivious to each other. There seems to be an epidemic of not caring for our fellow humans, and the idea of community feels more like a concept than a reality.
So, as we go into 2020, I want to be a reflection of kindness to the people around me, just by doing little acts of kindness. It could be as simple as being more patient with people ... or not tailgating while driving ... or not harshly judging people (or ourselves for that matter). Let’s maybe insert a new phrase into pop culture ... 'be kind, fast forward.' Fast forwarding kindness to the people around us.
Don’t spew negativity all over social media, post kind words. While driving, don’t curse people out for changing lanes, leave a gap. Don’t get mad at your partner for not being a mind reader, use your words.
It's Christmas Eve and you might be out and about doing last minute preparations for tomorrow! Start right now! Be kind, fast forward!
Wed, 25 Dec 2019 - 04min - 19 - Sweet Spot
On Monday of this week I posted these questions in my Facebook Group:
How do you decide the right key for a song? Are all your songs in the same key? Does it depend on the mood of the song?
The reason I reached out to my group for help on this is because I am writing songs in preparation for recording and releasing them next year. This year I released five singles and really didn’t give much thought to the keys they were in, they just kind of landed where they landed. The whole reason I started releasing my own music again after a 10-year break was to find my voice, which seemed to be disappearing into function singer oblivion. I believe an integral component for rediscovering my voice is through understanding where my sweet spot is.
The members of my FB group are all brilliant in their own rights, and many of them are singers and songwriters, so I felt I would get some answers that I could apply to my process. Wow, was I right.
Keith Simon, singer extraordinaire said, “For me I think it’s about being able to utilize your vocal range to its maximum potential ... every song is different and unique ... and you wanna be able to comfortably sing/perform a song that brings out the best parts of your range.”
My very first vocal coach and piano teacher, Pat Tyson, had this to say: “I tend to write in keys that are comfortable for my voice, but I also write in keys that are easy. Transposing is a gift that I'm grateful for!”
And then, Amba Tremaine, Singer, Songwriter, Vocal Coach, Choir Leader and Teacher took me to school. She dropped a word on me that I had never heard before, Tessitura. Thankfully, she broke it down for me:
Tessitura is the range within which most notes of a vocal part fall. An area of your voice that is comfortable and most commonly used.
Amba goes on to say, “I have discovered that being able to sing high or low is one thing, but being able to do it well and for it to sound good is another thing entirely. Reaching those high whistle tones may seem impressive but 9 out of 10 times it sounds bloody awful. Every now and then we’ll need to pull out some impressive height for certain songs but it really does make a huge difference when you know where your voice sounds the best. This is where Tessitura comes in.”
Amba’s process is to go to the piano and start talking about everything and anything. She then finds the note (more)
Sun, 15 Dec 2019 - 05min - 18 - Asking
I was speaking to a friend last week and she was saying how difficult it is to ask for things. This friend and I share many similarities. We are both singers, both songwriters and we both perform Tribute Shows to one of the most awesome women on the planet … Tina Turner! And, we have one more similarity ... I too find it difficult to ask for things.
Before I had this conversation, I had already decided that 2020 would be the year of asking. Asking for what I want and asking for what I need. But it seems I am already feeling resolved to do this, so I’m not waiting until 2020.
On Sunday, I was in London getting ready to perform Tina Turner Tribute Show for this wonderful group who put on events for very active seniors. I mean, wow, they party hard. I get there, and as always the staff are fabulous. They take me in to meet the soundman and then they take me to my dressing room. My fellow performers can attest to the fact that many of the venues we perform in are not geared up for entertainment, much less Tribute Shows. So it’s not unusual for the event organiser to try to stick you in a closet or handicapped loos, or any ole random place and call it a dressing room. I was put in one room that had rat traps all along the walls … I was like ‘Mickey’ don’t you show up tonight. I’ll be doing this gig from this table top!’ So, when I realised that said dressing room was the gents loos, at first I went in and had a look around and then I said 'no.' I looked at my host and asked for what I wanted.
I wanted to be in a comfortable space, that was odour free so that I could prepare to do my 35-minute spot. I was polite, yet direct and said ‘this space is not suitable for me to get ready for my performance.’ And without any hesitation, I was ushered into another room, just next door that had a couple comfy chairs, had sandwiches for the talent, what?? And a lovely drag queen who turned out to be the host of the event. Said queen was happy to share his space with me and we had a lovely chat as we prepared for the show. Turns out he also had better legs then me and Tina put together, but that’s another story!
I was so proud of myself for just asking for what I wanted. So often we suffer in silence or in passive aggressiveness instead of simply speaking up. I am not opposed to reading a self-help book, or ten, and two spring to mind as I write this: The first is ‘The Art of Asking’ by Amanda Palmer and the second is ‘Daring Greatly’ by Brene Brown. Amanda asks the question, 'are we just too embarrassed to ask?' Brene looks at how our fear of being vulnerable can keep us from getting what we want and need because we’re too proud to just ask.
There are a lot of things I want to do next year and I’m going to need some help to do them. I have always been very independent and self-sufficient so asking for help has always been hard for me. But, I’m prepared to do it, because I won’t get to those ‘yeses’ until I do.
Tue, 03 Dec 2019 - 04min - 17 - Reflection
I want you to take a moment and think about the people who are closest to you. Your inner circle. Your Tribe.
I want you to take a moment and think about the people who are closest to you. Your inner circle. Your Tribe. Now think about the qualities these people possess. Their qualities are more than likely a reflection of your own. ‘Like attracts like’ is one of the spiritual laws of the universe, so those around you mirror who you are. So if you want to know who you are and what you’re made of, look at the people around you. Do you see strength, determination, beauty and fearlessness? These qualities are a reflection of you.
Equally, if you’re seeing anger, frustration and insecurity, these may be qualities that you recognise in yourself that you don’t like and are trying to overcome. Seeing yourself from the perspective of those around you can lead to enlightenment. When you meet someone that you truly admire, you’ll likely see those same admirable qualities within yourself. And, when you meet someone whose vibe you’re not quite feeling, accept that this is also a reflection of you. If you don’t like what you see in them, change your own vibe.
When I think about my inner circle, I truly feel like I'm in a house of mirrors. You know those ones that make you look taller or bigger?? My circle is filled with powerful people who are creative, loving and generous. The women in my life could rule the world with their strength and innovation. I look at my tribe and I wish I was more like them. But the truth is, I am like them. I am a reflection of them and they are a reflection of me. We share our lives and our experiences, and learn from each other's successes and failures. We can call each other on the carpet and say 'you need to check yourself.' We can cheer each other on, fight each other's battles and walk hand and hand through the the storms of life.
Now, take another look at those people closest to you. Do you like the reflection? If not, change.
Fri, 29 Nov 2019 - 03min - 16 - Thanksgiving
One of the things I miss most since moving to the UK is Thanksgiving. When I first moved to England 10 years ago, for the first two years I hosted a big Thanksgiving meal for my UK family and friends. The third year my good friend and fellow American, Marlene put on a Thanksgiving spread, but since then neither of us have had the time nor energy to do it, and I am truly missing it this year.
I have so much to be Thankful for this year, well every year, to be honest. But I’m feeling especially thankful this year because I am at a lovely place of peace with myself. I am happy exactly where I am in life.
Around this same time last year I was totally burned out. Gloria Miller Entertainment, my entertainment company, had a stellar year. Business was good, but I was not. I was about to go into the very busy Christmas season, and I realized that I didn’t want 2019 to be a repeat of the year I was having, so I made the decision to close my office at Langstone Tech Park, and to go back to working from home.
I was already making the journey to my current peaceful place by freeing my creative side, and writing songs again felt like a lifeline. I didn’t know what I was going to do with the songs I was writing, I was just happy to be back in the creative flow.
So, when January of this year rolled around, I was back working from home. I took a break from performing my Tribute Shows opting for performing Motown Nights instead, because at least I could be myself during those gigs, and not have to step into someone else’s persona. I was feeling so lost, and honestly, I no longer knew who I was as an artist. In fact, the artistry was gone, and I needed to get it back.
I allowed GME to tick along, and I spent more time working on my music. I setup a new website and started blogging and podcasting, along with releasing singles, all in an effort to find my own voice. I performed my first fully originals gig back in September and I was like a fish out of water. I was so scared and had no confidence going into the performance. But, thankfully Lola (my alter ego) showed up, and I did it. I was thrilled at how well my songs were received by the audience.
I’ve now put a band together for my original music and have a couple dates booked in for 2020, so I am slowly getting back out there as an artist! But it feels different this time around. I have no agenda for the music, I‘m not hoping to be ‘discovered.’ I’m just making music because it brings me joy. I’m simply feeding my passion and living in and sharing my truth.
I am so thankful to be approaching my days differently. I used to be married to my to do list, and to regular ‘office’ hours ... now I’m not. I still have my list, and it’s full of things that I’d like to get to, and I know I will eventually get to all of these things. But I’m not a slave to the list or to time anymore. I am finding that if I focus 100% on the task at hand, it all seems to gets done.
Admittedly, I have a really giant list of mundane things that need doing, and it’s constantly growing, but I just let the list grow and will get to it when I get to it. This allows me to focus on what matters and leaves me with time to live!
I think it has boiled down to finding that work, life balance and in the balance, I have found peace. I still have loads that I want to and will do in the coming year, but in my own time. So, I am thankful today.
Thankful for my husband, my family, my friends, my career and my passions. As I write this, I’m still in bed, drinking the coffee the hubs brought up to me and the sun is shining through my window. There’s a few things on the to do list, but there’s no guarantee that I’ll get to them. We’ll see what the day brings. At this moment, the only thing I feel compelled to do is to be thankful!
Thu, 28 Nov 2019 - 05min - 15 - Lola
Lola is to me as Sasha Fierce is to Beyonce … my alter ego!
Lola is the part of me that allows me to feel the fear and do it anyway. Lola is confident and unapologetic. I couldn’t be in the entertainment business without her.
The hubs and I celebrated ten years of marriage this past weekend and the day before we were due to fly to Paris to celebrate, I woke up in a blue funk. This doesn’t happen often, but more often lately as menopause and I get more acquainted.
I knew I would have to snap out of this funk because I had a Motown show to do that night. I had no energy, my brain felt foggy and the idea of jollying my audience along for two hours was torture.
I didn’t even have the energy to pack my sound gear in the car and drive the 45 minutes to the gig. So I begged the hubs to be my roadie, and being the wonderful man that he is, he acquiesced.
We arrived at the venue but Lola hasn’t made her appearance yet, so I force a smile unto my face and I drag myself into the venue. I greet the event organizers, shake hands with the DJ and then grab a cup of coffee and leave Neal to unpacking the car and setting up my gear. After a few sips of Java, I guiltily start to help with setting up.
Sound check done, guests arriving and I’m in my dressing room still in a funk. Lola, where the eff are you? I’ve got less than an hour ‘til the start of my first set and there’s no signs of Lola … just the Blue Funk.
Now it’s showtime. I’m in my sparkly dress and stilettos, wig is fluffed to maximum height, and still no Lola. Just tired ole me. Now the DJ is introducing me, I am walking to the mic and there she is. It’s like I felt Lola step inside my shoes. Lola showed up and showed out with all her fierceness and confidence! Two sets and two encores later, Lola left the building but her energy was still pulsing through me. There was a pep in my step as I headed back to the dressing room to change, leaving my roadie to pack up.
Lola again saved me from myself by being the part of me that is unstoppable. I am always in awe of Lola and I will always need and be thankful for her because whatever Lola wants … well, you know the rest!
Wed, 27 Nov 2019 - 03min - 14 - Ruby Slippers
In this world of smart devices, we are used to clicking to make things happen. One of my favourite films of all-time is The Wizard of Oz. If you haven’t seen this film, you should.
The first few times I watched the film was on a black & white TV, okay, so I’m truly giving away how ancient I am. But anyway, all we had in my early life was a black and white TV, so a lot of the magic of the movie was lost to me during those early viewings.
I will never forget the first time I saw the film in its full glory. I always thought the full film was in black and white, so when Dorothy opened the door to Oz and all that glorious technicolor hit me, I couldn’t believe it! I was like, ‘when did this film get colourised,’ which was a thing back in the day.
That was the day the slippers truly became Ruby. I didn’t have to imagine it. The power of those Ruby slippers brings with it a wonderful life lesson.
So without giving away any spoilers, Dorothy and her dog Toto get caught in a storm, and are thrown over the rainbow and find themselves lost in Oz. There’s an unfortunate accident involving a wicked witch wearing fabulous Ruby slippers, and said slippers were given to Dorothy by a good witch who instructs her to follow the yellow brick road to see the Wizard in the Emerald City. Glinda, the good witch, is sure that the Wizard can help Dorothy get back home to Kansas.
So Dorothy and Toto set off to see the wizard, she meets three lovely companions along the way who are also in need of the wizard’s help, all while being hunted by the dead witches sister, who is also a wicked witch and she wants those Ruby slippers.
They get to the Emerald City and face the great and powerful Wizard, who turns out to just be an ordinary man. Though he’s ordinary, he’s quite savvy and is able to help Dorothy’s three companions, but there was nothing in his bag of tricks for Dorothy. Enter, Glinda the good witch who says this to Dorothy: ‘You’ve always had the power to go back to Kansas.’
Say what??
One of Dorothy’s companion on this seemingly unnecessary journey asks why Glinda didn’t tell her before, and Glinda says, ‘Because she wouldn’t have believed me, she had to learn it for herself!’ Bam, there's the life lesson!
Dorothy already had everything she needed to get back home. She actually didn’t need to look any further than her feet and those gorgeous Ruby slippers. The surviving wicked witch was desperate to get those slippers because they were magic.
So now that Dorothy understood the power she had all along, she took action … she clicked her heels, repeated her mantra, ‘there’s no place like home,’ and poof, her dream because her reality. She did it. She was home.
It boiled down to what Dorothy believed, and that got her to her goal. Had she not taken the journey to Oz, she would have never realized her full potential. The same is true for you.
The power lies within all of us to shape our own destiny. We possess all the tools we need. The journey to our destiny serves to reveal who we are and what we’re capable of through the lessons we learn along the way.
So take that journey within. See yourself as the powerful force that you are. Then take action … get to clickin’!
Wed, 27 Nov 2019 - 04min - 13 - Pursuit
My current obsession is Space. There is so much I don’t know about space and it’s vastness, so I might be here a while.
It started with watching a documentary about The twin Voyager 1 and 2 spacecraft that are exploring where nothing from Earth has flown before. Continuing on their more-than-40-year journey since their 1977 launches, they each are much farther away from Earth and the sun than Pluto. ... Their primary mission was the exploration of Jupiter and Saturn. Then the mission was extended and Voyager 2 went on to explore Uranus and Neptune, and now both spacecraft are in interstellar space.
Voyager 1, which had completed its primary mission and was leaving the Solar System, was commanded by NASA to turn its camera around and take one last photograph of Earth across a great expanse of space, at the request of astronomer and author Carl Sagan. The term "Pale Blue Dot" was coined by Carl Sagan in his reflections of the photograph's significance, documented in his book of the same name, Pale Blue Dot.
When I saw this image of earth looking no larger than a blue pixel suspended in a sunbeam, it changed me. From this perspective which was 3.7 billion miles away, the earth was just this pale blue dot. So small against the expanse of the universe making us and our life’s pursuits even smaller.
Seeing this picture made me want to stop the pursuit and just be who I am, and do the things that bring me joy and happiness, because when time is measured in light years, our average life-span is truly like the blink of an eye.
I’m 53 now and I have been pursuing one thing or the other for as long as I can remember. If life is a four-act play, then I’m in the third act and I don’t want to get so caught up in the pursuit that I miss my life … the good, the bad and the ugly of it! So I am doing more doing. I am listening more intently, I am loving harder and connecting more with the people in my life who matter. I am an artist doing my art. I am doing more of the things I love. I am allowing my true self to be seen and heard. I am doing me …
Thu, 21 Nov 2019 - 03min - 12 - Happiness
This past Sunday morning I woke up in a beautifully exhausted state and was still in the afterglow of having had two nights of fantastic gigs. Sundays are usually my day to totally veg and that pursuit was the extent of my day.
On pops the telly and I start my day by watching reruns of Modern Family, my favourite sit-com. After the three episodes finished on regular TV, I was still in need to my ‘Phil’ fix so I went over to Amazon Prime and binge-watched an entire series, all 24 episodes.
I was laughing out loud at the funny stuff and teary eyed during the tender stuff and found myself experiencing true moments of Joy. I genuinely felt happy, which was immediately followed by feeling terrified. I was terrified that something bad was going to happen to destroy this amazing feeling of happiness I was experiencing. WT actual F? Why couldn’t I allow myself to just be happy?
I wanted to know why most of us feel that happiness comes with strings attached. So I googled ‘fear of being happy’ and found that there is an actual term for this … Cherophobia. I have never heard this word before, have you?
Cherophobia is a phobia where a person has an irrational aversion to being happy. The term comes from the Greek word “chero,” which means “to rejoice.”
After taking a few happiness quizzes, I am thankful to report that I’m not quite at phobia levels of happiness aversion, but many people are. According to an article I read by Calvin Holbrook, The fact that our brain is hardwiredto focus on the negative rather than the positive comes into play when exploring aversion to happiness. Maybe this is why feeling happy often brings with it memories of when previous happy moments were followed by tragedy.
The pursuit of happiness is a basic human right and a noble pursuit. Happiness is a human desire that we often look outside of ourselves to find. Money, power, possessions and substance use and abuse are often seen as a gateway to happiness, but we see the falicy of this thinking far too much with headlines announcing the self-destruction of so many, who by all appearances have it all, including happiness.
There’s a Gospel song by Larnell Harris called ‘I Choose Joy’and sometimes when I find myself feeling unhappy, I think about this song and it reminds me that I have the power to choose how I’m feeling. Sometimes that choice is a battle and the outcome is not always happiness, but often it is.
So, while I was enjoying my lazy Sunday, I didn’t allow my mind to rob me of the joy I was feeling. I fought to stay in my happy place, and thankfully, it has spilled over into my week. It’s Wednesday and I’m still there.
Find your happy place today and if fear shows up, just let that fear pass over you and then be happy anyway!
Wed, 20 Nov 2019 - 04min - 11 - Damaged
Back in 2003 two things happened that changed the course of my life...
First, I met the man that I would eventually marry and spend the rest of my life with.
And second, I lost confidence in myself as a singer.
Music has been my constant companion for as long as I can remember and sometimes we have a falling out. I recently discovered that what drives me in life is my need to be heard and my voice is the vehicle. In 1997, I landed a very well-paid job at a marketing firm, and for the two years that I worked at that company, I put my music on the back burner.
Prior to that I had put so much time and energy into the pursuit, and music was always letting me down. I rehearsed endlessly. I sent demos everywhere. I went to music conferences. It was just countless investment with no return. So, I surrendered to the real world and to making money.
Those two years were like a slow death. My boss was demanding beyond reason, and the job was stressful. Soon I was plagued with migraine headaches and weight loss. I was literally shrinking under the pressure.
It turns out, I needed my love affair with music, and the chase was part of the allure. I needed to get back to it. So I did. In 1999 I made my escape into a full-time contract with Disney working as a production singer on one of their cruise ships. I was singing and getting paid for it. Finally, music and I were in a reciprocal relationship. I breezed through my Disney contract and after a few years working on dry land, I started working for Royal Caribbean in 2003. I was hired into the coveted ‘Girl 1’ position and I arrived at rehearsals confident and ready to take on the challenge of learning three new shows.
I found myself surrounded by some incredible talent, many of whom had worked on Broadway or in touring companies, and I started to feel completely out of my depth. I was hired for Disney mainly to sing The Circle of Life, for which my Gospel roots served me well. That was really the only song I was featured in, the rest of the time I was just part of the production cast. At Royal, I was the featured girl singer, and the shows were musical-theatre based. I was sitting in rehearsals listening to my fellow singers and thinking, 'I can’t sing like that! I’m not good enough to be a featured singer.' I did audition for this role, mind you, and the show producers obviously thought I was good enough to be given the role, but I couldn’t see it. Once the poison of doubt got in my mind, there was no stopping its effects, and it began to chip away at my confidence and lead to a very rough contract.
I went from singing with heart and passion, to being completely self-conscience about every performance. I couldn’t get out of my head, and now I was letting music down. I stopped being able to let it freely flow through me.
Something got damaged back in 2003, and to this day, I am still struggling with not feeling good enough. I left Royal after two contracts and went on to work for Celebrity Cruise Line for three contracts, with the last contract finishing in 2007. I moved to Milwaukee and formed my own Jazz quartet and we performed all over the city. In 2009, I release my debut CD, and that same year moved to the UK. The 10 years I’ve lived in the UK I have been consistently working as a pro singer, but I have never fully regained the confidence I had before that Royal contract.
In 2018, I got serious about finding my voice. But I think it runs deeper than just finding my voice. I think it’s more about freeing my voice. I’ve been singing for a living since 2003, so my voice is working. But I haven’t always enjoyed singing. I have had many magical moments over the years, glimpses of the singer I used to be, but the joy of singing has been fleeting. (more)
Tue, 19 Nov 2019 - 06min - 10 - Time
My idea of success is not having to wake up to an alarm clock.
In my twenties I worked in corporate America and I hated having to be awakened by an alarm clock. In those days, I was a true night owl and rarely made it to bed before midnight. So when six am rolled around the snooze button and I became intimately acquainted. I commuted by train from the suburbs to work in downtown Chicago for most of my corporate career and there were three train options that would get me to work on time, and about 80% of the time I barely made that third option. Many mornings I’d be running down the actual train tracks, which ran behind my studio apartment, trying to get to the station before the train arrived. Sometimes, I cut it so close that I could see the lights of the train coming towards me from the opposite direction.
When the weekend rolled around and I could wake up whenever I wanted, it was bliss. My time was my own to do what I pleased. I loved the work I was doing, for the most part, I just couldn’t stand having to get up early in the morning. Over the course of the fifteen years that I worked a ‘day’ job I longed to be at a place in my life where I was in control of my own time.
In 1998, I was pretty fed up with working my very good full-time job because for all of the 15 years that I work my day jobs, I was also pursuing a music career. Something had to give. So I quite impulsively decided I was relocating to Florida to live in the warmth of the sunshine state and leaving the cold windy city of Chicago behind me. I made this decision in December of 1998 and by May of 1999 I was living in Orlando. Because I hadn’t really planned on this move, I didn’t have much money saved so a month after moving to Orlando, I had to get a job. I did get a job, and this job was the beginning of my working a schedule that was more conducive to how my body naturally functioned. I didn’t have to be at work until 3pm for this job. OMG, this was fabulous and there was no need for an alarm clock! The sunshine became my alarm clock, because most mornings I awakened to sunshine streaming into my bedroom. Every morning I thought to myself, why hadn’t I moved to Florida years ago. I loved it!
Now, because I run my own business I have full control of my schedule and I try not to do any work before 11 am. I leisurely wake up, have some coffee, do a bit of writing and spend an hour or so doing yoga and meditation. Then, I’m ready to face my day. For the 10 years I’ve lived in the UK, I’ve had the freedom to do what I want with my time. For me, this is success!
But lately, I have noticed a bit of anxiety around time. Maybe it’s due to getting older that I feel this mad rush to get things done. There’s so much I still want to do and sometimes it feels like time has sped up. Birthdays seem to be rolling around faster. Don’t get me wrong, I am thankful for the birthdays. The anxiety around time, though, was something I knew I needed to get a handle on. I’d be working on a task and would feel knots in my stomach thinking about all the other tasks I needed to get to. Because of this, very little was actually getting done. And then the universe started sending me the answer. Take Your Time. This message was coming from everywhere … Take Your Time. Take ownership of your time.
So I starting slowing down. I no longer multi-task. I work on one thing until it’s finished and then move on to the next, and if while doing that task I start thinking about something else I need to do, I add it to my to do list and then I get to it when I get to it. I’m taking more time with my songwriting. I am also saying ‘no’ a bit more … limiting my ‘yes’s’ to the things I really want to do. I like how Derek Sivers puts it, it should either be ‘hell yeah, or no.’ Another nugget I picked up from Derek is to ‘use the future.’ Not everything has to be done right now. Focus 100% on the (more)
Tue, 19 Nov 2019 - 06min - 9 - The Making of Me Too - Part 2Fri, 15 Nov 2019 - 04min
- 8 - Purpose
For as long as I can remember, I have loved words. As a kid, in all my report cards the consistent note from my teachers was ‘Gloria’s a good student, but she loves to talk ... she talks too much!’ My sisters always say I have the gift of gab! In high school my favourite subject was English and one teacher in particular, Mr. Tryba, made me love words even more because watching him speak was a delight. He articulated every word. When he spoke, it was like music. So fluid and full of passion.
It’s no surprise that I also love reading. So far this year I have read twenty-one books and counting. Most of my Amazon.com purchases are books. My kindle is filled with history, mystery and fantasy, with a bit of self-help thrown in for mental health! Last year I started reading autobiographies and that’s a whole other level of awesome. With autobiographies, I like to pair the audio book with the e-book because it’s usually the author reading the audio book. That was the case with Becoming, by Michelle Obama and We’re Going to Need More Wine by Gabrielle Union. I also read biographies by Taraji P. Henson, Tina Turner and one of my favourites that had me both laughing out loud and crying was by Tiffany Haddish. These are all people I admire and hearing their stories in their own voices felt like having a conversation with these people right in my living room. By the end of their stories, I felt like I knew them in a completely different way.
My favourite type of story is the psychological thriller. I love a good whodunit, and Dean Koontz is the master of this genre, in my opinion! I’m in the middle of one now called Holy Island by L. J. Ross set on Lindisfarne in the UK, but yesterday I was in need of some inspiration and turned to Oprah! I finished the audio book version of her book The Path Made Clear, Discovering Your Life’s Direction and Purpose, and in it, Oprah along with experts from the worlds of music, movies, literature plus several spiritual leaders talked about knowing what their life’s purpose was even when they were young kids. They were naturally drawn to it. Most of the experts in the book simply followed the path of doing what they loved and the successes (and failures) were just a natural part of the journey.
Reading this book made me want to know what’s behind my life’s pursuits. Why am I a singer and songwriter? Why am I releasing my own music? Why am I blogging and podcasting? Why do I present a weekly radio show? I went to bed last night with these questions on my mind, and this morning I had the answer. I want to be heard. So when I was running my mouth in class as a kid, I just wanted to be heard.
It seems that my purpose is to communicate be it spoken or sung, and this purpose is fueled by my desire to be heard. I am living my purpose. I believe that life naturally moves in a forward direction, and a clear sense of purpose will guide us on our individual journeys. So keep moving forward, follow your heart and know your purpose.
Thu, 14 Nov 2019 - 04min - 7 - Dreams
Last year a friend sent me a text asking if I would be interested in auditioning for an amateur production of Sister Act and my immediate answer was ’no.’ I could feel the word bubbling up to my lips, but before I let that tiny word stop me from stepping outside my comfort zone, I thought about why I wanted to say no. I was scared.
Some years ago I read this amazing book, and to be honest, the title of the book has been enough to get me to go past my fears. ‘Feel the Fear and Do It Anyway,’ by Susan Jeffers. This book title has become a mantra for me when I feel afraid of doing something. And those were the words I spoke out loud to myself as I responded ‘yes’ to my friends text. That one little ‘yes’ lead me to the most amazing experience of taking on the lead role of Deloris and discovering some elements of myself and my voice that I didn’t know I had.
The production schedule for Sister Act was brutal, two rehearsals a week for four months, and in the weeks leading up to the show, I saw my fellow cast members more than I did my husband. It was the hardest I had worked on anything in years, and it was unpaid. What?? But, the rewards have been priceless!
On opening night and was very close to hyperventilating. I was on the stage in place for the opening scene, I could hear the audience beyond the curtain, and I was looking into the wings thinking ‘I could make a run for it!’ Then the orchestra started playing the overture and I was at the place of no return. So, I closed my eyes, repeated my mantra, Feel The Fear and Do It Anyway, and when that curtain went up, baby I was Deloris!
For six performances I put on my habit, belted notes I didn’t think I could hit and discovered that I’ve got pretty good comic timing. Doing that show was like a shot of adrenaline to the system, and it got me thinking about other things I wanted to do … just for me.
Before moving to the UK ten years ago, I wrote and self-released my debut CD and just as it was being released, I got engaged, moved to England and got married. The release had a little bit of traction when it first came out in May of 2009, but needless to say, I was a bit distracted with all the changes in my life and that release fell through the cracks.
Fast forward 10 years and I now run an entertainment company booking entertainment for corporate and private events, I’m a professional singer who performs shows all around the UK and I present a weekly radio show in Portsmouth, UK and that takes up the majority of my time and all of my energy. I am proud of what I’ve accomplished in those 10 years, but I also lost a lot of myself in the process. I stopped knowing my own voice. I was stepping into the personas performing various tribute shows and singing other people’s music, I didn’t really know my own voice.
So, I did Sister Act for me. It had nothing to do with my business, nothing to do with my career as a singer, it was just something to do. In the process of doing that show, I heard it again. I heard my own voice. And I started to feel the passion for singing again. (more)
Thu, 14 Nov 2019 - 05min - 6 - DIY
This past Halloween weekend I attended a 3-day music conference in London. When I first signed up for the conference, I was so excited because I know I have a lot to learn about the new music business, especially since it’s been a minute since I’ve released my own music. Ten years, in fact.
As it got closer to the event, I was feeling less enthusiastic about going because as an older person in a young person’s game, I wasn’t sure there would be any information that would apply to me. On the first day, I arrived at the conference around 4pm and when I saw the other attendees, I immediately regretted being there. I felt 100 years old in the middle of all that glorious youth and hunger. I could smell the desperation to be seen and heard by anyone perceived to be in a position of influence.
I was both terrified and invigorated by this environment, and strangely felt outside of my comfort zone. I was jealous of the youth swirling around me and wished I had the type of burning desire that I could see in the eyes of my fellow attendees. After day one, I wasn’t sure if that conference was for me and after day two of sitting through a full day of seminars, I realized that I’m at a place in my creative life where I’m going to have to figure this music business out for myself, because there are no experts sharing golden nuggets on how to navigate the music business when you’re an emerging artist, but in your 50s!
I didn’t even bother going to the third day of the seminar because at the end of day two, I knew I had received what I needed from that conference. And that came from attending the DIY Seminar on day one. That seminar had the most impact, and the panel shared information that felt applicable to where I am in my journey.
My current music is a bit experimental with one foot in today’s music and the other in yesterday’s music. The music that informs who I am as an artist has come from the 60s and 70s mostly, and the music that I’m currently drawn to is electronic based. So I’m pairing the music I love, old school Soul, Funk & Jazz with nu school electronic loops and trying to find my place in the broad spectrum of today’s music. Being a DIY artist gives me the freedom to create without the worry of fitting into any mould … to experiment with different genres and approaches without the concern of being commercial … to speak directly to my fan base in a real and honest way.
Now, almost a month later and after taking a bit of a step back to evaluate where I am and where I want to be, I’m confident to stay in the game, but I’ll have to play it by my own rules and set my own benchmark for success.
To Learn more about me and my music, go to gloriamiller.co.uk.
Tue, 12 Nov 2019 - 03min - 5 - Do People Still Sing About Love?
Transcript
Do People Still Sing About Love?
Well, according to American Country Singer Dottsy, at least they still do in Texas. But is the subject of Love still celebrated in today's hit music? I did a bit of digging and here are some interesting statistics; it estimated that between 2017 and 2020 65% of songs will be about love. According to a University of Florida, "the subject of love still dominates pop song lyrics, but with raunchier language."
I recently discovered the Artist Lizzo and I have to say she is taking raunchy lyrics to new heights and she sings about loving the skin you're in, which I see as a modern-day take on the 'love' song! I'm impressed with her swag, and she is bathing in her truth and allowing us to go along for the ride. It's taken me nearly 53 years to stop trying to be who people want me to be. So I applaud Lizzo and her honesty, candor and self-acceptance.
My second single of the year was Who Do You Love, and you guessed it, this song is about love. Lasting love. Love as the foundation, weathered by storms with the cracks starting to show. But love is still there. Its roots running deep. I write and sing about love because music is universal and transcends boundaries to unify. Love has so many colours and you have to be brave to truly embrace its wonders.
Though out the ages, the subject of love has dominated Music and Literature, and we all seek love in our lives and that desire propels us to open our hearts and minds to the possibilities that true love affords us.
Learn more about me and my music!
Mon, 11 Nov 2019 - 02min - 4 - The Making of Me Too - Part 1
Transcript:
THE MAKING OF ME TOO – PART 1
When I dropped my first single of the year, Me Too, back in March of this year, after 40+ years of silence, I was speaking about sexual abuse that I experienced twice in my young life.
Me Too would be my first self-released music in 10 years, so I was scared. And an added layer of discomfort was starting with a song that demands vulnerability from me, which is something I don't enjoy feeling.
One night I was working on the song that is now Me Too, and the melody or top line started to form as I played the track over and over again. I grabbed my headphones and went to my computer to record the melody and then went off to bed. In the wee hours of the next morning I woke up thinking about what happened to me when I was 7 or 8 years old, and there was the first line of the song ... 'That night I remember, at my age so tender.'
That night, I was sitting on the front porch with my sister who was in high school and her boyfriend who was also in high school, and on the football team. My sister went into the house, I can't remember why, and during the few minutes she was gone, her boyfriend pushed his middle finger up to my panties and then push his finger and my panties into my vagina. Honestly, I can barely type this.
I immediately shrank back from him and then I put my head down on my lap. There it was. The feeling of shame, which gave birth to the lyric 'with just your finger, you left your shame, was I to blame?' As my sister was returning to to the porch, I jumped up and ran into the house. Even as young as I was, I knew that what he had done was wrong. I can't even remember his name.
Fast forward to now. Immediately after I wrote the song, I started doubting whether I should even release it. I wondered if I should tell my story, when so many others have suffered worse abuse than I have. But then I thought, if what happened to me was so minor, why haven't I ever told a soul about it? Not my sister, who I used to tell practically everything to. Not my best friend who I tell everything to. Why was it time to tell this story now?
Fri, 08 Nov 2019 - 03min - 3 - It's Time
Transcript:
Last year I started working on an album project, quite by mistake to be honest. I started playing around with Apple Loops in Garage Band and ended up writing a song that I thought sounded pretty good. So, I kept playing around with these loops.
Now, it’s 10 songs later and as of the 25th of October I have released five singles. The first single, Me Too, was released on the 29th of March, and of the 10 songs, Me Too is the most personal. This song took me completely outside of my comfort zone. So much so that I couldn’t sleep at night after I sent the finished song to the distributor. Here’s why. I haven’t self-released any music in 10 years. I’m singing about a subject that seems to both unify and divide. I’m finally telling my story of being sexually assaulted when I was a kid. This is some scary sh**. To be honest, right now is the first time I’ve truly spoken about it. Writing and recording the story was hard, but what I’m feeling right now is off the charts.
I let my husband hear the track, and while he was listening I thought I was going to have a nervous breakdown. Vulnerability sucks. In his very British way he asks, very slowly mind you, ‘is this about what they’re talking about in the news?’ My answer was it is and it isn’t.
After writing the song I did some research on #metoo and discovered that Tarana Burke, a social activist and community organizer in the US, was the founder of this movement that started back in 2006. Tarana said she was inspired to use the phrase after being unable to respond to a 13-year-old girl who confided to her that she had been sexually assaulted. Burke said she later wished she had simply told the girl, “Me too.”
After the songs release I received emails and messages from people saying, ‘Me Too’ and thanking me for being brave and sharing my story. But I didn’t feel brave. I felt scared and worried about what people will think. Is the song good enough. Am I good enough.
In telling my truth I have realised that not feeling good enough is directly related to the shame that was left by what I experienced. This idea has permeated my teens and my adult life, but knowledge is power. Now that I know where this feeling was born, I can begin the work of growing past it. I’m already noticing that I’m worrying less about what people think. Maybe owning ones truth is the cure to the disease to please. I’m getting back to the me I was before the shame.
Thu, 07 Nov 2019 - 03min - 2 - Getting Back to MeWed, 06 Nov 2019 - 02min
- 1 - IntroSat, 13 Jul 2019 - 04min
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